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Impact 111 Sponsors and Crusaders

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Cerridwen

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Feb 20, 2006, 5:24:24 PM2/20/06
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Impact 111 Oct 05
The Magazine of the International Association of Scientologists


New Crusaders [$10,000.00]

Liz G. Adams
Grayson Agnew
Sheyda Amini
Giovanna Angelini
Marni J. Atherton
Paola Baldi
Loris Ballotta
Katie Baltes
James Barbour
Carlos Barragan
Eric Bello
Edith Bernier
Abraham Boadi
Kris Boon
Jonathan Boss
Jen Brannstrom
Michael Bromley
Patti J. Brown
Ky Bruning
Michael Brunner
Jo Burr
Curry Chaudoir
Eric-Louis Chenaux
Wan Ting Cheng
Wayne Chin
Benoit Choiniere
Avishag Cohen
Donald Conley
Susanna Converse
Robert Cornish
Anne Crowley
Valeria Czapiewski
David A. D'Angelo
Federico D'Angelo
Kiki Davis
Roland De Knegt
Francisco De Silva
Eva Dewaele
Luigi Di Russo
Nancy S. Dillingham
Vasileios Dimou
Louis Diplacido
Michelle A.L. Drew
Douglas Erickson
Luca Faggi
Kjell Falkenby
Mostyn Faulkner
Vicky Fayton
Johnny Ferretti
John Feulner
Giancarlo Fibbia
Marion Finucane
Rita Flora
Josette Fleury
Jahangir Foroutan
Erika Lynn Frechette
Harry Fry
Thomas Fuegel
Jocelyn Garneau
Margaret Gaut
Fernand Gemme
Mark Giffin
Ron Gilbert
Sven Glueck
Alberto Goffy
Maria Del Refugio Gonzalez Mendez
Warren M. Grill
Claudio Grilli
Rudolph Gruener
John T. Hansen
Dori Hare
Ron Harnsberger
Elizabeth A. Harrington
Deborah Hartzell
Dot Harvey
Nobuko Hashimoto
Agustin Hernandez
Patricia Hindman
Ian Holtham
Meng Shu Hsu
Michael Hughes
Kathy Ingraham
Anna Ida Irace
Carlo Jeffery
Tunde Juhasz
Theodore Kaldis
Alexander Karev
Tomokazu Kawata
Jim Keely
Ralf Keiper
Richard Kellum
Anita Kelly
Pamela K. Kilmartin
Harley Kingdon
Barbara Koster
Christine Koth
Jacques Krawczyk
Timothy Kuchar
Joel Kurtzman
Fabio La Cava
Frank Laidlaw
Denys Lamontagne
Alice Lang
Chang Yuan Lee
Pi Ju Lee
Shu-Mei Lee
Bruce Levers
Chia Hsien Lin
Jeng-Lun Lin
Yu-chang Liu
Ryan London
Jim A. Lund
Terry Mac Mahon
Andrew Magnus
Frank Malcolm
Lynn Malin
Mary Lynn Mancinelli
Alessio Mauro
Graeme McDermid
Oona Margaret McGrath
Joe McKay
Rita Michaels
Greg Molinaro
Steven Moore
Paul Nagel
Christopher O'Brien
Stephen M. Oleck
Joaquin Olivares Herrera
Philip B. Park
Manilal Patel
Matt Patisso
Tony Peacock
Greg Pecka
Katya Pedroni
Alessio Pegoraro
Betsy Perkins
Josephine Peters
Charles M. Pizzuto
Sandra Milena Poveda Ortiz
Karen Priolet
Kai Pulliainen
Ilmarie Rencken
Uta Rentsch-Lang
Sherry Ridenour
Myron Robinson
John Rodden
Luc Roelens
Ronald D. Ross
Isaias Saldana
Howard Peter Sapsford
Noelle Saugout
Lise-Anne Schwander
Sandra Sella
James R. Senger Jr.
Lucia Serranti
Stella Sheinfeld
Kathryn Shepherd
Hiroshi Shoji
Andrey Sizov
Gavin Slender
Tim Smit
Lyn Smith
Judith Smythe
Maura A. Sorensen
Richard Stehlicek
Mary Jane Sterne
Glen Stewart
Ian Stewart
Chieko Suganuma
Thomas Swanson
Patrick Tadeushuk
Harumi Tanabe
Juan Manuel Tapiola
Tuende Tauber-Nemes
Anthony L. Taylor
Scott Thomas
Yvon Tremblay
Ken Tsuboi
Vladislav Umnov
John Vega
Norma Webster
Andreas Weiler
Brian Wenger
Richard Wheeler
David White
Gaius Halsey Wickser
Larry Wiley
Jeff Wills
Kozue Yamaki
Eduard Yarve
Chun-Cheng Yeh
Machiko Yonezawa
Der Hsing You
Ivano Zanetti
Ivano Zausa
Mario Zuker


