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Looking for Star Trek Discovery season 1 Episodes 6 onwards in english.
Why does it seem there are no posts any more ???

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[dolf]

— THAT’S LIFE JIM EPITAPH

(c) 2017 Dolf Leendert Boek, Revision: 2 December, 2017

This Facebook post was repeatedly subject to censorship as deleted by
“The Free Thought Project” without reasonable cause and who as a
misnomered and supremacist organisation exercise prejudiced hedonism
against life by their indolent manner as the intolerance which is the
American Dream of vacuity.

EXCERPTS FROM "VERTREK CHAPTER 23: THE SHED—DE SCHUUR"

Piet had told me that every man needs a solitary place to daydream and
be himself. He felt that daydreaming is a definite key to
self-discovery, finding one’s place in the world. I often wondered if
the majority of Dutch people ever daydreamed.

What did Ernest Hemingway, Mark Twain, Gustav Mahler, Henry David
Thoreau, Thomas Jefferson, and Virginia Woolf have in common with my dad
Piet? All these great artistic men and woman had their schuur (shed)
either on a mountain or in their backyard. Piet had his in the backyard.
Not that Piet would have equated himself with these great men; his
cultural influence was too Calvinist for that, leaving him sober and
self-deprecating. Yet he made some of the most beautiful models of
vintage ships that I had ever seen. Of course I am biased; he was my
dad. We called the shed de schuur. Whenever we would ask Bets where Piet
was, she would answer, ‘Why do you ask? You know he is in his schuur.’
Wherever we lived, Piet had his schuur, although it was by any measure
not conventional.

The schuur centre was where beautiful things were made and happened.

From day one in Australia, Piet maintained his craft of building wooden
model ships, specializing in vintage ships. He would spend hours
carving, bowing, and sawing chiselling, bending, nailing, and measuring.
Friends or strangers would just sit in the schuur near him and watch,
often silently, sometimes quietly talking in the background. There would
frequently be quiet music, street organs, light classical, Vera Lynne,
Glen Miller, Duke Ellington, Corrie Brokken, Annie De Reuver, Toon
Hermans—the singers and musicians of his youth.

People wondered why Piet would make these beautiful ships. Was he
homesick for the Dutch waters, the river barges, the open North Sea, or
did he want to relive his memories through making models? Ships and
crafts were used as teaching aids by our parents for us kids; there was
a story attached to everything they made. Bets would make and teach
crafts for the Leopold Uniting Church, where young women would come and
learn. At times, the financial situation would be bad, and some of the
ships would be sold to the antique shops in Toorak, helping the family
out of difficult situations. He made ships of his youth, and the ones he
had worked on, such as the Koningin Emma (Queen Emma), a ferry ship
crossing to and fro on the River Scheld. Piet worked on this ferry after
he and his mates returned from police action in Indonesia and it had a
lot of meaning for him. He often said that the shapes of ships were like
beautiful women, symmetric curves, well-balanced and designed to move
swiftly through the fluids of life.

He built several models of James Cook’s ship, the Endeavour. Piet
realized that Captain Cook was a revered personage in Australia and the
building of the Endeavour would show that we Dutch were not only eager
to assimilate, but also eager to create a common element which we could
talk about with Australians, when we exhibited the splendid models.
After the Endeavour, models of other famous English ships followed, such
as Francis Drake’s Golden Hind, the first ship to circumnavigate the
world, then Captain Bligh’s Bounty, of Mutiny on the Bounty fame. Local
models were not forgotten. After a visit to Loch Arch Gorge near the
Victorian coastal town of Warrnambool, he was impressed. He made a visit
to the wreck site of the clipper Loch Arch, and wrote away to Scotland
for plans of the Loch Arch; it took him almost two years’ time to build
this magnificent and historically relevant sailing clipper.

One of his crown ships he made, besides the infamous but beautiful
Batavia, was the crown jewel of all of Piet’s models: De Zeven
Provincien (Seven Provinces), named after original provinces of the
Dutch Republic when it declared independence from Spain. De Zeven
Provincien was the flagship of the famous Dutch national hero Admiral
Michiel De Ruyter, a fellow Zeelander, who sailed up the River Thames,
causing the city of London to be evacuated. There were always exciting
stories, and he would entrance me with them as he was building his
creations.
<http://www.grapple369.com/images/Zevenprovincien.jpeg>

[IMAGE: DE ZEVENPROVINCEIN (SEVEN PROVENCES) as some of the treasures
made within solitude within de SCHUUR (SHED)]

He would tell me about the Battle of Solebay, which had a combined
French/ English fleet of seventy-four major warships against a
(victorious!) Dutch fleet of sixty-two. Of course history has forgotten
this; Piet was convinced that the English made sure it would be
forgotten. The Solebay battle pitted eighty-five Dutch warships against
an English fleet that eventually numbered at least seventy-four major
warships over a period of four days! Yet the English still credit
Trafalgar as the ‘greatest’ of sea battles! As kids, we all loved to
hear the stories of when De Ruyter and his fleet not only sailed up the
Thames and the Medway, destroying and carrying off a major portion of
the English fleet, but actually continued there for over a month,
blockading the Thames, terrorizing London, and raiding up and down the
river at will! Yet so little is written about this by the English. The
captured trophies of the Dutch invasion of England are still on display,
such as the stern carving of the biggest English warship, the Royal
Charles, captured by the Netherlanders still hangs with pride in the
Rijksmuseum at Amsterdam.

Of the many stories told in the schuur was this one, still my favourite:
The Zeven Provincien was ordered to search for forty captured Hungarian
Protestant ministers. They had been sold to the Spanish fleet to serve
as galley slaves. De Ruyter had an inkling that they were kept in a
Naples prison by the Catholic forces. The Neapolitans denied it, but De
Ruyter persisted, and anchored in the dead silence of the night, the
Dutch fleet blockaded Naples. In the middle of the first blockading
night, every sailor heard the prisoners sing Psalm 116. Admiral De
Ruyter immediately gave the Neapolitans an ultimatum: release the
Protestant ministers or face a bombardment aimed at annihilating Naples.
The twenty-six survivors sang Psalms 46, 114, and 125 as they were being
transferred to the Zeven Provincien on February 11, 1676. When the
transfer was complete, they knelt on the deck in their rags and
emaciated condition and sang Psalm 116. The Dutch seamen, who seldom
shed tears, wept openly. How did the Dutch know that the Hungarians (who
spoke no Dutch) were singing Psalms 46, 114, 125, and 116? Because they
were singing them in Hungarian on the Geneva tunes the same as Dutch tunes.

My oma had paintings done for our rooms about Michiel De Ruyter climbing
the church tower in Vlissingen (Flushing) to look out for the English
fleet and so save Zeeland from the naughty English.

It is worth noting that Piet made all things by hand from second-hand
materials; everything that was recyclable was used. He never purchased
anything ready-made from hobby shops; for him, every little thing had to
be authentic and handmade as it was originally done. He was fastidious
in detail and quality; everything had to be authentic. The Zeven
Provincien took Piet nearly three years to build with painstaking
patience. If a cannon was not perfect, he would make it over and over
again until it was perfect. The whole family became involved in the
history of the Zeven Provincien. According to Piet, the Dutch would have
lost against the English fleet if they did not have this ship and they
would not have had supremacy of the seas for nearly a hundred years.

For more than fifty years, Piet worked on his models, but never at the
expense of his family. We were proud of our dad and he transferred many
of his skills and personal attributes to his offspring.

In all our lives, there are aspects that define a person’s life
signature. For Piet’s, it is love for all things maritime, especially
the building of model boats and vintage ships. He had made many VOC
ships of the Dutch golden century; this gave us a sense of love for
history and the contribution our Dutch forefathers, such as
parliamentary democracy, discovery of new lands, banking and stock
markets, being good world citizens. Piet’s ship told these stories
because they were part of the Dutch global economy, begun in 1602 with
the founding of Batavia, now Jakarta. As a truly talented craftsman, he
loved books and reading, albeit nearly all maritime books. What happened
to the schuur? It is still standing; as I am looking at it right now, it
needs to be painted. The books are packed in crates; maybe they need to
be unpacked. The flags are folded; maybe they need to be unfolded. The
poetry on the wall is fading; maybe they need to be refreshed. The roof
is leaking in tiny spots; maybe it needs patching. The ships? Some of
them are in museums, and most of them are displayed in the living rooms
all over the world. The schuur remains a man’s shed; even when I enter
it today and friends come and visit, it reverberates hope, consistency,
nostalgia of a quieter, more stable time, a time when men used their
hands and brains and built things of worth. The schuur continues.

I EXCHANGED THIS DIALOG WITH THE AUTHOR TODAY

— SOLITUDE IS VERY DANGEROUS —

“It’s very addictive.
It becomes a habit.
After you realise.
How peaceful.
And calm it is.
It’s like you don’t.
Want to deal with people.
Anymore because they
Drain your energy.” [Jim Carrie epitaph, The Free Thought Project, 2
December 2017]

<http://www.grapple369.com/images/Jim%20Carrey%2020171202.jpeg>

[IMAGE: James Eugene Carrey (17 January, 1962) is a Canadian-American
actor, comedian, impressionist, screenwriter, and producer. He is known
for his highly energetic slapstick performances]

WIKIPEDIA PROFILE: "Carrey met model and actress Jenny McCarthy in 2005
and made their relationship public in June 2006. In April 2010, the two
ended their near five-year relationship. Despite the split and media
circulations, McCarthy stated in October 2010 that, 'Jim and I are still
good friends'.

On September 28, 2015, Carrey's former girlfriend, Cathriona White, a
native of County Tipperary, Ireland, was found dead from a prescription
drug overdose. The couple first met in 2012. Carrey was a pallbearer at
her funeral in Tipperary.

On September 19, 2016, Mark Burton, White's husband from 2013 until her
death, filed a wrongful death lawsuit against Carrey, claiming that
Carrey used his "immense wealth and celebrity status" to illegally
obtain and distribute prescription drugs involved in her death. Carrey
released a statement the following day:

What a terrible shame. It would be easy for me to get in a back room
with this man’s lawyer and make this go away, but there are some moments
in life when you have to stand up and defend your honour against the
evil in this world. I will not tolerate this heartless attempt to
exploit me or the woman I loved. Cat's troubles were born long before I
met her and sadly her tragic end was beyond anyone’s control. I really
hope that some day soon people will stop trying to profit from this and
let her rest in peace.

In October 2016, White's mother Brigid Sweetman also filed a wrongful
death lawsuit against Carrey.

In this lawsuit, Sweetman's attorney states that Carrey had undergone a
test for sexually transmitted infections, and "purposely hid the results
from Ms. White, whom he was intimately involved with, and failed to
inform her that he had tested positive for Hepatitis A, HSV (Herpes) I
and II, and Chlamydia. To make matters worse, Carrey then proceeded to
have unprotected sex with Ms. White with full knowledge that he was STD
positive."

Sweetman herself later issued a statement: "These documents show that
Jim Carrey has lied to the media, the public and the court. Carrey has
now been shown for what he is — a dishonest Hollywood celebrity who
thinks he can say anything and fool people just because he is famous."
[<https://en.wikipedia.org/wiki/Jim_Carrey>]

What pessimistic psycho-babbling diatribe:

#1 - Singularity as ensuring viability to any formula of autonomy has
precedence;
#2 - Reciprocity as anchorage / centrality with others is a delimitation
of the former;
#3 - How you mutually and agreeably choose to enjoy your opportunities
with others ought to be negotiable;
#4 - Avoid circumstances where the integrity of persons is compromised
by the intentions of others;
#5 - Acknowledge the cause for any disharmony and peaceably strive for
resolution;
#6 - Always make a better choice as the principle for self actualisation
(you need to happily live with an opportunity);
#7 - Understand that everything you do, say, want or refuse comes with
constraints and means.

That’s just a quick 5 minute hypothetical sketch which doubtlessly may
be improved upon.

Have you got something other than a glib statement Jim?

It’s life Jim but not as we know it ...

YOUTUBE: “It’s Life Jim”

<https://www.youtube.com/watch?v=FCARADb9asE>

dolf

A DRAFT REVISION OF THIS DOCUMENT MAY BE OBTAINED AS A PDF DOCUMENT FROM
THIS URL:

<http://www.grapple369.com/docs/Jim.pdf>

Initial Post: 2 December 2017

— DAYS OF OUR LIVES (PANDORA'S BOX)

(c) 2017 Dolf Leendert Boek, Revision: 1 December, 2017

The purpose of this third revision of this same post is to demonstrate
the perennial orbital phenomenon which occurs when one’s statements /
actions have concordance and thereby an integrity rather than a
promiscuous circumstantiality in its correspondence to the paradigm of
MIND which is the trinomial mathematical theoretical noumenon.

Although there is a further development within thinking, there is no
abandonment of the words written the year prior and in point of fact (2
years prior) as substantial opinion I could include the words here and now.

