On Wednesday, February 14, 2024 at 2:54:07 PM UTC-5, Linus Minimax wrote:
>
> That's some pretty tight resonance between the two pop-culture pillars o' Bob!
As a Torontonian McLuhanatic, I obviously love Videodrome, a classic homegrown flick with a character inspired by Marshall McLuhan.
But as a McLuhanatic I also have mixed feelings about Brian O'Blivion -- the stuff he says is mostly a caricature of how McLuhan was MISunderstood by people who (like the host & guests of the talkshow in the movie) weren't paying attention.
Especially what he says about TV itself. But the rest of the movie -- and the Videodrome TV show especially -- is a very astute exploration of what McLuhan actually said about TV & 'tactility'.
There's no story and no movement, just one room which we never leave with a soft & wet textured wall, and the action consists of nothing but blows, just striking people, just touching & feeling.
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But VIDEODROME is not the only artifact from 1983 which exhibits this strange quality. In the Book of the SubGenius, p.127 -- not just any passage but the alleged words of "Bob" himself! -- we find the following:
"... while absently tinkering late one night with an experimental television receiver of my own design.
... my vision of the room was short-circuited from within by the glow, but I could, after a fashion, 'feel' the walls and shelves around me, as if the air space between them and my skin did not exist... they seemed continuous with one another.
... The roaring sound seemed to come from no external source, but from deep within myself: this time, I felt, from my groin. Yet it was emanating outwards, evenly, in all directions; it was encompassing all the world. I could 'reach out' with the sound. I felt I had become a Radio of the Universe, deafened by the static chatter of an electrical cosmos."
That's quite precise: both the 'audio' and the 'video' channels of perception have been replaced by TACTILE versions of light and sound, with explicitly tactile phrases emphasized ('feel' & 'reach out')!
And both of these visions are presented in the explicit content of TV (Max Renn is searching for new content for his TV station, J.R. Dobbs is inventing a new form of TV set) ... and weirdly, both involve BOB. J.R. "Bob" Dobbs goes without saying, but why is the McLuhan-proxy in Videodrome named B---- O'B------?