NEW SPONSORS [$5,000.00]

Terry Aderhold
Maria C. Adinolfi
Afroditi Aggelakou-Koi
Stefano Aguglia
Naida Aiello
Michael D. Almstead
Vincenzo Aloe
Pavel Alyoshkin
Ludmila Alyoshkina
Simonetta Amaducci
Takaaki Arai
Vinita Asavamaytee
Zsolt Balay
Roberta Baldi
Roy Banks
Sophia Banks
Danilo Baron
Luigina Bazzani
Zsolt Beck
Jochen Becker
Vittoriano Bertolini
Sophie Betke
Thomas Bilella
James Bird
Orna Bloom
Roberto Bonetti
Naomi Bonini
Massimiliano Bonoldi
Alida Bosco
Gilles Bouchard
Poul Bournonwille Hansen
Heather Boyes
Elisa Brabenec
Alcindo Brito Moreira
Gina Bronsoiler
Roni Alon Brown
April Brunetti
Richard Bruyere
Helmut Buerkler
Cheryl L. Burnett
Vanda Campregher
Jessica Canfora
Luigi Carella
Patty Caro
Rene Caro
Leona Carter
John Carvalho
Giovanna Case
Douglas Casey
Casimiro Catala Oregon
Paolo Catena
Giuseppina Cavazzoni
Gianluigi Celeghini
Camillo Cereda
Antonio Cerrato
Mark Chalfant
Lisa Chatfield
Ching Yuan Chen
Hsiu Chen Chen
Jau-Zen Chen
Li Ping Chen
Su Chen Chen
Su Mei Chen
Yen-Hsin Chen
Hsiang Hua Chiu
Hui Fen Chu
Hui-Lan Chuang
Jen Hung Chung
Alberto Cocchi
Tracey Coleman
Griselda C. Contreras-Stein
Dominique Cook
Lorenzo Corbi
Israel Corona
Nicholas Costello
William Cox
Mara Crestani
William Grist
Gabrielle Crittenden
Charles Crizer
Alan Crooks
Douglas M. Crosby
Vittorio D'Amico
Laara Dalen
Michael Daniel
Mavis Darvell
Peter J. B. Davies
Refugio Davila
Michael Dawson
Monica De Piaggi
Enrico Degiampietro
John Dias
Eduardo Diaz Cisneros
Eric Dilco
Moira Dolan
Thomas Domani
Lucia Isabel Dominguez
De Munoz
Robert Dominguez
Dusty Dragony
Joan Drevlow
Steven J. Eickhoff
John Emerson
Ennio Faggian
Louis L. (Bud) Fair
Charles Feilmeier
Federica Ferrara
Mario Ferrari
Todd Fifield
Kristen Fowler
Phyllis Franklin
Robert Fresco
Ariane Frick
Sumiko Fukumoto
Noel Funck
Sylvie Gaboriault
Brigitte Gagnon
Diana Garatti
Loretta Gardea
Like Gartner-Manzon
Helena Gehring
Faye A. Getchell
Silvia Gibertini
Manuela Giese
Diana Gilbert
Christine Giotto
Aaron Ross Gluck
Mark Alien Gould
Paul Goverd
Julie Hope Graf
Andrey Grakhov
Friedrich Groeschler
Noreen Grubb
Marita Gruebl
Lucrecia Guerra-Chavoya
Kobi Halifa
Arthur Handl
Victor Handl
Carmen Harper
Robin Harstad (Overstad)
Robert Heinrich
Helmut Henneken
Bruce R. Henry
Wilfried Herkt
Peter Hess
Geordie Hogarth
Larry Holmes
Thomas Holmes
David F. Holt
Hsiu Chen Hu
Hsing-Tsai Huang
Hui Lan Huang
Mei Fong Rita Huang
Yu Ying Huang
Kuru Barrett Hunt
Delbert Hunter
Eric Huntington
Denise Hurd
Peggy Hyde
Doris Ilich
Liz Ingber
Gianluca Iuliano
Andres F. Jaimes
Colin Jeavons
Bob Johnson
Troy Ian Johnston
Kevin Jolivette
Serge Joly
Scott Jones
Jose Mauricio Jordan
Kyoko Kajikawa
Dimitrios Kavasis
Jessica Keegan
Brian Kennedy
Phillip Kessler
Sachie Kikuta
Joseph Albert Kingi
Maiko Kinoshita
Tai Fang Ko
Toshiko Kojima
Michael Kramer
Klaus Kuegler
Keiko Kume
Barbara Kussmann
Frederic Lacombe
Alexander Lake
Cara Lake
Ulisse Lamberti
Leonard E. Langley
Catherine Laplantif