DOLF @ 0714 HOURS ON 1 DECEMBER 2016 (2 YEARS PRIOR): “I had an
interesting conversation with a German man and friend who expressed a
cultural concern to me about holocaust guilt, which started me thinking.
I replied that Heidegger was responsible for much of the transformative
thinking to Western philosophy of the age and which together with some
pseudoscientific rationalisations gave rise to socialism as fascism.

He existed within the fabric of institutional educational thinking of
the time and contributed to such concepts as origins of language and
being & time.

That the Jewish people are themselves uniquely defined by an attribute
of time such as the sabbath day and the Kabbalah centric celestial
hierarchy as attributed time and technology of the soul which permeated
Christian identity in the Middle Ages particularly.

Their communal isolationism from general society failed to raise any
voice of objection or make any contributions contrary to Heidegger's
view--I can't readily find to this day, any Jewish philosophers and
theological thinkers who from their Torah perspective, challenged that
branch of German thinking.

If they did, the outcome might have been different.”

YOUTUBE: “Days of Our Lives (2004)”

<https://www.youtube.com/watch?v=tvFPl_3nhxI>

Nous: #10
Time: 16:30 hrs
Date: 2017.11.30
Torah: #20 #30 #10 %81 = #60
Dao: Impossible Advice, What can Be Done?
Tetra: #41 - Response
I-Ching: H30 - Cohesion, Radiance, Clinging to Brightness/Fire, The net

Latin: Assistens {God prompt to grant} Alt: Menqel {Libation Bowl of God} {

1. SERVES TO MAKE KNOWN THE TRUTH. AIDS THE TRIUMPH OF INNOCENCE
2. PROMPT HELP IN TRIALS
3. WITNESSES
4. Tepisatosoa
}

Solar Eclipse: 13 (UTC) / 14 November 2012 (AEST)

Nahor {Snorting, Hoarse; dry; hot}

<http://www.grapple369.com?zen:3,row:7,col:4,nous:10&idea:{82}&idea:{371}&idea:{83}&idea:{393}>

.jackNote@zen: 3, row: 7, col: 4, nous: 10 [Date: 2017.11.30, Super:
#371 / #2 - Contrast of Terms, Self-Culture; I-Ching: H11 - Peace,
Pervading, Greatness; Tetra: 16 - Contact, Ego: #393 / #10 - Impossible
Advice, What can Be Done?; I-Ching: H30 - Cohesion, Radiance, Clinging
to Brightness/Fire, The net; Tetra: 41 - Response]

PANDORA’S BOX 📦 @ 0841 HOURS ON 30 NOVEMBER 2017: “PAK DE BOEL MAAR IN
JONGENS {TAKE CARE OF THINGS IN BOYS}...

Ik zou me meer zorgen maken om de Afrikanen die het tropisch regenwoud
en de savannes plunderen op zoek naar bushmeat.

TRANSLATION: I would be more concerned about the Africans plundering the
tropical rainforest and the savannah in search of bushmeat.”

Now I am the first to admit that I have only a cursory knowledge of
somethings but I am always willing to defer to persons whom have
definitive expertise within any sapient area of experience which
requires at the very least a universe of discourse, if not a
comprehension of an entire nomenclature.

Jewellery boxes are not my thing and so when we come to a cultural
relativity between the Greek notion of PYXIS and the Chinese DAOist
equivalent.

Is the pre-HAN Dynasty (206 BCE - 220 CE) circular Dragon / Phoenix
jewellery box which as a tourist artefact can be obtained from the
Chinese Gardens within Sydney as one of my favourite places to visit.

<http://www.grapple369.com/images/pyxis-dao.jpeg>

Thus if Pandora's box is an artefact in Greek mythology, taken from the
myth of Pandora's creation in Hesiod's (circa 750 to 650 BCE) Works and
Days, then we may more properly view Pythagoras’s (570 to 495 BCE)
articulation of the binomial HETEROS THEORY OF NUMBER as being a
methodology and an accommodation by CANON OF TRANSPOSITION of earlier
ideas which have their actual grounding within a trinomial noumena as
HOMOIOS THEORY OF NUMBER being more properly defined as a paradigm.

The "box" was actually a large jar {πίθος pithos: @memeBrain [Telos:
#368, Super: #10 - Impossible Advice, What can Be Done?; I-Ching: H30 -
Cohesion, Radiance, Clinging to Brightness/Fire, The net; Tetra: 41 -
Response, Ego: #44 - Moderate Values, Setting Up Precepts; I-Ching: H1 -
Pure Yang, Creative Principle/Heaven, Force, Strong action, The key,
God; Tetra: 36 - Strength]}

SUPER (MALE) A-U-M HETEROS THEORY ON NUMBER IDEA: {OUTER: #10 -
Impossible Advice, What can Be Done?; I-Ching: H30 - Cohesion, Radiance,
Clinging to Brightness/Fire, The net; Tetra: 41 - Response / INNER: #10
- Impossible Advice, What can Be Done?; I-Ching: H30 - Cohesion,
Radiance, Clinging to Brightness/Fire, The net; Tetra: 41 - Response}
#10 has 24 Categories:

#10 = Yod / Hand (open, palmer side and fingers); #10, #6, #4 = Yod;
#10, #4 = Yod; #40, #30, #20, #6, #400 = The name of the tenth Sephira;
#1, #5, #4 = To be strong; #1, #5, #4 = n. Might; #1, #7, #2 = To shine;
blooming, blossoming; #1, #9 = Secrecy, concealment (in speaking or
moving); sorcerer; sorcery; mutterings; necromancer; softly, stealthily,
secretly; #2, #4, #4 = To be cut off, severed; to be forlorn; lonely;
#2, #4, #4 = To bind; #2, #4, #4 = To prate; #2, #4, #4 = Separation,
loneliness; separately, alone; #2, #4, #4 = n. Part; #2, #6, #2 = To
hollow; #2, #7, #1 = To tread down, destroy; #3, #2, #5 = Arch or brow
of eye; felloe (of a wheel); to be high, tall, exalted; haughty, proud;
high minded; height; highness, majesty; gather; #3, #6, #1 = Back, body;
middle, midst; #3, #7 = A shearing; a fleece; #4, #1, #5 = To dart, to
fly swiftly; rapid flier (a bird of prey), the glede, vulture, kite; #5,
#5 = Ha!, ah!, oh! (grief); alternate spelling of the letter Heh; #7,
#1, #2 = To be angry, fierce; wolf; #7, #3 = Skin on a grape, husk; #8,
#2 = Bosom; #9, #1 = To be miry, dirty;

SUPER (MALE) Y-M-T-A HOMOIOS THEORY ON NUMBER IDEA: {OUTER: #10 -
Impossible Advice, What can Be Done?; I-Ching: H30 - Cohesion, Radiance,
Clinging to Brightness/Fire, The net; Tetra: 41 - Response / INNER: #10
- Impossible Advice, What can Be Done?; I-Ching: H30 - Cohesion,
Radiance, Clinging to Brightness/Fire, The net; Tetra: 41 - Response}
#10 has 3 Categories:

#2, #4, #4 = Bedad (H911): {#0 as #10} 1) the father of an Edomite {red,
earthy; of blood} chief; #5, #5 = hahh (H1929): {#1 as #10} 1) alas!;
#7, #3 = zag (H2085): {#2 as #10} 1) (meaning uncertain); 1a) name of
some insignificant product of the vine, forbidden to Nazarites {one
chosen or set apart}, perhaps the stem or skin of the grape;

EGO (FEMALE) A-U-M HETEROS THEORY ON NUMBER IDEA: {OUTER: #44 - Moderate
Values, Setting Up Precepts; I-Ching: H1 - Pure Yang, Creative
Principle/Heaven, Force, Strong action, The key, God; Tetra: 36 -
Strength / INNER: #3 - Political Prescriptions, Quietude; I-Ching: H46 -
Climbing, Moving/Pushing Upward, Ascending; Tetra: 8 - Opposition} #44
has 25 Categories:

#1, #2, #10, #1, #30 = n. Father of Might; #1, #3, #40 = To be bent
down, to be sad; #1, #3, #40 = To gather, to flow together; #1, #3, #40
= Bowed down; #1, #3, #40 = A pool; sedge flag or reed; #1, #6, #7, #30
= n. Emigrant; #1, #30, #7, #2, #4 = n. God's Gift; #1, #30, #10, #1, #2
= n. God is Father; #2, #2, #30, #10 = Babylonian, (confusion); #2, #4,
#30, #8 = Small precious things, bdellium --- a sweet resin; #3, #6,
#30, #5 = Exile; captivity; #3, #40, #1 = To absorb, drink up; swallow;
bulrush; absorbent (of moisture); Egyptian papyrus, paper-reed; #4, #20,
#20 = To crush, be wretched; #4, #30, #10 = Bucket; #4, #40 = Blood;
blood-guiltiness, murder; sap, juice, wine; #8, #6, #30 = To move in a
circle, to dance; to turn or twist oneself, to writhe; to bear a child;
to tremble, to be afraid; to be firm, strong, mighty; to wait; to
surround, enclose; sand; n. Circuit; #8, #30, #1, #5 = A soiling or
rust; #9, #30, #5 = To be fresh, young; a lamb; #10, #3, #1, #30 = n. He
(God) Redeems; #2, #10, #2, #30 = In the Jubilee; #10, #30, #4 = To lay
down, let down (from the womb); to bring forth, to bear; to lay eggs; to
beget (as a father); to create, produce; one born; a male child; a lad
or boy; #20, #10, #4, #6, #4 = A spark; #30, #5, #9 = To burn or flame;
to conceal, to use secret arts or sorcery; a flame, flashing sword
blade; #30, #6, #8 = To hew or cut; a tablet, table or slab; fold of a
door; #40, #4 = A garment; carpet; a measure.;

EGO (FEMALE) Y-M-T-A HOMOIOS THEORY ON NUMBER IDEA: {OUTER: #44 -
Moderate Values, Setting Up Precepts; I-Ching: H1 - Pure Yang, Creative
Principle/Heaven, Force, Strong action, The key, God; Tetra: 36 -
Strength / INNER: #3 - Political Prescriptions, Quietude; I-Ching: H46 -
Climbing, Moving/Pushing Upward, Ascending; Tetra: 8 - Opposition} #44
has 13 Categories:

#1, #2, #10, #1, #30 = 'Abiy'el (H22): {#0 as #44} 1) Saul's
grandfather; #1, #3, #30, #10 = 'egel (H96): {#1 as #34} 1) drop,
reserve supply, collections, stores; #6, #1, #4, #2, #1, #30 = 'Adbe'el
(H110): {#2 as #38} 1) third son of Ishmael and grandson of Abraham; #6,
#1, #6, #1, #30 = 'Uw'el (H177): {#3 as #38} 1) a Judean who had taken a
foreign woman during the exile; #1, #6, #7, #30 = 'Uwzal (H187): {#4 as
#44} 1) sixth son Joktan; #1, #7, #30, #6 = 'azal (Aramaic) (H236): {#5
as #38} 1) to go, to go off; 1a) (P'al) to go, go off; #1, #30, #7, #2,
#4 = 'Elzabad (H443): {#6 as #44} 1) a Gadite warrior who aided David;
2) a Korhite Levite; #30, #2, #7, #5 = bizzah (H961): {#7 as #14} 1)
spoil, booty; #3, #1, #30, #10 = go'el (H1352): {#8 as #34} 1)
defilement, defiling; #8, #30, #1, #5 = Chel'ah (H2458): {#9 as #44} 1)
one of the two wives of Ashur, father of Tekoah; #6, #30, #5, #3 = lahag
(H3854): {#10 as #38} 1) study, studying, devotion to study; #30, #5, #9
= lahat (H3858): {#11 as #44} 1) flame (of an angelic sword); #1, #4,
#8, #30, #1 = adelos (G82): {#12 as #313} 1) not manifest, indistinct,
uncertain, obscure;

Which was given to Pandora {Πανδώρα, "all-gifted, all-giving":
@memeBrain [Telos: #1036, Super: #76 - Strength's Warning Signs,
Revealers of Virtue; I-Ching: H20 - Viewing, Contemplation (view),
Looking up; Tetra: 64 - Sinking, Ego: #64 - Consider the Small and
Insignificant; I-Ching: H52 - Restraint, Inaction, Bound, Keeping still,
Mountain, Stilling; Tetra: 71 - Stoppage]},which contained all the evils
of the world. Pandora opened the jar and all the evils flew out, leaving
only "Hope" inside once she had closed it again.

