Think about distributing it as an audio-only piece and those problems are there because when you’re listening to audio, you don’t have this sense that it’s the only thing you should be doing, unless you’re in a concert hall. You’re listening to it while doing such-and-such. I’m glad that we do have the image component, but it’d be interesting to know how many people who are watching the film online are also monitoring their Twitter feed while doing it (laughter). I’m wondering to what extent people are turning everything off and putting it on full screen mode. And one’s experience of any piece is obviously rewarded by doing only that.
Having come into that world without a background in film… I mean, I had done work as an audio technician in various ways, recording music, mixing music, doing CD mastering, working in Chicago public radio, making radio programs, and doing live broadcasts and blah blah blah. I had some sense of how to work in audio but not any training in how to do soundtrack for a movie. I had blissfully approached that without a sense of what conventions I was either making use of or not making use of.
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Sunik Kim: Depressing in every sense of the word. Nothing compels me to return to this after reviewing it. This feels to me like the kind of album that is fetishized by listeners as the darkest, the most brooding—a simple exercise in horror and despair, the Shadow Ring’s spin on slowcore’s navel-gazey doom and gloom. There’s nothing wrong with serious music, heavy music, dark music (see my other blurb in this issue!); and, on the opposite end, unrelentingly peppy music can be equally grating. But something about this very particular approach puts me off—ultimately, it feels juvenile, lacking much-needed subtlety, outdated, too aware of ‘what it’s doing’ and heavy-handed in producing its intended effect. The ratcheting acoustic glitch on “Clearing” is interesting and initially had me excited for more; but as the minutes passed, the cobwebs piled up and the dust accumulated, my excitement also waned and decayed to pure nothingness. Maybe that was the plan all along.
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