Paul Lee
Pei Rou Lee
Wen-Jer Lee
Cheryl Lemieux
Brett Lemos
Karl-Heinz Lenz
Achille Lenzini
Hunter Leonard
Elena Limenko
Lynn Lin
Bill Litsheim
Christine Litsheim
Benjamin W. Little
Shu-Chi Liu
Yi You Liu
Jose Juan Lopez Campos
Yung Hsien Lu
Dan Ludwig
Karolina Ludwigova
Chen Yu (Bruce) Lung
Jenny Maartens
Mayer Magarici
Mario Magra
Marco Manzoni
Alessandro Mariotto
Jessica Frances Martin
Mitchell John Martin
Samuel Ashley Martin
Alexandr Maslov
Allan Mason
Jeffrey Mason
Jiten Master
Miyuki Matsuoka
Paul Maurone
Donna McDade
Helen McBride
Thomas McCafferty
Janice K. McDannel
Betty McDermid
Giovanni Mecati
Meko Chris Meeks
Katiuscia Mercuri
Attila Mildovicz
Lin Miller
Val Miller
Elena Minea Dirninger
Russell M. Missonis
Cynthia Moe
Paul Moe
Peter Monaghan
Susan Monaghan
Pierluigi Monateri
Maria Montoya Sanchez
Doris Morelli-Stoll
France Morency
Komra Moriko
Katusca Morrone
Amir Moshe
Kirk Mossing
Nick Mudge
Atsuko Murayama
Carolyn Murphy
Jiro Nagira
Catherine Neil
Mikhail Nikitin
Anatoliy Nikol'skiy
Donna Noboa
David Norman
Scott Nowlin
Tina Nowlin
Judee O'Leary
Tim O' Sullivan
Juan Luis Ocana
Margaret Ann Oppenheim
Kim Otto
Carlos Panthera
Juan A. Penalver Alvarez
Lauren Perreau
Gory Phigler
Alberto Picarelli
Sidonia Piccolo
Michael Pietrzak
John Pizzo
Mike Pogojeff
Aydogan Polat
Alessio Pollini
Alexey Polushin
Karen Poulin
Daniela Pratella
Beniamino Principe
Lorena Prodorutti
Jiri Puncochar
Pin Radstake
Jose G. Ramirez
Nino (Antonio) Rasa
Albert Byrd Ratermann
Jason Reid
Robert Reynolds
Toni Rice
Jeffrey Ricketts
Jane Rietman
Tommaso Rizzo
Robyn Robichaux
Ruddy Rodriguez De Lucia
Ramiro Romero
Merril Rowe
Konstantin Rubas
Francisco J. Ruiz Pascual
Lucia Sacco
Arielle Sadeh
Noga Sadeh
Pas Sadeh
Manuel Sahagum Linares
Danielle St. Amand
Maureen St. Amand
Michael St. Amand
Nicole Salmon
Thomas Salmon
Amanda Sandilands
Vallinayagam Sankar
Maria Clara Santos
Gomes Lacerda
Saveria Savocchia
Sterling Schmitz
Ted Schmitz
Bernie Schrott
Moreno Serrani
Mark Shaw
Sophie Sheinwald
Tamami Shoji
Gary Siewert
Daniel C. Simonds
Nosisa Sipambo
Dmitriy Skaskiv
Catarina Skou
Alex Smith
Dakota Smith
Bengt Soderstrom
Anne Sokoloff
Ferenc Solymosi
Therese Soucy
Harvey Stapleton
Janet Stein
Paul Stein
Mirella Stelitano
Juerg Stettler
Hanno Stockhausen
Carol Strankman
Don Strankman
Jan Strom
Yu Lin Su
Masashige Sugiyama
David Sutter
Hiroshi Tachibana
Denise Terry-O'Neill
Wai Yin Tham
Ann Tillman
Susan Toivonen
Paul Townsend
Shelley Trepanier
Karen Troelsen
Mogens Troelsen
Akinori Tsukasa
Adam Twaalfhoven
Vincenzo Uberti
Yoko Ueda
Serge Vaillancourt
Claudio Valente
Aygul Valieva
Rob Vallance
Gerard Vaudry
Luisa Vitiello
Michaela Vranova
Kelly Wear
Grazia Weiss Levi
Breana Wells
Keith Wells
Li Ping Wen
Laol Ann White
Paul Whitehead
Brian Williams
Jim Williams
Michael Williams
Chris Wrapson
Ming Tai Wu
Suyu Wu
Yi-Jen Wu
Kenji Yashiro
Mayumi Yasue
Dennis Yates
Kathy Yaude
Belinda Young
Edward B. Young
Hsin Yu
Werner Zimmer