SUPER (MALE) A-U-M HETEROS THEORY ON NUMBER IDEA: {OUTER: #76 -
Strength's Warning Signs, Revealers of Virtue; I-Ching: H20 - Viewing,
Contemplation (view), Looking up; Tetra: 64 - Sinking / INNER: #35 -
Great Guiding Signs?, Virtue of Benevolence; I-Ching: H17 - Following,
Allegiance; Tetra: 19 - Following} #76 has 23 Categories:

#1, #4, #50, #10, #5, #6 = n. Yah is Lord; #1, #30, #40, #5 = A bundle
of grain (Eng. 'corn'), a sheaf; #2, #70, #4 = To be separated, removed;
removal, behind; near, by the side of; amidst; all around; while yet,
within; #3, #2, #70, #1 = n. Hill; #3, #7, #6, #50, #10 = n. Quarry; #5,
#6, #30, #30, #5 = Folly; wickedness; #8, #2, #10, #6, #50 = A hiding,
concealing; #10, #6, #50 = To stand, to exist; n. A Settlement or
Colony; cake (sacred offering); to prepare; #30, #6, #30, #10 = unless;
loop; #30, #40, #6 = To, for; #40, #30, #1, #5 = Fullness, abundance;
#40, #30, #1, #5 = Filling in or setting (of gems); #40, #30, #6 =
Fullness, a multitude; #50, #4, #2, #20 = A layer or set (of building
material in a wall), a course (of bricks); #50, #6, #20 = To point or
sharpen; #50, #10, #8, #8 = rest or quieting; pleasantness; #50, #10,
#8, #8 = Sacrificial or sweet odors, incense; #50, #20, #1, #5 = Powder
or spice; #70, #2, #4 = To break up or till; to labor or work; to serve;
#70, #2, #4 = To make or do; #70, #2, #4 = A servant, a slave; minister
or messenger; #70, #2, #4 = Worshipper; #70, #2, #4 = Work or deed;

SUPER (MALE) Y-M-T-A HOMOIOS THEORY ON NUMBER IDEA: {OUTER: #76 -
Strength's Warning Signs, Revealers of Virtue; I-Ching: H20 - Viewing,
Contemplation (view), Looking up; Tetra: 64 - Sinking / INNER: #35 -
Great Guiding Signs?, Virtue of Benevolence; I-Ching: H17 - Following,
Allegiance; Tetra: 19 - Following} #76 has 31 Categories:

#30, #1, #2, #10, #3, #30 = 'Abiygayil (H26): {#0 as #56} 1) wife of
Nabal, then of David; 2) sister of David; #1, #4, #50, #10, #5, #6 =
'Adoniyah (H138): {#1 as #76} 1) fourth son of David and Solomon's rival
for the throne; 2) Levite sent by Jehoshaphat to teach the Law; 3) a
chief of the people who co-operated with Nehemiah; #30, #1, #5, #30, #10
= 'ohel (H168): {#2 as #36} 1) tent; 1a) nomad's tent, and thus symbolic
of wilderness life, transience; 1b) dwelling, home, habitation; 1c) the
sacred tent of Jehovah (the tabernacle); #1, #30, #5, #40 = 'el (H413):
{#3 as #31} 1) to, toward, unto (of motion); 2) into (limit is actually
entered); 3) toward (of direction, not necessarily physical motion); 4)
against (motion or direction of a hostile character); 5) in addition to,
to; 6) concerning, in regard to, in reference to, on account of; 7)
according to (rule or standard); 8) at, by, against (of one's presence);
9) in between, in within, to within, unto (idea of motion to); 2a) in
among; #40, #1, #30, #5 = 'el-leh (H428): {#4 as #36} 1) these; 1a) used
before antecedent; 1b) used following antecedent; #1, #40, #30, #5 =
'amal (H535): {#5 as #71} 1) to be weak, to droop, to languish, to be
exhausted; 1a) (Qal) pass participle (of the heart); 1a1) to be weak;
1a2) to droop; 1b) (Pulal); 1b1) to be or grow feeble; 1b2) to languish;
#30, #2, #4, #40 = bad (H905): {#6 as #6} 1) alone, by itself, besides,
a part, separation, being alone; 1a) separation, alone, by itself; 1a1)
only (adv); 1a2) apart from, besides (prep); 1b) part; 1c) parts (eg
limbs, shoots), bars; #2, #4, #10, #30, #10, #20 = bediyl (H913): {#7 as
#46} 1) alloy, tin, dross; 1a) of Israel (metaph.); #3, #2, #70, #1 =
Gib`a' (H1388): {#8 as #76} 1) a son of Caleb; #20, #4, #2, #10, #40 =
dob (H1677): {#9 as #6} 1) bear; #8, #2, #10, #6, #50 = chebyown
(H2253): {#10 as #76} 1) concealment, covering, hiding, hiding place;
#6, #8, #2, #30, #10, #20 = chobel (H2259): {#11 as #46} 1) sailor,
seaman; #30, #8, #7, #1, #30 = Chaza'el (H2371): {#12 as #46} 1) a king
of Syria; sent by his master, Ben-hadad, to the prophet Elisha, to seek
a remedy for Ben-hadad's leprosy; apparently later killed Ben-hadad,
assumed the throne, and soon became engaged in a war with the kings of
Judah and Israel for the possession of the city of Ramoth-gilead; #6,
#5, #8, #7, #10, #40 = chozeh (H2374): {#13 as #26} 1) seer; 1a) seer;
1b) vision; #5, #8, #7, #6, #50 = chazown (H2377): {#14 as #71} 1)
vision; 1a) vision (in ecstatic state); 1b) vision (in night); 1c)
vision, oracle, prophecy (divine communication); 1d) vision (as title of
book of prophecy); #8, #8, #10, #10, #40 = chach (H2397): {#15 as #16}
1) hook, ring, fetter, brooch; 1a) hook, ring (in nose of captive); 1b)
hook, ring (as jewellery); 1b1) nose ring; 1b2) bracelet; #30, #8, #30,
#8 = Chalach (H2477): {#16 as #46} 1) a city or district in Mesopotamia
under Assyrian control where the Israelite captives were taken; #2, #10,
#4, #10, #50 = yad (Aramaic) (H3028): {#17 as #14} 1) hand; 2) power
(fig.); #6, #10, #4, #6, #50 = Yadown (H3036): {#18 as #70} 1) a
Meronothite and one of the builders of the walls of Jerusalem; #6, #40,
#10, #5, #6, #4, #5 = Yehuwdah (H3063): {#19 as #30} 1) the son of Jacob
by Leah; 2) the tribe descended from Judah the son of Jacob; 3) the
territory occupied by the tribe of Judah; 4) the kingdom comprised of
the tribes of Judah and Benjamin which occupied the southern part of
Canaan after the nation split upon the death of Solomon; 5) a Levite in
Ezra's time; 6) an overseer of Jerusalem in the time of Nehemiah; 7) a
Levite musician in the time of Nehemiah; 8) a priest in the time of
Nehemiah; #20, #2, #4, #10, #40 = kabed (H3515): {#20 as #26} 1) heavy,
great; 1a) heavy; 1b) massive, abundant, numerous; 1c) heavy, dull; 1d)
hard, difficult, burdensome; 1e) very oppressive, numerous, rich; #20,
#5, #50, #1 = kahen (Aramaic) (H3549): {#21 as #75} 1) priest; #1, #20,
#50, #5 = kanah (H3655): {#22 as #75} 1) to title, surname, be surnamed,
give an epithet or cognomen, give a flattering title; 1a) (Piel) to call
by name, give a title, betitle; #30, #30, #6, #10 = Leviy (H3878): {#23
as #46} 1) the 3rd son of Jacob by Leah and progenitor of tribe of
Levites; #30, #6, #30, #10 = luwle' (H3884): {#24 as #67} 1) unless, if
not, except; #30, #40, #6 = lemow (H3926): {#25 as #76} 1) at, to, for,
in, of, by, in reference to; 1a) poetic form of inseparable preposition;
#10, #40, #6, #20 = muwk (H4134): {#26 as #66} 1) (Qal) to be low, grow
poor, be depressed, be poor; #40, #6, #30 = muwl (H4136): {#27 as #76}
1) front; 2) in front of; 1a) front; 1b) in the opposite direction prep;
2a) in front of; 2b) (with prefix); 2b1) towards the front of, to the
front of, on the front of; 2b2) from the front of, off the front of,
close in front of, on the forefront of; #50, #20, #1, #5 = nake'
(H5218): {#28 as #71} 1) stricken; #4, #10, #5, #2, #30, #8, #9, #8 =
diaballo (G1225): {#29 as #878} 1) to throw over or across, to send
over; 2) to traduce, calumniate, slander, accuse, defame; #10, #20, #40,
#1, #4, #1 = hikmas (G2429): {#30 as #271} 1) moisture;

EGO (FEMALE) A-U-M HETEROS THEORY ON NUMBER IDEA: {OUTER: #64 - Consider
the Small and Insignificant; I-Ching: H52 - Restraint, Inaction, Bound,
Keeping still, Mountain, Stilling; Tetra: 71 - Stoppage / INNER: #23 -
Constancy of Guiding Concepts, Emptiness & Non-Existence; I-Ching: H18 -
Ills to Be Cured, Arresting Decay, Correcting, Work on what has been
spoiled (decay), Decaying, Branch; Tetra: 26 - Endeavour} #64 has 13
Categories:

#1, #50, #8, #5 = Complaint; sigh; #4, #10, #50 = To tread, press down,
subdue, have power, rule; to judge, vindicate, defend, punish; judgment;
place of judgment; tribunal; cause for judgment; wrong, guilt; right,
justice, controversy, dispute; sentence, punishment; a judge; an
alternate name 'Din' for Geburah, the 5th Sephira; #4, #30, #30 = To
move to and fro, be pendulous, wave, totter, hang loose; to be slack,
weak, languish; to fail (of eye); to be poor; #4, #50, #10 = n. Judge;
#10, #8, #40, #6 = To be warm, heated; to be in (sexual) heat; to rut;
to conceive; #10, #7, #5, #2, #40 = n. Gold Waters; #50, #2, #6, #1, #5
= A prophecy; a prophetic writing; #50, #6, #8 = To incline oneself, to
rest, to settle down; to repose (also figuratively of death; to abide or
remain); #50, #6, #8 = rest, quiet; #50, #9, #5 = To stretch out,
extend; to spread out or expand; to hold out or propose; to spread
abroad; to bow down or stoop; to go away; #50, #10, #4 = Consolation;
#60, #2, #2 = To turn, to approach; to traverse; to go around, to
encompass; to besiege, to surround; to turn or change, to become like;
#60, #4 = Stocks (a wooden frame for confining the feet);

EGO (FEMALE) Y-M-T-A HOMOIOS THEORY ON NUMBER IDEA: {OUTER: #64 -
Consider the Small and Insignificant; I-Ching: H52 - Restraint,
Inaction, Bound, Keeping still, Mountain, Stilling; Tetra: 71 - Stoppage
/ INNER: #23 - Constancy of Guiding Concepts, Emptiness & Non-Existence;
I-Ching: H18 - Ills to Be Cured, Arresting Decay, Correcting, Work on
what has been spoiled (decay), Decaying, Branch; Tetra: 26 - Endeavour}
#64 has 13 Categories:

#6, #1, #50, #2, #5 = 'eb (Aramaic) (H4): {#0 as #3} 1) fruit, fresh,
young, greening; #6, #3, #4, #30, #10, #5, #6 = Gedalyah (H1436): {#1 as
#52} 1) a son of Jeduthun in the time of David; 2) son of Ahikam, the
governor of Judea appointed by Nebuchadnezzar; 3) son of Pashur, one of
the chiefs of Jerusalem in the time of Jeremiah; 4) son of Amariah and
grandson of Hezekiah; 5) a priest of the sons of Jeshua in the time of
Ezra; #40, #7, #5, #2, #10 = zahab (H2091): {#2 as #14} 1) gold; 1a) as
precious metal; 1b) as a measure of weight; 1c) of brilliance, splendour
(fig.); #40, #7, #10, #7 = ziyz (H2123): {#3 as #24} 1) moving
creatures, moving things n m; 2) abundance, fullness; #6, #8, #50 = chen
(H2580): {#4 as #58} 1) favour, grace, charm; 1a) favour, grace,
elegance; 1b) favour, acceptance; #2, #20, #2, #30, #10 = kebel (H3525):
{#5 as #52} 1) bond(s), fetter(s); #6, #20, #30, #6, #2 = Keluwb
(H3620): {#6 as #58} 1) a descendant of Judah; 2) father of Ezri, one of
David's officers; #6, #40, #8, #10 = mechiy (H4239): {#7 as #58} 1)
stroke (of a battering ram); #6, #40, #10, #4, #4 = Meydad (H4312): {#8
as #58} 1) one of the 70 elders to whom was communicated the prophetic
power of Moses and who prophesied in the camp of the Israelites in the
wilderness; #6, #50, #2, #6 = Nebow (H5015): {#9 as #58} 1) a Babylonian
deity who presided over learning and letters; corresponds to Greek
Hermes, Latin Mercury, and Egyptian Thoth; 2) a city in Moab and at one
time assigned to Reuben; probably located on or near Mount Nebo; 3) a
city in Judah (maybe Benjamin) from which the families of some exiles,
who returned from Babylon with Zerubbabel, originally came; 4) the
mountain where Moses died; located east of the Jordan opposite Jericho;
site uncertain; #6, #50, #3, #5 = Nogahh (H5052): {#10 as #58} 1) one of
the 13 sons of David born to him in Jerusalem; #50, #4, #10 = nowd
(H5112): {#11 as #60} 1) wandering (of aimless fugitive); #6, #50, #8 =
Noach (H5146): {#12 as #58} 1) son of Lamech, father of Shem, Ham, and
Japheth; builder of the ark which saved his family from the destruction
of the world which God sent on the world by the flood; became the new
seminal head of the human race because his family were the only
survivors of the flood;

Today the phrase "to open Pandora's box" means to perform an action that
may seem small or innocent, but that turns out to have severely
detrimental and far-reaching negative consequences.

