conference announcement
Michael Gerard Maranda
M i n i n g t h e f i e l d s / f i l l i n g t h e b l a n k s
cultural studies and the new art histories
(organized by students of the program
in visual and cultural studies)
April 7 and 8, 1995
Gowan Room
Wilson Commons
University of Rochester
information (716) 275.9249
Friday - April 7th, 1995
. 12:00 - 1:00pm
registration
. 1:00 - 2:30pm;
Critical Musings: Cultural (Re)collections///Lise Creurer, moderator
Shopping the Museum: Imaging the Public
Body in the Carrousel du Louvre
Liane McTavish
Visual and Cultural Studies, University of Rochester
A Different Sort of (P)reservation: Some
Thoughts on the National Museum of the
American Indian
Allison Arieff
Program in American Studies, NYU
Sifting through the Ashes: Museum Studies
in a Cultural Studies World
Rebecca Duclos
Museum Studies Program, University of Manchester
The Eye of Architecture: Visual Language,
Perception, and Subjectivity in
Architectural Pedagogy
Kazys Varnelis
Department of Architecture, Cornell University
. 3:00 - 4:30pm
Constructed Subjectivities: Methodological Intersections of Identity
Representations///Walid Ra'ad, moderator
Working (the) Landscape: Discourse,
Displacement, and the Materiality
of the Body
Eugenie Shinkle
SIP Program, Concordia University
Now You See Them, Now You Don't, or,
Hannah Arendt meets Judith Butler on
the Way to a Body.
JR Carpenter
Studio Arts, Concordia University
Coloured Nude: Blackness as a Disguise
for Sexual Mediation
Charmaine Nelson
Department of Art History, Concordia University
Early Modern Images of Cleopatra:
Token, Hybrid, Other?
Sheila C. Murphy
Art History, University of Rochester
. 5:00 - 6:30pm
Keynote address
Stephen Melville, Ohio State University -- "Mining, the Field"
. 7:00 - 9:00pm
reception (Hartnett Gallery)
Saturday morning - April 8th, 1995
. 9:00 - 10:50am
open panel///Charles A. Wright, jr. , moderator
Mystery versus Mastery: Redefining
Masculinity in Early American
Avant-Garde Photography
Mark Denaci
Dept of Art and Art History, Case Western Reserve
Cereal and Sugar-Coated (I)deology
Gordon Simpson
Department of Art History, Columbia University
Crossing the Borders of Desire:
Beyond Lesbian Representation
Jennie Klein
USC
What can you do when you have to be a
man? Intermale looking in "Rebel
without a Cause" and "East of Eden"
Yasco Horsman
The Netherlands
The Medium is the Message: Developing
Choreographed Marching in Twentieth-Century
American Schools
Stuart Rice
Music Education, University of Utah
. 11:20 - 12:30pm
An/other('s) Image///Mario A. Caro, moderator
Cultural Studies and the Reinscription of
Latin American Art: Has there been a
Real Paradigm Shift?
Monica Amor
Program in Art History, CUNY Graduate Centre
'An Energetic and Civilised Race': Relationships
of Text and Photographic Image in the Colonial
Inscription of the Canadian West (1858)
Andrea Kunard
Department of Art History, Carleton University (Ottawa)
Negritude and Griotism: That Negritude is Phallog(ri)ocentric
Martial Frindethie
Comparative Literature, University of Minnesota
. 12:30 - 1:30pm
lunch
Saturday afternoonŃ April 8th, 1995
. 1:30 - 3:00pm
Objects & Absences///Michael Maranda, moderator
Merchants, Pilgrims, and Mercenaries: The Visual
Culture of Travel, Trade, and the Caravan in
Medieval Upper Egypt.
Nancy Um
Department of Art History, UCLA
Imaging Aztlan: Ruins in the Rich Man's House.
Ondine Chavoya
Visual and Cultural Studies, University of Rochester
(Dis)covering Colombia: Appropriating Pre-Columbian
'Art' to Define a Nation.
Mario A. Caro
Visual and Cultural Studies, University of Rochester
Subjectifying Architecture as a Project in Living
Archaeology: The Ongoing Construction of Bath, England.
Cynthia Hammond
Art History, Concordia University
. 3:30 - 5:00pm
Woofs and Weaves: The Fabrication of Context///Natasha Goldman & Laura
L. Quinn, moderators
Decoration as Modernism's 'Other': Re-reading the
Feminine/Decoration Equation in the Theories of Early
Modern Architecture.
Lucinda Kaukas-Brown
Humanities Doctoral Program, Syracuse University
Friedrich Overbeck and Purity: Playing the Role of the Monk-Artist
Mitchell Frank
Art History, University of Toronto
Just More Text: "Spatial Context" and the frame as
Parergon in the essays by K. Schippers
Antoinette Grootenboer
The Netherlands
The Fabric of Postwar American Art: One account of
how the artworld established what men did with cloth
as legitimate art.
Jennifer Way
University of Texas at Austin
sponsored by:
the program in visual and cultural studies, dean of
the college arts and science, the department of modern
languages and cultures, film studies, the graduate
organising group, the susan b. anthony institute & wilson commons
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......................Michael.Maranda..................................
.......................................mm017g@uhura.cc.rochester.edu....
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