Genesis

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Feb 20, 2006, 6:55:05 PM2/20/06
to

Cerridwen <noad...@nowhere.com> wrote in message
news:5SHPOUE438768.6836111111@anonymous.poster...

> Impact 111 Oct 05
> The Magazine of the International Association of Scientologists

I wonder how many people here realize how the cult gets it money
from its public.
First you are told after course that there is an ias event and there
is great news and you should attend.
If your not on course you get a phone call stating the same.
If your foolish enough to attend, you get about 20 minutes on
how the cult is making strides in the world.
Then the ias reg gets a blackboard and writes a crazy figure on
it, something like, 40,000.00.
As the reg is writing on the board, the few staff members attending
close the doors and stand by them, to make it intimidating if you
decide to leave.
Then the reg starts reging the room, asking who is going to start
the donations, and the reg starts pushing as many buttons as possible,
stating if ias doesn't get the money the world will end the next day,
all kind of crap like that.
Anyways, the more aware people get up and leave, and the more
intimadated stay, banging up their credit cards, writing checks hoping
they don't bounce, etc,etc.
Actually a few people just stick around not giving money, but watch
the antics of the reg and the effects of the public.
Sickening actually. You are usually indirectly made wrong, for not
remortgaging your house, or calling friends to help you get the money.
But the comforting thought, is knowing you will get that shiney pin
for helping out the execs live the life of reily, while the staff live off
grub.

Genesis

Quaoar

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Feb 20, 2006, 7:09:37 PM2/20/06
to

That "shiny pin" must carry a lot of psychological weight for both the
wearer and the viewers of the pin for this whole regging/donation
process to work. The cost of that "shiny pin" must provide a high level
of positive reinforcement from the kult and the members who see it,
otherwise no one in their right mind would pony up the big bucks that we
see listed on Cerridwen's postings.

I'm visualizing a gradient process in the kult's obtaining these
donations. "Regging" might work for the first donation, but what about
the latter donations? Any sentient human being would cog to the regging
process easily; there must be some very important positive reinforcement
from the initial donation that causes the member to donate the *second*
time. Frankly, I don't think that fear is enough of a motivator for
anything involving money, except fear will promote the "fight or flight"
psychology.

So, since you were a $cientologist at one time, what is the motivation
for continuing these donations, in your opinion?

Q

realpch

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Feb 20, 2006, 7:41:33 PM2/20/06
to
Quaoar wrote:
<snip>

> That "shiny pin" must carry a lot of psychological weight for both the
> wearer and the viewers of the pin for this whole regging/donation
> process to work. The cost of that "shiny pin" must provide a high level
> of positive reinforcement from the kult and the members who see it,
> otherwise no one in their right mind would pony up the big bucks that we
> see listed on Cerridwen's postings.
>
> I'm visualizing a gradient process in the kult's obtaining these
> donations. "Regging" might work for the first donation, but what about
> the latter donations? Any sentient human being would cog to the regging
> process easily; there must be some very important positive reinforcement
> from the initial donation that causes the member to donate the *second*
> time. Frankly, I don't think that fear is enough of a motivator for
> anything involving money, except fear will promote the "fight or flight"
> psychology.
>
> So, since you were a $cientologist at one time, what is the motivation
> for continuing these donations, in your opinion?
>
> Q

Preclear folder contents?