In classical Greek mythology, Pandora was the first woman on earth as
being the equivalent to the Hebrew Torah tradition of Eve as the Mother
of all living. Zeus ordered Hephaestus to create her. So he did, using
water and earth. The gods endowed her with many gifts: Athena clothed
her, Aphrodite gave her beauty, Apollo gave her musical ability, and
Hermes gave her speech.

According to Hesiod, when Prometheus stole fire from heaven, Zeus took
vengeance by presenting Pandora to Prometheus' brother Epimetheus.
Pandora opens a jar containing death and many other evils which were
released into the world. She hastens to close the container, but the
whole contents had escaped except for one thing that lay at the bottom –
Elpis (usually translated "Hope", though it could also mean "Expectation").

ETYMOLOGY OF THE "BOX"
The original Greek word was 'pithos', which is a large jar, sometimes as
large as a small person (Diogenes of Sinope was said to have slept in
one). It was used for storage of wine, oil, grain or other provisions,
or, ritually, as a container for a human body for burying. In the case
of Pandora, this jar may have been made of clay for use as storage as in
the usual sense, or of metal, such as bronze, as an unbreakable prison.

The mistranslation of pithos is usually attributed to the 16th century
humanist Erasmus of Rotterdam who translated Hesiod's tale of Pandora
into Latin. Erasmus rendered pithos as the Greek pyxis, meaning "box".
The phrase "Pandora's box" has endured ever since. [Wikipedia 2017:
PANDORA'S BOX <https://en.wikipedia.org/wiki/Pandora%27s_box>]

A pyxis {πυξίς, plural pyxides: @memeBrain [Telos: #749, Super: #55 -
Abstruse Mysterious Signs; I-Ching: H22 - Elegance, Grace, Adorning,
Luxuriance; Tetra: 54 - Unity, Ego: #20 - Left without Language,
Different From the Vulgar; I-Ching: H33 - Withdrawal, Retiring, Retreat,
Yielding; Tetra: 50 - Vastness/Wasting]} is a shape of vessel from the
classical world, usually a cylindrical box with a separate lid.

SUPER (MALE) A-U-M HETEROS THEORY ON NUMBER IDEA: {OUTER: #55 - Abstruse
Mysterious Signs; I-Ching: H22 - Elegance, Grace, Adorning, Luxuriance;
Tetra: 54 - Unity / INNER: #14 - Praising the Mysterious (Metaphysics);
I-Ching: H19 - Overseeing, Approaching, Nearing, The forest; Tetra: 9 -
Branching Out} #55 has 27 Categories:

#1, #4, #40, #10 = n. of a city 'Human'; #1, #4, #40, #10 = n. Edomite,
Idumean; #1, #4, #50 = To make firm, to settle, to rule or govern; #1,
#4, #50 = Strong; #1, #4, #50 = Foundation, pedestal; basis (of a
pillar) or timbers underlying (wooden partitions); #3, #2, #10, #40 = n.
Cisterns or Locusts; #3, #2, #50 = Gibbous, to curve; hunch-backed; #3,
#50, #2 = To steal, rob; thief; #4, #6, #40, #5 = Stillness; the grave;
#4, #30, #10, #5, #6 = n. Yah hath saved; (#49); #5, #20, #30 = To take,
receive, hold; to be strong, firm; #5, #30, #20 = To go; to be going to
die; to spread; to extend; float; flow; continue, keep on; to walk, to
live, pursue a way of life; to go away, to disappear, be gone, depart,
die; a way, course, stream; a way-tax, toll; #5, #50 = They; you, this,
that; lo!, behold!; if; whether?; #9, #40, #1, #5 = uncleanness;
impurity; an unclear thing; #10, #8, #6, #1, #30 = n. God Quickens or
God declares; #10, #40, #5 = To be hot; to be bright; to be warm; #20,
#5, #30 = To be able; #20, #30, #5 = To hold, contain, restrain; to be
complete, finished; to be prepared, ready; to be destroyed; to waste
away; to fail; to pass away or vanish; conclusion, completion; utterly,
completely; destruction, utter ruin; pining, failing; to be stable,
firm; a bride, spouse; a daughter-in-law; #30, #20, #5 = To thee; n.
Journey; #40, #4, #6, #5 = Garment; disease, sickness; #40, #7, #8 = To
gird; a girdle; a bond, fetter; #50, #1, #4 = To envelope, to be hollow;
#50, #1, #4 = A leather bottle; #50, #3, #2 = To be dry; #50, #3, #2 =
Drought; the south (the dry quarter); South Palestine; #50, #4, #1 = To
drive away; #50, #5 = Eminence or excellency;

SUPER (MALE) Y-M-T-A HOMOIOS THEORY ON NUMBER IDEA: {OUTER: #55 -
Abstruse Mysterious Signs; I-Ching: H22 - Elegance, Grace, Adorning,
Luxuriance; Tetra: 54 - Unity / INNER: #14 - Praising the Mysterious
(Metaphysics); I-Ching: H19 - Overseeing, Approaching, Nearing, The
forest; Tetra: 9 - Branching Out} #55 has 20 Categories:

#1, #4, #50 = 'Addan (H135): {#0 as #55} 1) place in Babylon, from which
exiles returned; #6, #1, #5, #30, #10, #1, #2 = 'Oholiy'ab (H171): {#1
as #49} 1) chief assistant of Bezaleel in construction of the
tabernacle; #2, #2, #5, #10, #30, #6 = behiyluw (Aramaic) (H924): {#2 as
#53} 1) haste, hastily; #3, #2, #10, #40 = geb (H1356): {#3 as #5} 1)
pit, trench, ditch, beam, rafter; 1a) pit, trench; 1b) beam, rafter; #3,
#2, #50 = gibben (H1384): {#4 as #55} 1) hump-backed, crook-backed; #4,
#6, #40, #5 = duwmah (H1745): {#5 as #55} 1) silence; #40, #5, #4, #6 =
Hoduw (H1912): {#6 as #15} 1) the country surrounding the Indus,
mentioned as the eastern border of the empire of Ahasuerus; #2, #8, #10,
#30, #5 = chiyl (H2427): {#7 as #48} 1) pain, agony, sorrow, a writhing,
anguish; 1a) writhing (of fear); 1b) anguish; #8, #10, #30, #7 = Chiylen
(H2432): {#8 as #55} 1) a city of Judah allotted to the priests; #6,
#10, #8, #30, #1 = chala' (H2456): {#9 as #39} 1) (Qal) to suffer, be
sick, be diseased; #30, #10, #5, #6, #4 = Yehuwd (Aramaic) (H3061): {#10
as #25} 1) Judah - the territory of the tribe of Judah; #6, #30, #10,
#6, #1, #2 = Yow'ab (H3097): {#11 as #19} 1) son of David's sister
Zeruiah and general of David's army; 2) a Judaite descendant of Kenaz;
3) a post exilic family; #5, #10, #30, #6, #4 = yillowd (H3209): {#12 as
#50} 1) born; #20, #5, #30 = kehal (Aramaic) (H3546): {#13 as #55} 1) to
be able; 1a) (P'al) to be able; #6, #10, #30, #9 = luwt (H3874): {#14 as
#45} 1) to wrap closely or tightly, enwrap, envelop; 1a) (Qal) to wrap
tightly; 1b) (Hiphil) to envelop, wrap; #40, #4, #10, #1 = Maday
(Aramaic) (H4077): {#15 as #54} 1) an inhabitant of Media; #5, #40, #7,
#3 = mezeg (H4197): {#16 as #50} 1) mixture, mixed wine; #50, #5 = noahh
(H5089): {#17 as #55} 1) eminency, distinction; #10, #9, #6, #30 = natal
(H5190): {#18 as #89} 1) to lift, bear, bear up; 1a) (Qal) to lift, lift
over, lift upon, set up; 1b) (Piel) to bear up; #5, #50 = en (G1722):
{#19 as #55} 1) in, by, with etc;

EGO (FEMALE) A-U-M HETEROS THEORY ON NUMBER IDEA: {OUTER: #20 - Left
without Language, Different From the Vulgar; I-Ching: H33 - Withdrawal,
Retiring, Retreat, Yielding; Tetra: 50 - Vastness/Wasting / INNER: #20 -
Left without Language, Different From the Vulgar; I-Ching: H33 -
Withdrawal, Retiring, Retreat, Yielding; Tetra: 50 - Vastness/Wasting}
#20 has 1 Categories:

#20 = Koph;

EGO (FEMALE) Y-M-T-A HOMOIOS THEORY ON NUMBER IDEA: {OUTER: #20 - Left
without Language, Different From the Vulgar; I-Ching: H33 - Withdrawal,
Retiring, Retreat, Yielding; Tetra: 50 - Vastness/Wasting / INNER: #20 -
Left without Language, Different From the Vulgar; I-Ching: H33 -
Withdrawal, Retiring, Retreat, Yielding; Tetra: 50 - Vastness/Wasting}
#20 has 9 Categories:

#5, #1, #2, #10, #2 = 'abiyb (H24): {#0 as #15} 1) fresh, young barley
ears, barley; 2) month of ear-forming, of greening of crop, Abib {green
fruit; ears of corn}, month of exodus and passover (March or April); #1,
#7, #2, #10 = 'Ezbay (H229): {#1 as #20} 1) father of one of David's
{well-beloved, dear} mighty men; #2, #3, #6, #4, #5 = bagowd (H901): {#2
as #15} 1) treacherous, deceitful; #2, #6, #7, #5 = buwzah (H939): {#3
as #20} 1) contempt; #3, #2, #10, #5 = gab (Aramaic) (H1355): {#4 as #5}
1) back or side; #6, #3, #6, #5 = gevah (H1466): {#5 as #14} 1) pride, a
lifting up; #4, #6, #4, #6 = Dowdow (H1734): {#6 as #20} 1) a man of the
tribe of Issachar {reward; recompense}; 2) a man of Bethlehem {house of
bread}, father of Elhanan {grace, or gift, or mercy of God} who was one
of David's {well-beloved, dear} 30 captains; 3) an Ahohite {a live
brother; my thorn or thistle}, father of Eleazar {help of God, court of
God}, the second of the 3 mighty men who were over the 30; #6, #4, #10 =
diy (Aramaic) (H1768): {#7 as #14} 1) who, which, that mark of genitive;
2) that of, which belongs to, that conj; 3) that, because; #10, #4, #5,
#1 = idea (G2397): {#8 as #20} 1) form, external appearance; 2) aspect,
look;

Originally mostly used by women to hold cosmetics, trinkets or
jewellery, surviving pyxides are mostly Greek pottery, but especially in
later periods may be in wood, metal, ivory, or other materials. The name
derived from Corinthian boxes made of wood from the tree puksos
(boxwood), that also came with covers. The shape of the vessel can be
traced in pottery back to the Protogeometric period in Athens, however
the Athenian pyxis has various shapes itself. At first, the two
varieties of pyxis included the pointed and the flat-bottomed. The
pointed pyxis didn't last much longer than the ninth century BCE, while
the flat-bottomed continued into the late Geometric. It also continued
to grow larger and more squat in proportions. The cover often depicts
elaborately sculpted handles and the walls tend to be somewhat convex.
During the sixth century BCE, however, Athens began producing boxes with
concave walls that enabled them to be grasped easily when ranged close
together on a shelf. Compare the waisted shape of the medieval and Early
Modern albarello. Images on the pyxis usually depict the marriage
procession from a young girl's house to that of her new husband.

Pyx is a term for a specifically liturgical box, usually cylindrical,
but of variable design, still used for holding and transporting
consecrated hosts in the traditional Christian churches, a use to which
the church began to put these boxes at a very early date. [Wikipedia
2017: PYXIS <https://en.wikipedia.org/wiki/Pyxis_(vessel)>]

DOLF @ 1032 HOURS ON 30 NOVEMBER 2017: “REFUGEES WELCOME:

What do you think 🤔 of Dutch refugees from fascism?

What prerogative rights ought they have?”

JOS [ISLAMIST] BERGERNOIT @ 0902 HOURS ON 30 NOVEMBER 2017: “Tjonge, die
Afrikanen zijn eigenlijk overal erg lastig, of niet Doortje {gift of
God; a variant form of Dorothy (Greek): Theodora}?

TRANSLATION: Boy, those Africans are actually very difficult everywhere,
or not Doortje?”

DOLF @ 0958 HOURS ON 30 NOVEMBER 2017: “Slave driver ...

Uber Alles

Too bad we can say *NO* to your ambition for sharia law dilemma with a
microcosm comprising:

1) #41 x SEPTET driver to determine #CENTRE of truth;

2) Dispensational Governance: {#69 ... #9 ... #32 ... #20 ... #61 ...
#73 ... #35 ... #58 ... #41}

3) Hypothetical Fluidity Theory as Like sand through the hour glass so
are the days of our lives

YOUTUBE: “Days of our Lives Full Music Theme”

<https://www.youtube.com/watch?v=z-Zgtm-g4Co>

HERE'S WHY AUSTRALIA'S PARLIAMENT USES SANDGLASSES WHEN THERE'S A
DIVISION IN THE HOUSE:

“Australia’s parliamentary traditions and conventions change over time.
For example, when a vote (or ‘division’) {#371 as #8, #80, #5, #10, #9,
#8, #200, #1, #50 = apeitheo (G544): {#10 as #910} 1) not to allow one's
self to be persuaded; 2) not to comply with; 1a) to refuse or withhold
belief; 1b) to refuse belief and obedience} is called, senators have
four minutes to get to the chamber {#371 as #30, #40, #100, #200, #1 =
miqra' (H4744): {#4 as #341} 1) convocation, convoking, reading, a
calling together; 1a) convocation, sacred assembly; 1b) convoking; 1c)
reading; #6, #70, #90, #200, #5 = `atsarah (H6116): {#5 as #365} 1)
assembly, solemn assembly; 1a) assembly (sacred or festive meeting); 1b)
assemblage, company, group}.

Back in 1975 that increased from two minutes to three, when a new
extension to Old Parliament House made the journey {#371 as #6, #10,
#200, #40, #60, #50, #5 = ramac (H7429): {#8 as #300} 1) to trample; 1a)
(Qal); 1a1) to trample; 1a2) trampler (participle); 1b) (Niphal) to be
trampled} from committee rooms to the chamber a little longer. The
current four-minute limit was introduced in 1988, when Australian
democracy moved up the hill to to the much bigger, current Parliament
House.

The time given to MPs {#371 as #20, #1, #50, #300 = 'enash (Aramaic)
(H606): {#0 as #351} 1) man, human being; 2) mankind (collective)} is
necessary, but the way the gap is timed – with a sandglass {#371 as #20,
#1, #200, #90, #20, #40 = 'erets (H776): {#2 as #291} 1) land, earth;
10) lands, countries; 1a) earth; 1a1) whole earth (as opposed to a
part); 1a2) earth (as opposed to heaven); 1a3) earth (inhabitants); 1b)
land; 1b1) country, territory; 1b2) district, region; 1b3) tribal
territory; 1b4) piece of ground; 1b5) land of Canaan, Israel; 1b6)
inhabitants of land; 1b7) Sheol, land without return, (under) world;
1b8) city (-state); 1c) ground, surface of the earth; 1c1) ground; 1c2)
soil; 1d) (in phrases); 1d1) people of the land; 1d2) space or distance
of country (in measurements of distance); 1d3) level or plain country;
1d4) land of the living; 1d5) end(s) of the earth; 1e) (almost wholly
late in usage); 1e1a) often in contrast to Canaan} – doesn’t seem
necessary at all. And it turns out the sandglasses are not just
ornamental. They’re really used for timekeeping (but with a catch). The
parliament’s website explains:

Until 1989, it [the Annotated Standing Orders] contained references to a
sand-glass kept on the Table for the purpose of timing divisions. The
Clerk was responsible for turning the sand-glass and the time was taken
to have elapsed when the sand-glass so indicated. References to this
antique but reliable technology were removed in the course of the 1989
revision to free the principle from reliance on any particular technology.

Although sand-glasses continue to be used as the primary means of timing
the division or quorum bells {#393 as #300, #10, #7, #70, #6 = zuwa`
(H2111): {#0 as #83} 1) to tremble, quiver, quake, be in terror; 1a)
(Qal) to tremble, quake; 1b) (Pilpel); 1b1) to shake violently; 1b2) to
cause to tremble;

"In the day when the keepers of the house shall tremble {zuwa`-moved
[H2111]: #393}, and the strong men shall bow themselves, and the
grinders cease because they are few, and those that look out of the
windows be darkened," [Ecclesiastes 12:3 (KJV)]

"Shall they not rise up suddenly that shall bite thee, and awake that
shall vex {zuwa`-moved [H2111]: #393} thee, and thou shalt be for
booties unto them?" [Habakkuk 2:7 (KJV)]

#393 as #8, #90, #90, #200, #5 = chatsotserah (H2689): {#2 as #399} 1)
trumpet, clarion

}, they are now used in conjunction with the digital speech timer. An
advantage of the latter is that it enables a time signal to be broadcast
on the House Monitoring Service which shows senators how much time
remains for them to reach the chamber. In practice, the Chair takes
whichever methodology expires last as a signal to call for the doors to
be locked.

Note “antique but reliable”, but also references to using it were
removed in 1989 “to free the principle from reliance on any particular
technology”.

Justin Baker, assistant director of the Chamber Research Office in the
Department of the House of Representatives, explained to Business
Insider why they continue to use what looks like a giant egg timer.

Hansard records reveal a reference to a sandglass being used for
divisions back in 1901 “so they have likely been a feature of the
parliament since Federation”.

When the Central Table for the new Parliament House was commissioned, a
pair of sandglasses was included in the brief by the Parliament amongst
other items, such as bronze brackets to support the Mace, pigeon hole
book stands, digital clocks, call bells and microphones.

“A stand with a wooden base and green felt underneath for the
sandglasses was purpose built for the Clerk’s desk within the Chamber,”
Baker said. “In 1998, a new stand and glasses were designed and
manufactured to accommodate an additional sandglass.”

That’s right – they bought another one.

<https://www.businessinsider.com.au/heres-why-australias-parliament-uses-sandglasses-when-theres-a-division-in-the-house-2015-6>

We ought to see through the Cardinal Sin of Usurping @1 as Sovereign
States and the imposition @5 made against the INTELLECTUS AS GENITIVE
VOLUNTĀTUS by unrepentant impugning of the autonomy as the dignity of
the homo [ios] sapien [t] as imageo dei.

That this stench as man of sin which is the Papal Roman Catholic
pretence to moral authority is an enemy to democracies everywhere within
the world and therefore your fascist representation at the United
Nations is an aberration of life itself and ought to cease before
justice is obtained by all your victims of hatred such as gays and
lesbians, stolen children and indigenous populations through-out the world.

<http://www.rfa.org/english/news/myanmar/pope-urges-myanmars-top-buddhist-body-to-overcome-prejudice-and-hatred-11292017161752.html>

Initial Post: 30 November 2017
--


SEE ALSO: *INVALIDATING* *THE* *ORTHODOX* *AND* *ROMAN* *CATHOLIC*
*CHURCH'S* *CLAIM* *TO* *JUBILEE2000* *AS* *BEING* *DELUSIONAL* *AND*
*FRAUDULENT*

Private Street on the edge of the Central Business District dated 16th
May, 2000 - This report is prepared in response to a TP00/55 as a Notice
of an Application for Planning Permit

- <http://www.grapple369.com/jubilee2000.html>

SEE ALSO: HYPOSTATIS AS DAO OF NATURE (Chinese: ZIRAN) / COURSE (Greek:
TROCHOS) OF NATURE (Greek: GENESIS) [James 3:6]

Chinese HAN Dynasty (206 BCE - 220CE) Hexagon Trigrams to Tetragram
assignments proposed by Yang Hsiung (53BCE - 18CE) which by 4BCE
(translation published within English as first European language in
1993), first appeared in draft form as a meta-thesis titled T'AI HSUAN
CHING {ie. Canon of Supreme Mystery} on Natural Divination associated
with the theory of number, annual seasonal chronology and astrology
reliant upon the seven visible planets as cosmological mother image and
the zodiac.

It shows the ZIRAN as the DAO of NATURE / COURSE-trochos OF
NATURE-genesis [James 3:6] as HYPOSTATIS comprising #81 trinomial
tetragrammaton x 4.5 day = #364.5 day / year as HOMOIOS THEORY OF NUMBER
which is an amalgam of the 64 hexagrams as binomial trigrams / 81 as
trinomial tetragrammaton rather than its encapsulated contrived use as
the microcosm to redefine the macrocosm as the quintessence of the
Pythagorean [Babylonian] as binomial canon of transposition as HETEROS
THEORY OF NUMBER.

- <http://www.grapple369.com/nature.html>

The Charter of Human Rights and Responsibilities No. 43 of Act 2006
defines a "PERSON MEANS A HUMAN BEING” and the question is, if it is
permissible to extend this definition to be a "PERSON MEANS A HUMAN
BEING AS A CONSCIOUS REALITY OF HOMO[iOS] SAPIEN[T] WHO IS INSTANTIATED
WITHIN THE TEMPORAL REALITY AS THEN THE CAUSE FOR REASONING AND
RATIONALITY."

That my mathematical theoretical noumenon defines the meta-descriptor
prototypes which are prerequisite to the BEING of HOMO[iOS] SAPIEN[T] as
EXISTENCE.

- http://www.grapple369.com/Grapple.zip (Download resources)

After all the ENNEAD of THOTH and not the Roman Catholic Eucharist,
expresses an Anthropic Cosmological Principle which appears within its
geometric conception as being equivalent to the Pythagorean
TETRAD/TETRACTYS.

[dolf]

-- SAINT ANDREWS CAUSE CELEBRE AS TREASON BY FASCIST KNIGHTS TEMPLAR
INTERNATIONAL: Uploads - What is wrong with Easynews

THE PERSON FMurtz <hag...@hotmail.com> is IDENTICAL Ma...@getfucked.com
AND IS RESPONSIBLE FOR THIS HATE CRIME AS THE MESSAGE CONTENT HAS BEEN
FOUND TO BE IDENTICAL

<https://www.gardenbanter.co.uk/australia/215098-re-uploads-what-wrong-easynews.html>

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Looking for Star Trek Discovery season 1 Episodes 6 onwards in english.
Why does it seem there are no posts any more ???

MARZ EXPLAINS HOW GANGS & WITCHCRAFT'S HOLD ON CHICAGO NEARLY DESTROYED
HIS LIFE

Christian Hip-Hop artist Marz has seen and experienced a lot of things
in his life. He has been witness to the utter depravity of sin, the
darkness caused by evil, and the fortunes and misfortunes of fame. He
has also felt the healing touch of God, the breaking free of addiction,
and a complete 180-degree life change of himself. What started as a long
road down to destruction, has turned into beautiful conversion story.

This is his story…

Marz’s story starts in 1970 in a country that was previously called
Yugoslavia. He was born to a Croatian Catholic mother and a Bosnian
Muslim father. Since then, the country has become a series of smaller
countries after war tore it apart. A young Zlatko Hukic (Marz), along
with his family left the country when he was eight and they became
immigrants living in Chicago, Illinois. From that early age, he was
exposed to a lot of the perils of the city. It was the late 70s, early
80s, and drugs and gangs were running rampant in the city.

<http://rapzilla.com/rz/features/interviews/16230-marz-explains-how-gangs-witchcraft-s-hold-on-chicago-nearly-destroyed-his-life>

[dolf]

— OH LA LA I’D LIKE TO TAKE LIBERTY AND FRATERNISE WITH THE FRENCH
PRESIDENT HAVING ANOTHER DELICIOUS MOMENT AS EQUALLY AN ARTISTIC PLUNDER

(c) 2018 Dolf Leendert Boek, Revision: 19 June 2018

YOUTUBE: “Dimitri From Paris - Sacrebleu”

<https://m.youtube.com/watch?v=YFtpoaPYXM4>

If I had not taken the time to reply, I would never have found this
classic album which I had lost to a thief and so pleased am I that I
will order it again from the local music shop today if in fact I still
can as it is not available on the iTunes Store.

“20 He that is so impoverished that he hath no oblation chooseth a tree
that will not rot; he seeketh unto him a cunning workman to prepare a
graven image, that shall not be moved.

21 Have ye not known? have ye not heard? hath it not been told you from
the beginning? have ye not understood from the foundations of the earth?