; )

Peach

Genesis

unread,
Feb 20, 2006, 7:43:05 PM2/20/06
to

Quaoar <qua...@marcabfleet.com> wrote in message
news:w6GdncHeDPT...@comcast.com...
> That "shiny pin" must carry a lot of psychological weight for both the
> wearer and the viewers of the pin for this whole regging/donation
> process to work. The cost of that "shiny pin" must provide a high level
> of positive reinforcement from the kult and the members who see it,
> otherwise no one in their right mind would pony up the big bucks that we
> see listed on Cerridwen's postings.
>
> I'm visualizing a gradient process in the kult's obtaining these
> donations. "Regging" might work for the first donation, but what about
> the latter donations? Any sentient human being would cog to the regging
> process easily; there must be some very important positive reinforcement
> from the initial donation that causes the member to donate the *second*
> time. Frankly, I don't think that fear is enough of a motivator for
> anything involving money, except fear will promote the "fight or flight"
> psychology.
>
> So, since you were a $cientologist at one time, what is the motivation
> for continuing these donations, in your opinion?
>
> Q

When your in, you want to help. If you don't have the means to forward
the $$$ its looked upon as you are low toned and very unable as a person.
You are told constantly Co$ members are able, and you must be doing
something out ethics to not be pulling in the big bucks to give to the cult.
You are also constantly told as a cult member you are part of the eliete
on this planet, and frivolous things like houses,cars, food, are not as
important
as the planet being saved by the Co$.
The only thing important within the cult, is money always being ''flowed to
power'' as they state it. The claim by the regs were if you flow power
''money''
to the cult, you will be rewareded and magically get it back somehow.
If you are not doing everything to insure the Co$is financed, you have other
intentions.
Unfortunately I have seen way to many people live like paupers after giving
more than they can afford to the cult.
Then the staff at the cult state you must be out ethics to be living like
this.
Actually really funny when you think about it.
There's more, but this should answer your question

Genesis

--true awareness is only enjoyed by a few--


Susan

unread,
Feb 20, 2006, 8:19:25 PM2/20/06
to
Genesis wrote:
|| Cerridwen <noad...@nowhere.com> wrote in message
|| news:5SHPOUE438768.6836111111@anonymous.poster...
||| Impact 111 Oct 05
||| The Magazine of the International Association of Scientologists
||
|| I wonder how many people here realize how the cult gets it money
|| from its public.
|| First you are told after course that there is an ias event and there
|| is great news and you should attend.
|| If your not on course you get a phone call stating the same.
|| If your foolish enough to attend, you get about 20 minutes on
|| how the cult is making strides in the world.
|| Then the ias reg gets a blackboard and writes a crazy figure on
|| it, something like, 40,000.00.
|| As the reg is writing on the board, the few staff members attending
|| close the doors and stand by them, to make it intimidating if you
|| decide to leave.

Yep, this is sad but true. How iRONic that these cultic folks who profess to
be at cause over matter, energy, space and time- not to mention postulates
have to resort to strong arm tactics of intimidation and, that their members
do not obviously give of their own free will.

I have a friend who told me that when she tried to leave instead of staying
for the event, that everywhere she went to find an open exit, the whole org
was strategically blocked off by staff members and she had to force her way
out! Very scary.

Another part of the coersion at the event is that, certain people at the
event pledge outrageous sums of money and anyone who knows them, realizes
that the amount pledged is ridiculously out of their league. I saw this when
the IAS reg's wife pledged over twenty thousand dollars one night. The mood
and energy in the room was unrealistically exhilarating for several of those
individuals who wound themselves up to the nth cultic degree.

Susan

Quaoar

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Feb 20, 2006, 8:37:16 PM2/20/06
to

Actually, no, although the PC folders could work. what I am thinking is
that there is a subtle motivator for $cientologists to donate the second
time. There is a motivator. What is it?