22 It is he that sitteth upon the circle of the earth, and the
inhabitants thereof are as grasshoppers; that stretcheth out the heavens
as a curtain, and spreadeth them out as a tent to dwell in:

23 That bringeth the princes to nothing; he maketh the judges of the
earth as vanity.

24 Yea, they shall not be planted; yea, they shall not be sown: yea,
their stock shall not take root in the earth: and he shall also blow
upon them, and they shall wither, and the whirlwind shall take them away
as stubble.

25 To whom then will ye liken me, or shall I be equal? saith the Holy One.

26 Lift up your eyes on high, and behold who hath created these things,
that bringeth out their host by number: he calleth them all by names by
the greatness of his might, for that he is strong in power; not one faileth.

27 Why sayest thou, O Jacob, and speakest, O Israel, My way is hid from
the LORD, and my judgment is passed over from my God?

28 Hast thou not known? hast thou not heard, that the everlasting God,
the LORD, the Creator of the ends of the earth, fainteth not, neither is
weary? there is no searching of his understanding.

29 He giveth power to the faint; and to them that have no might he
increaseth strength.

30 Even the youths shall faint and be weary, and the young men shall
utterly fall:

31 But they that wait upon the LORD shall renew their strength; they
shall mount up with wings as eagles; they shall run, and not be weary;
and they shall walk, and not faint.” [Isaiah 40:20-31 (KJV)]

Address me as Mr President': French President Emmanuel Macron scolds
teen for calling him 'Manu'

Mr Macron was attending a ceremony in northern France to commemorate #65
- SOLDIER as General Charles De Gaulle's call for popular resistance
during World War II.

A scruffy anarchist french teenage ‘Oliver’ {ie. The biblical olive tree
symbolizes fruitfulness and beauty and dignity} took liberté with the
French President and sought as egalité to regard him as Jupiter-Zeus
whom by fraternité is father of all.

ABC NEWS: “He was captured on LCI television singing the words of the
international socialist anthem before asking the President:

"No, no, you are here at an official ceremony," Mr Macron, 40, told him
sharply.

"You can't just behave like that.

"You can act like a clown, but today it's the 'Marseillaise' and the
'Partisans Song' we're singing.

The boy, shaggy hair falling in front of his eyes, apologised.

"Sorry, Mr President," the teenager said.

But Mr Macron, who is known for his quick tongue and often mixes
elevated language with street slang, went on:

“You need to do things the right way.

Even if you want to lead a revolution one day, you've first got to earn
a diploma and learn how to put food on the table," he said.

It's not the first time Mr Macron has been captured on camera giving
lessons to those who challenge or disrespect him.

<http://mobile.abc.net.au/news/2018-06-19/macron-scolds-teen-for-asking-hows-it-going-manu/9884346>

Manu (Sanskrit: मनु) is a Hindu term that refers to the archetypal man
{#15 ... #34 ... #65 - ZEUS {JUPITER} / ABRAHAM / NERO / MANU / #111, or
to the first man (progenitor of humanity). The Sanskrit term for
'human', मानव (IAST: mānava) means 'of Manu' or 'children of Manu'. In
later texts, Manu is the title or name of fourteen mystical Kshatriya
rulers of earth, or alternatively as the head of mythical dynasties that
begin with each cyclic kalpa (aeon) when the universe is born anew into
the *GOLDEN* *AGE* or the MESSIANIC AGE of the SON OF MAN.

The title of the text Manusmriti uses this term as a prefix, but refers
to the first Manu – Svayambhuva, the spiritual son of Brahma the creator
god in triad with Vishnu and Shiva.

<https://en.m.wikipedia.org/wiki/Manu_(Hinduism)>

THUS TO CONTAINERIZE AND QUARTERIZE THE HETEROS QUINTESSENCE OF INDIAN
RELIGIOUS BELIEF / AS NON DIFFERENTIATED FROM EGYPTIAN / ROMAN PARAGONIC
IDOLATRY AND SUB-ORDINATE (ie. I HAVE AN VALID OBJECTION ASSOCIATED TO
#231 - JUXTAPOSITION CONTROL AS THEIR COLLECTIVIST INFRINGEMENT AS A
CULTURE) TO MY AUTONOMOUS ENTITLEMENT): To begin with we talk of
Brihaspati (Jupiter): The Teacher of the Gods In Vedic astrology, the
planet Jupiter is known as Guru, Brihaspati and Devaguru, the teacher of
the gods. Jupiter is a beneficial planet and considered to be the most
auspicious, helpful, generous and beneficent of the planets. He rules
over the two sidereal signs of Sagittarius and Pisces and presides over
Guruwar or Brihaspatiwar (Thursday). Jupiter’s epithets are sacred and
many such as “Lord of sacred speech”, “Lord of power”, “Guru of the
Gods”, “reader of minds” and “beloved by the Gods”. There is a golden
crown on his head and beautiful ornaments around his neck. According to
Hindu scriptures, he is the guru (teacher) of the Devas (gods) He is
also known Guru, the god of wisdom and eloquence. His caste is Brahmin
(Priest) and his best direction is Northeast. Worship of Brihaspati is
dedicated to planet Jupiter. His worship results in progeny, good
education, valour, longevity of life and recovery from physical illness.
He is friends with the Sun, Moon and Mars; Mercury and Venus are his
enemies; he is neutral with Saturn; friendly to Rahu but neutral to Ketu.

Jupiter (Brihaspati), the ‘Lord of Prayers’ is also known as the
Gurudeva (the Guru of the Gods), who has a big body, tawny hair and eyes
and is intelligent, and learned in shastras. He holds a stick, holy
Rudraksha beads and a small pot in three of his hands. His fourth hand
is raised in a gesture of blessing. Jupiter rides in a golden chariot
drawn by eight golden horses that are as fast as the wind. His weapon is
a golden staff. He has a golden complexion and is dressed in yellow
garments. He is often shown seated on a lotus flower. Jupiter is the son
of Maharishi Angirasa, whose wife performed a special vow with great
devotion to the Sanat Kumars (Ashwinis). They granted her a boon of a
very wise son, who would know all the shastras and Vedic scriptures. One
story tells us that the demons (asuras) were attempting to weaken the
gods (devas) by obstructing the offerings from a yagya (sacrificial
ritual) being performed for them. Jupiter used a special mantra and
drove off the asuras, allowing devas to nourish themselves with the
ritual offerings. In order to become the guru of devas, Jupiter did a
special penance to Lord Shiva. Lord Shiva was pleased with Jupiter’s
dedication and granted him the privilege of being the “Guru to the Gods.

<https://www.thejus.com/blog/brihaspati-or-jupiter-guru-to-the-gods/>

#65 {5x5 = #25} CE = (Abraham {father of a great multitude}) Overthrow /
Belly and thighs of bronze. A third kingdom of Macedonia {burning;
adoration as Rome burned in 18 to 25 July 64 AD under Emperor Nero who
was considered *BLACK* / genius / strong and energetic was known for his
cruelty and depravity / Ner: a lamp; new-tilled land} / Hellenes
{bright, light, heat as implying the sun but to cover, hide, conceal as
implying the underworld or hell} as Greece being son of Pandora {gift
and giving #64 - *BOX*} and Zeus {Olympus God of the sky, lightning,
thunder, law, order, and justice like the Egyptian Nun is described as
"the Father of the Gods"

He was respected as an all father who was chief of the gods and assigned
the others to their roles: 'Even the gods who are not his natural
children address him as Father, and all the gods rise in his presence.'

} which shall rule over all the earth from 359 and 336 BCE. [Daniel 2:39]

#111 {6x6 = #36} CE = (Moses {taken out; drawn forth) Departure / Legs
of iron with feet of mingled iron and clay. Interpreted as a fourth
kingdom as Roman {strength; powerful}, strong as iron, but the feet and
toes partly of clay and partly of iron show it shall be a divided
kingdom. [Daniel 2:41]

#213 as [#2, #10, #1, #200] = bia (G970): {#11 as #13 % #41 = #13} 1)
*STRENGTH*, whether of body or mind; 2) strength in violent action, force;

Also Nero Caesar within the Hebrew alphabet is נרון קסר NRON QSR, which
when used as numbers represent [#50, #200, #6, #50, #100,#60, #200],
added to #666 but gives as GNOMIC IMPERATIVE Instruction set as a
linguistic JUXTAPOSITION:

NERO_CEASAR@{
   @1: Sup: 50 (#50); Ego: 50 (#50),
   @2: Sup: 7 (#57); Ego: 38 (#88),
   @3: Sup: 13 (#70); Ego: 6 (#94),
   @4: Sup: 63 (#133); Ego: 50 (#144),
   @5: Sup: 1 (#134); Ego: 19 (#163),
   @6: Sup: 61 (#195); Ego: 60 (#223),
   @7: Sup: 18 (#213); Ego: 38 (#261),
   Male: #213; Feme: #261
}

SUPER (MALE) Y-M-T-A HOMOIOS THEORY ON NUMBER IDEA: {OUTER: #51 -
Natural Guides and Nursing Virtuosity; I-Ching: H47 - Oppression
(exhaustion), Confining, Entangled; Tetra: 69 - Exhaustion / INNER: #8 -
Worth of Water, Easy By Nature; I-Ching: H48 - The Well, Welling; Tetra:
40 - Law/Model} #213 has 15 Categories:

#213 as [#10, #1, #2, #200] = 'abar (H82): {#0 as #203 % #41 = #39} 1)
(Hiphil) to fly (to move wings); #2, #1, #200, #3, #7 = 'argaz (H712):
{#1 as #211 % #41 = #6} 1) *BOX*, chest, coffer


Nous: #54
Time: 07:15 hrs
Date: 2018.7.10
Torah: [#10, #10, #10]@{
@1: Sup: 10 (#10); Ego: 10 (#10),
@2: Sup: 20 (#30); Ego: 10 (#20),
@3: Sup: 30 (#60); Ego: 10 (#30),
Male: #60; Feme: #30
} // #30

Dao: Culturing Perspectives and Intuition
Tetra: #45 - Greatness
I-Ching: H55 - Abundance, Abounding, Fullness

Latin: Deus {The right of God} Alt: Yabmyah {Wedded to God} {

1. FORETELLS FUTURE, PROTECTS AGAINST STORMS AND SHIPWRECKS
2. FORTUNE IN BUSINESS
3. BUSINESS TRIPS
4. Syth , Theliel - in occultic lore, the angelic prince of love,
invoked in ceremonial magic to procure the woman desired
}

Jacob {He takes by the heel, he supplants, That supplants, undermines;
the heel}

Prototype: *HOMOIOS* {#313 / #315} / HETEROS {#272 / #335} / TORAH {#356
/ #377}

<http://www.grapple369.com?zen:4,row:3,col:8,nous:54&idea:{m,186}&idea:{f,154}&idea:{m,313}&idea:{f,315}&PROTOTYPE:HOMOIOS>

.jackNote@zen: 4, row: 3, col: 8, nous: 54 [Date: 2018.7.10, Time: 07:15
hrs, Super: #313 / #73 - Employing Deeming, Daring to Act; I-Ching: H46
- Climbing, Moving/Pushing Upward, Ascending; Tetra: 7 - Ascent, Ego:
#315 / #54 - Culturing Perspectives and Intuition; I-Ching: H55 -
Abundance, Abounding, Fullness; Tetra: 45 - Greatness]

H7279@{
@1: Sup: 6 (#6); Ego: 6 (#6),
@2: Sup: 44 (#50); Ego: 38 (#44),
@3: Sup: 50 (#100); Ego: 6 (#50),
@4: Sup: 53 (#153); Ego: 3 (#53),
@5: Sup: 22 (#175); Ego: 50 (#103),
@6: Sup: 32 (#207); Ego: 10 (#113),
@7: Sup: 72 (#279); Ego: 40 (#153),
Male: #279; Feme: #153
} // #315

T'AI HSÜAN CHING {POLAR OPPOSITIONS / INTERPLAY OF OPPOSITES} [4 BCE]:

UMBRA: #253 % #41 = #7 - Intentional Reversal, Dimming Radiance;
I-Ching: H12 - Obstruction, Stagnation, Selfish persons; Tetra: 56 -
Closed Mouth;

EGYPTIAN GOD: #7 - Oh thou whose eyes pierce like swords, who makest
thine appearance in Sechem; I commit no fraud.

#VIRTUE: With Ascent (no. #7), coming up against plainness?
#TOOLS: With Pattern (no. #47), increasing artifice.
#POSITION: With Youthfulness (no. #12), having no knowledge, but
#TIME: With Fullness (no. #38), having a surplus.
#CANON: #104

#315 as [#6, #200, #6, #3, #50, #10, #40] = ragan (H7279): {UMBRA: #8 as
#253 % #41 = #7} 1) to murmur, whisper; 1a) (Qal) murmurer (participle);
1b) (Niphal); 1b1) to murmur; 1b2) backbiter (participle)

G996@{
@1: Sup: 2 (#2); Ego: 2 (#2),
@2: Sup: 72 (#74); Ego: 70 (#72),
@3: Sup: 80 (#154); Ego: 8 (#80),
@4: Sup: 8 (#162); Ego: 9 (#89),
@5: Sup: 13 (#175); Ego: 5 (#94),
@6: Sup: 23 (#198); Ego: 10 (#104),
@7: Sup: 24 (#222); Ego: 1 (#105),
@8: Sup: 34 (#256); Ego: 10 (#115),
@9: Sup: 72 (#328); Ego: 38 (#153),
Male: #328; Feme: #153
} // #315

T'AI HSÜAN CHING {POLAR OPPOSITIONS / INTERPLAY OF OPPOSITES} [4 BCE]:

UMBRA: #105 % #41 = #23 - Constancy of Guiding Concepts, Emptiness &

Non-Existence; I-Ching: H18 - Ills to Be Cured, Arresting Decay,
Correcting, Work on what has been spoiled (decay), Decaying, Branch;

Tetra: 26 - Endeavour;

EGYPTIAN GOD: #23 - Oh thou who raisest thy voice, and makest thine
appearance in Urit; I am not hot of speech.

#VIRTUE: With Ease (no. #23), a leveling, but
#TOOLS: With Watch (no. #63), a collapse.
#POSITION: With Enlargement (no. #46), no bounds.
#TIME: With Endeavor (no. #26), no duplicity.
#CANON: #158

#315 as [#2, #70, #8, #9, #5, #10, #1, #10, #200] = boetheia (G996):
{UMBRA: #12 as #105 % #41 = #23} 1) help

G1974@{
@1: Sup: 5 (#5); Ego: 5 (#5),
@2: Sup: 4 (#9); Ego: 80 (#85),
@3: Sup: 14 (#23); Ego: 10 (#95),
@4: Sup: 13 (#36); Ego: 80 (#175),
@5: Sup: 2 (#38); Ego: 70 (#245),
@6: Sup: 11 (#49); Ego: 9 (#254),
@7: Sup: 21 (#70); Ego: 10 (#264),
@8: Sup: 22 (#92); Ego: 1 (#265),
@9: Sup: 72 (#164); Ego: 50 (#315),
Male: #164; Feme: #315
} // #315

T'AI HSÜAN CHING {POLAR OPPOSITIONS / INTERPLAY OF OPPOSITES} [4 BCE]:

UMBRA: #265 % #41 = #19 - Argument for Ethical Anarchism, Returning to
Simplicity; I-Ching: H57 - Compliance, Gentle Penetration/Wind, Ground,
Calculations; Tetra: 58 - Gathering In;

EGYPTIAN GOD: #19 - Oh Uammetu, who makest thine appearance at the
Block; I commit not adultery with another's wife.

#VIRTUE: Following (no. #19) means dispersing, but
#TOOLS: Massing (no. #59) means assembling.
#POSITION: With Ease (no. #23), the level and smooth, but
#TIME: With Difficulties (no. #79), the going up and down.
#CANON: #180

#315 as [#5, #80, #10, #80, #70, #9, #10, #1, #50] = epipothia (G1974):
{UMBRA: #13 as #265 % #41 = #19} 1) longing

G2089@{
@1: Sup: 5 (#5); Ego: 5 (#5),
@2: Sup: 62 (#67); Ego: 57 (#62),
@3: Sup: 72 (#139); Ego: 10 (#72),
Male: #139; Feme: #72
} // #315

T'AI HSÜAN CHING {POLAR OPPOSITIONS / INTERPLAY OF OPPOSITES} [4 BCE]:

UMBRA: #315 % #41 = #28 - Opposites and Primitivism, Returning to
Simplicity; I-Ching: H24 - Return, The turning point; Tetra: 2 - Full
Circle;

EGYPTIAN GOD: #28 - Oh thou, hot of foot, who makest thy appearance at
even; I indulge not in anger.

#VIRTUE: With Change (no. #28), alterations but sharing smiles.
#TOOLS: With Dimming (no. #68), over a long time, increasing troubles.
#POSITION: With Vastness (no. #50), the infinitely great, but
#TIME: With Barrier (no. #4), the buried and blocked.
#CANON: #150

#315 as [#5, #300, #10] = eti (G2089): {UMBRA: #14 as #315 % #41 = #28}
1) yet, still; 1a) of time; 1a1) of a thing which went on formerly,
whereas now a different state of things exists or has begun to exist;
1a2) of a thing which continues at present; 1a2a) even, now; 1a3) with
negatives; 1a3a) no longer, no more; 1b) of degree and increase; 1b1)
even, yet; 1b2) besides, more, further

H7743@{
@1: Sup: 57 (#57); Ego: 57 (#57),
@2: Sup: 65 (#122); Ego: 8 (#65),
@3: Sup: 70 (#192); Ego: 5 (#70),
Male: #192; Feme: #70
} // #313

T'AI HSÜAN CHING {POLAR OPPOSITIONS / INTERPLAY OF OPPOSITES} [4 BCE]:

UMBRA: #314 % #41 = #27 - Greatest Functional Skill in Paradoxes;
I-Ching: H21 - Bite Together, Biting Through, Gnawing Bite; Tetra: 74 -
Closure;

EGYPTIAN GOD: #27 - Oh thou whose face is behind thee, and who makest
thine appearance at thy cavern; I am not given to unnatural lust.

#VIRTUE: With Duties (no. #27), esteem for activity.
#TOOLS: With Darkening (no. #67), esteem for rest.
#POSITION: With Mired (no. #3), plucked out from calamity.
#TIME: With Aggravation (no. #76), lacking any pardons.
#CANON: #173

#313 as [#300, #8, #5] = shuwach (H7743): {UMBRA: #9 as #314 % #41 =
#27} 1) to sink down, be bowed down, be humble; 1a) (Qal) to sink down;
1b) (Hiphil) of depression of the mind

H7335@{
@1: Sup: 10 (#10); Ego: 10 (#10),
@2: Sup: 48 (#58); Ego: 38 (#48),
@3: Sup: 55 (#113); Ego: 7 (#55),
@4: Sup: 14 (#127); Ego: 40 (#95),
@5: Sup: 20 (#147); Ego: 6 (#101),
@6: Sup: 70 (#217); Ego: 50 (#151),
Male: #217; Feme: #151
} // #313

T'AI HSÜAN CHING {POLAR OPPOSITIONS / INTERPLAY OF OPPOSITES} [4 BCE]:

UMBRA: #247 % #41 = #1 - To Guide with Names, Reason's Realisation;
I-Ching: H58 - Joy, Open, Lake; Tetra: 24 - Joy;

EGYPTIAN GOD: #1 - Oh thou of long strides, who makest thine appearance
in Annu; I am not a doer of wrong.

#VIRTUE: If it is Center (no. #1), then yang begins.
#TOOLS: With Center (no. #1), it begins.
#POSITION: If it is Response (no. #41), then yin is born.
#TIME: With Full Circle (no. #2), it wheels back.
#CANON: #45

#313 as [#10, #200, #7, #40, #6, #50] = razam (H7335): {UMBRA: #7 as
#247 % #41 = #1} 1) (Qal) to wink, flash (of eyes)

H4172@{
@1: Sup: 6 (#6); Ego: 6 (#6),
@2: Sup: 46 (#52); Ego: 40 (#46),
@3: Sup: 52 (#104); Ego: 6 (#52),
@4: Sup: 9 (#113); Ego: 38 (#90),
@5: Sup: 10 (#123); Ego: 1 (#91),
@6: Sup: 30 (#153); Ego: 20 (#111),
@7: Sup: 70 (#223); Ego: 40 (#151),
Male: #223; Feme: #151
} // #313

T'AI HSÜAN CHING {POLAR OPPOSITIONS / INTERPLAY OF OPPOSITES} [4 BCE]:

UMBRA: #247 % #41 = #1 - To Guide with Names, Reason's Realisation;
I-Ching: H58 - Joy, Open, Lake; Tetra: 24 - Joy;

EGYPTIAN GOD: #1 - Oh thou of long strides, who makest thine appearance
in Annu; I am not a doer of wrong.

#VIRTUE: If it is Center (no. #1), then yang begins.
#TOOLS: With Center (no. #1), it begins.
#POSITION: If it is Response (no. #41), then yin is born.
#TIME: With Full Circle (no. #2), it wheels back.
#CANON: #45

#313 as [#6, #40, #6, #200, #1, #20, #40] = mowra' (H4172): {UMBRA: #5
as #247 % #41 = #1} 1) fear, reverence, terror; 1a) fear, terror; 1b)
reverence; 1c) object of reverence; 1d) awe-inspiring spectacle or deed

H2734@{
@1: Sup: 5 (#5); Ego: 5 (#5),
@2: Sup: 55 (#60); Ego: 50 (#55),
@3: Sup: 63 (#123); Ego: 8 (#63),
@4: Sup: 20 (#143); Ego: 38 (#101),
@5: Sup: 30 (#173); Ego: 10 (#111),
@6: Sup: 70 (#243); Ego: 40 (#151),
Male: #243; Feme: #151
} // #313

T'AI HSÜAN CHING {POLAR OPPOSITIONS / INTERPLAY OF OPPOSITES} [4 BCE]:

UMBRA: #213 % #41 = #8 - Worth of Water, Easy By Nature; I-Ching: H48 -
The Well, Welling; Tetra: 40 - Law/Model;

EGYPTIAN GOD: #8 - Oh thou of fiery face, whose motion is backwards; I
am not a robber of sacred property.

#VIRTUE: Opposition (no. #8) means recklessness.
#TOOLS: Ritual (no. #48) means squareness the correspondence between
word and deed.
#POSITION: With Departure (no. #66), leaving the old, but
#TIME: With On the Verge (no. #78), coming to a new start.
#CANON: #200

#313 as [#5, #50, #8, #200, #10, #40] = charah (H2734): {UMBRA: #3 as
#213 % #41 = #8} 1) to be hot, furious, burn, become angry, be kindled;
1a) (Qal) to burn, kindle (anger); 1b) (Niphal) to be angry with, be
incensed; 1c) (Hiphil) to burn, kindle; 1d) (Hithpael) to heat oneself
in vexation

H247@{
@1: Sup: 5 (#5); Ego: 5 (#5),
@2: Sup: 45 (#50); Ego: 40 (#45),
@3: Sup: 46 (#96); Ego: 1 (#46),
@4: Sup: 53 (#149); Ego: 7 (#53),
@5: Sup: 10 (#159); Ego: 38 (#91),
@6: Sup: 60 (#219); Ego: 50 (#141),
@7: Sup: 70 (#289); Ego: 10 (#151),
Male: #289; Feme: #151
} // #313

T'AI HSÜAN CHING {POLAR OPPOSITIONS / INTERPLAY OF OPPOSITES} [4 BCE]:

UMBRA: #208 % #41 = #3 - Political Prescriptions, Quietude; I-Ching:
H46 - Climbing, Moving/Pushing Upward, Ascending; Tetra: 8 - Opposition;

EGYPTIAN GOD: #3 - Oh thou of the Nose, who makest thine appearance at
Chemunnu; I am not evil minded.

#VIRTUE: With Mired (no. #3), great woe.
#TOOLS: With Encounters (no. #43), small desire.
#POSITION: The ways of Purity (no. #37) and ...
#TIME: Pattern (no. #47) where some are simple and some are complex?
#CANON: #130

#313 as [#5, #40, #1, #7, #200, #50, #10] = 'azar (H247): {UMBRA: #0 as
#208 % #41 = #3} 1) gird, encompass, equip, clothe; 1a) (Qal) to gird,
gird on (metaphorical of strength); 1b) (Niphal) be girded; 1c) (Piel)
hold close, clasp; 1d) (Hiphpael) gird oneself (for war)

IN RELATION TO THIS: "In later texts, Manu is the title or name of
fourteen mystical Kshatriya rulers of earth [especially given that
Caesar Augustus died on 19 August 14 AD], or alternatively as the head
of mythical dynasties that begin with each cyclic kalpa (aeon) when the
universe is born anew into the *GOLDEN* *AGE* or the MESSIANIC AGE of
the SON OF MAN."

I HAVE A QUESTION WITH RESPECTS (I CAN'T RECALL WHETHER FACT OR FICTION)
TO THE NUMBER OF ROMAN EMPEROR BUST STATUES WHICH ERECTED AND LATER
DESTROYED AT THEIR EGYPTIAN TEMPLE CULT SITE.

Other Caesarea were found in Karnak and in Philae. The shrine in Karnak
was a Roman style podium-temple as well. It consisted of a four-
columned portico in front, behind which a cella with *FOURTEEN* *STATUE*
*BASES* *WAS* *LOCATED*. This Roman temple formed a stark contrast with
the Egyptian temple of Amun on which dromos is stood [fig.7]. In Philae
the temple probably had a similar lay-out: it was a *TETRASTYLE* temple
with Corinthian capitals [fig.8+9]. This shrine did incorporate Egyptian
elements, such as the use of granite and diorite. An altar or statue
would have been placed inside a rectangular court in front of the
temple. On an architrave two dedicatory inscriptions remain, one to
Augustus and the other to Vespasian.