Q

Quaoar

unread,
Feb 20, 2006, 8:46:33 PM2/20/06
to

"When your are in, you want to help". So on the second regging, how is
one "in"? What is the motivator for donating large money, the second
time? I've been in several "first time" experiences, but never have been
in "second time" experiences when it was obvious that the "first time"
experiences were scams. Particularly, the "big money" people who have
big money through their own initiative seem to provide major $$ in the
future.

What are these big $$ donators getting from the kult that motivates them
to donate subsequent big $$?

Jebuz! Don't these big donators have an independent mind at all?

Q

Critics claim that the basis of $cientology is bogus. Given this, what
causes members to spring major money to IAS?

Q

realpch

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Feb 20, 2006, 9:10:09 PM2/20/06
to

Yeah, I was just funning. Once I was walking around Fisherman's Wharf
with a friend, and we went into a tent where some kind of auction was
going on. They had a lot of suspicious goods...presumed antique brass
ships' items, and watches of dubious quality, likely ersatz jewelry. We
stayed for about 20 minutes, but hadn't gotten there at the beginning,
so never knew how it was set up. The other people there included obvious
bidding shills, and many hapless tourists. It wasn't clear how the
bidding worked, but what was clear was that people were getting all
jived up by crowd enthusiasm to show how much money they could spend on
worthless goods. A good manipulator can do a lot with a crowd that's
been hypnotized by patter to keep up with the Joneses. Sigh.

Peach

realpch

unread,
Feb 20, 2006, 9:11:41 PM2/20/06
to

Perceived status and perceived value. Probably a bunch of guilt thrown
in. Peer pressure. The usual.

Peach

Howard

unread,
Feb 21, 2006, 2:28:21 PM2/21/06
to
realpch wrote:
>
> Quaoar wrote:
> >
> > realpch wrote:
> > > Quaoar wrote:
> > > <snip>

> > >> So, since you were a $cientologist at one time, what is the motivation


> > >> for continuing these donations, in your opinion?
> > >>
> > >> Q
> > >
> > > Preclear folder contents?
> > >
> > > ; )
> > >
> > > Peach
> >
> > Actually, no, although the PC folders could work. what I am thinking is
> > that there is a subtle motivator for $cientologists to donate the second
> > time. There is a motivator. What is it?
> >
> > Q
>
> Yeah, I was just funning. Once I was walking around Fisherman's Wharf
> with a friend, and we went into a tent where some kind of auction was
> going on. They had a lot of suspicious goods...presumed antique brass
> ships' items, and watches of dubious quality, likely ersatz jewelry. We
> stayed for about 20 minutes, but hadn't gotten there at the beginning,
> so never knew how it was set up. The other people there included obvious
> bidding shills, and many hapless tourists. It wasn't clear how the
> bidding worked, but what was clear was that people were getting all
> jived up by crowd enthusiasm to show how much money they could spend on
> worthless goods. A good manipulator can do a lot with a crowd that's
> been hypnotized by patter to keep up with the Joneses. Sigh.
>
> Peach


Ah yes - Mock Auctions. In the late '50's they were a frequent
feature in various premises on Oxford Street in central London. I
once got taken for a 'state of the art' portable Dansette
33/45/78rpm record player. So it goes...

They're an enduring and pernicious scam:

[...]
“They’re holding an auction at that old carpet warehouse on the City
Road,” says a friend of mine eagerly. “Should be right up your
street” Should be, but isn’t. The flyer he is holding doesn’t relate
to a real auction. Although the cheaply printed sheet of paper
doesn’t say so, he is being asked to attend a mock auction,
sometimes known as a one-day sale.
[...]

See URL:
http://www.ganews.co.uk/article2.html


Howard
--
hedmundoatmacmaildotcom

realpch

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Feb 21, 2006, 3:30:21 PM2/21/06
to

Yes, like that Howard, only there were some extra things thrown in. I
think at one point they had the shills getting publicly paid the
difference in cash should someone outbid them. The shill bid, a worker
handed him the item and took his money, then if someone else bid on it,
they paid the shill the difference in cash and took the item and gave it
to the next person! It was really strange, and I couldn't quite figure
out what was going on, but I don't think anyone else in the audience
could either! But at least I wasn't bidding...

Peach

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