It is remarkable that the three Caesarea are situated in places that are
highly visible and that the temples are built in a Roman and thus (to
the Egyptians) foreign building style.69 According to Brophy this
indicates that “these structures were aimed at both linking the new
regime and culture to the Egyptian past, yet also asserting the new
classical order and style”.

<https://openaccess.leidenuniv.nl/bitstream/handle/1887/42896/masterthesis%20definitief.pdf>

Nous: #24
Time: 09:45 hrs
Date: 2018.8.19
Torah: [#10, #2, #40]@{
@1: Sup: 10 (#10); Ego: 10 (#10),
@2: Sup: 12 (#22); Ego: 2 (#12),
@3: Sup: 52 (#74); Ego: 40 (#52),
Male: #74; Feme: #52
} // #52

Dao: Important Distinctions, Trouble from Indulgence
Tetra: #18 - Waiting
I-Ching: H5 - Waiting, Delay, Attending, Waiting, Moistened, Arriving

Latin: Operator {Word which produces all things} Alt: Eriel
{Watchfulness of God} {

1. GENERATION OF BEINGS & PHILOSOPHICAL KNOWLEDGE
2. PROTECTS & REGENERATES, LEADS TO INNER HARMONY
3. PHENOMENA OF NATURE
4. Thopibui
}

Solar Eclipse: 9 March 1997 (AEST)
Solar Eclipse: 3 November 2013 (AEST)

#1379 CE

Prototype: *HOMOIOS* {#257 / #250} / HETEROS {#379 / #230} / TORAH {#379
/ #230}

<http://www.grapple369.com?zen:2,row:4,col:8,nous:24&idea:{m,92}&idea:{f,58}&idea:{m,257}&idea:{f,250}&PROTOTYPE:HOMOIOS>

.jackNote@zen: 2, row: 4, col: 8, nous: 24 [Date: 2018.8.19, Time: 09:45
hrs, Super: #257 / #58 - Political Reversal, Adaptation to Change;
I-Ching: H43 - Resolution, Displacement, Parting, Break-through; Tetra:
29 - Decisiveness, Ego: #250 / #24 - Important Distinctions, Trouble
from Indulgence; I-Ching: H5 - Waiting, Delay, Attending, Waiting,
Moistened, Arriving; Tetra: 18 - Waiting]

H1062@{
@1: Sup: 30 (#30); Ego: 30 (#30),
@2: Sup: 32 (#62); Ego: 2 (#32),
@3: Sup: 52 (#114); Ego: 20 (#52),
@4: Sup: 9 (#123); Ego: 38 (#90),
@5: Sup: 14 (#137); Ego: 5 (#95),
Male: #137; Feme: #95
} // #257

T'AI HSÜAN CHING {POLAR OPPOSITIONS / INTERPLAY OF OPPOSITES} [4 BCE]:

UMBRA: #233 % #41 = #28 - Opposites and Primitivism, Returning to
Simplicity; I-Ching: H24 - Return, The turning point; Tetra: 2 - Full
Circle;

EGYPTIAN GOD: #28 - Oh thou, hot of foot, who makest thy appearance at
even; I indulge not in anger.

#VIRTUE: With Change (no. #28), alterations but sharing smiles.
#TOOLS: With Dimming (no. #68), over a long time, increasing troubles.
#POSITION: With Vastness (no. #50), the infinitely great, but
#TIME: With Barrier (no. #4), the buried and blocked.
#CANON: #150

#257 as [#30, #2, #20, #200, #5] = bekowrah (H1062): {UMBRA: #3 as #233
% #41 = #28} 1) birthright, primogeniture, right of the first-born

H4616@{
@1: Sup: 30 (#30); Ego: 30 (#30),
@2: Sup: 70 (#100); Ego: 40 (#70),
@3: Sup: 59 (#159); Ego: 70 (#140),
@4: Sup: 28 (#187); Ego: 50 (#190),
@5: Sup: 48 (#235); Ego: 20 (#210),
@6: Sup: 7 (#242); Ego: 40 (#250),
Male: #242; Feme: #250
} // #250

T'AI HSÜAN CHING {POLAR OPPOSITIONS / INTERPLAY OF OPPOSITES} [4 BCE]:

UMBRA: #190 % #41 = #26 - Ambiguous Reversals, Virtue of Gravity;
I-Ching: H3 - Birth Throes, Initial Difficulties, Sprouting, Difficulty
at the beginning, Gathering support, Hoarding; Tetra: 3 - Mired;

EGYPTIAN GOD: #26 - Oh Basit, who makest thine appearance at the
Shetait; I am not the cause of weeping to any.

#VIRTUE: If it is Endeavor (no. #26), then joy, but
#TOOLS: If it is Departure (no. #66), then sorrow.
#POSITION: As to Following (no. #19), it is dragged along.
#TIME: As to Guardedness (no. #57), it is secured.
#CANON: #168

#250 as [#30, #40, #70, #50, #20, #40] = ma`an (H4616): {UMBRA: #2 as
#190 % #41 = #26} 1) purpose, intent prep; 1a) for the sake of; 1b) in
view of, on account of; 1c) for the purpose of, to the intent that, in
order to conj; 1d) to the end that

H4050@{
@1: Sup: 2 (#2); Ego: 2 (#2),
@2: Sup: 42 (#44); Ego: 40 (#42),
@3: Sup: 45 (#89); Ego: 3 (#45),
@4: Sup: 2 (#91); Ego: 38 (#83),
@5: Sup: 7 (#98); Ego: 5 (#88),
Male: #98; Feme: #88
} // #250

T'AI HSÜAN CHING {POLAR OPPOSITIONS / INTERPLAY OF OPPOSITES} [4 BCE]:

UMBRA: #248 % #41 = #2 - Contrast of Terms, Self-Culture; I-Ching: H11
- Peace, Pervading, Greatness; Tetra: 16 - Contact;

EGYPTIAN GOD: #2 - Oh thou who boldest the fire, and makest thine
appearance in Cher-aba; I am not a man of violence.

#VIRTUE: With Full Circle (no. #2), a return to virtue.
#TOOLS: With Defectiveness (no. #10), the crooked.
#POSITION: With Going to Meet (no. #42), a counter turn towards punishment.
#TIME: With Bold Resolution (no. #30), the straight?
#CANON: #84

#250 as [#2, #40, #3, #200, #5] = megerah (H4050): {UMBRA: #1 as #248 %
#41 = #2} 1) saw (for stone cutting)

H1752@{
@1: Sup: 40 (#40); Ego: 40 (#40),
@2: Sup: 44 (#84); Ego: 4 (#44),
@3: Sup: 50 (#134); Ego: 6 (#50),
@4: Sup: 7 (#141); Ego: 38 (#88),
Male: #141; Feme: #88
} // #250

T'AI HSÜAN CHING {POLAR OPPOSITIONS / INTERPLAY OF OPPOSITES} [4 BCE]:

UMBRA: #210 % #41 = #5 - Natural Guidance, Function of Emptiness;
I-Ching: H63 - Ferrying Complete, Completion & After, Already Fording;
Tetra: 73 - Already Fording, Completion;

EGYPTIAN GOD: #5 - Oh thou of Serpent face, who makest thine appearance
at Re-Stau; I am not a slayer of men.

#VIRTUE: Keeping Small (no. #5) means the minute first signs.
#TOOLS: Greatness (no. #45) means battening.
#POSITION: As to Accumulation (no. #60), it is the many, but
#TIME: As to Keeping Small (no. #5), it is the few.
#CANON: #115

#250 as [#40, #4, #6, #200] = duwr (H1752): {UMBRA: #0 as #210 % #41 =
#5} 1) to heap up, pile; 2) to dwell; 2a) (Qal); 2a1) to dwell; 2a2)
heap up (imp.)

H215@{
@1: Sup: 50 (#50); Ego: 50 (#50),
@2: Sup: 51 (#101); Ego: 1 (#51),
@3: Sup: 57 (#158); Ego: 6 (#57),
@4: Sup: 14 (#172); Ego: 38 (#95),
Male: #172; Feme: #95
} // #257

T'AI HSÜAN CHING {POLAR OPPOSITIONS / INTERPLAY OF OPPOSITES} [4 BCE]:

UMBRA: #207 % #41 = #2 - Contrast of Terms, Self-Culture; I-Ching: H11
- Peace, Pervading, Greatness; Tetra: 16 - Contact;

EGYPTIAN GOD: #2 - Oh thou who boldest the fire, and makest thine
appearance in Cher-aba; I am not a man of violence.

#VIRTUE: With Full Circle (no. #2), a return to virtue.
#TOOLS: With Defectiveness (no. #10), the crooked.
#POSITION: With Going to Meet (no. #42), a counter turn towards punishment.
#TIME: With Bold Resolution (no. #30), the straight?
#CANON: #84

#257 as [#50, #1, #6, #200] = 'owr (H215): {UMBRA: #0 as #207 % #41 =
#2} 1) to be or become light, shine; 1a) (Qal); 1a1) to become light
(day); 1a2) to shine (of the sun); 1a3) to become bright; 1b) (Niphal);
1b1) to be illuminated; 1b2) to become lighted up; 1c) (Hiphil); 1c1) to
give light, shine (of sun, moon, and stars); 1c2) to illumine, light up,
cause to shine, shine; 1c3) to kindle, light (candle, wood); 1c4)
lighten (of the eyes, his law, etc); 1c5) to make shine (of the face)

H216@{
@1: Sup: 30 (#30); Ego: 30 (#30),
@2: Sup: 31 (#61); Ego: 1 (#31),
@3: Sup: 37 (#98); Ego: 6 (#37),
@4: Sup: 75 (#173); Ego: 38 (#75),
@5: Sup: 14 (#187); Ego: 20 (#95),
Male: #187; Feme: #95
} // #257

#257 as [#30, #1, #6, #200, #20] = 'owr (H216): {UMBRA: #1 as #207 % #41
= #2} 1) light; 1a) light of day; 1b) light of heavenly luminaries
(moon, sun, stars); 1c) day-break, dawn, morning light; 1d) daylight;
1e) lightning; 1f) light of lamp; 1g) light of life; 1h) light of
prosperity; 1i) light of instruction; 1j) light of face (fig.); 1k)
Jehovah as Israel's light

H1293@{
@1: Sup: 30 (#30); Ego: 30 (#30),
@2: Sup: 32 (#62); Ego: 2 (#32),
@3: Sup: 70 (#132); Ego: 38 (#70),
@4: Sup: 9 (#141); Ego: 20 (#90),
@5: Sup: 14 (#155); Ego: 5 (#95),
Male: #155; Feme: #95
} // #257

T'AI HSÜAN CHING {POLAR OPPOSITIONS / INTERPLAY OF OPPOSITES} [4 BCE]:

UMBRA: #227 % #41 = #22 - Point to Reversal?, Humility's Increase;
I-Ching: H8 - Closeness, Seeking Unity, Grouping, Holding together,
Alliance; Tetra: 34 - Kinship;

EGYPTIAN GOD: #22 - Oh Chemiu, who makest thine appearance in Kauu; I am
not a transgressor.

#VIRTUE: What Resistance (no. #22) approves is right while
#TOOLS: What Doubt (no. #62) abhors is wrong.
#POSITION: With Advance (no. #20), the desire to proceed.
#TIME: With Stoppage (no. #71), the desire for constraints.
#CANON: #175

#257 as [#30, #2, #200, #20, #5] = Berakah (H1293): {UMBRA: #5 as #227 %
#41 = #22} 1) blessing; 2) (source of) blessing; 3) blessing,
prosperity; 4) blessing, praise of God; 5) a gift, present; 6) treaty of
peace

H5586@{
@1: Sup: 40 (#40); Ego: 40 (#40),
@2: Sup: 19 (#59); Ego: 60 (#100),
@3: Sup: 8 (#67); Ego: 70 (#170),
@4: Sup: 7 (#74); Ego: 80 (#250),
Male: #74; Feme: #250
} // #250

T'AI HSÜAN CHING {POLAR OPPOSITIONS / INTERPLAY OF OPPOSITES} [4 BCE]:

UMBRA: #210 % #41 = #5 - Natural Guidance, Function of Emptiness;
I-Ching: H63 - Ferrying Complete, Completion & After, Already Fording;
Tetra: 73 - Already Fording, Completion;

#250 as [#40, #60, #70, #80] = ca`aph (H5586): {UMBRA: #7 as #210 % #41
= #5} 1) (Piel) to cut off, lop off boughs

H6467@{
@1: Sup: 30 (#30); Ego: 30 (#30),
@2: Sup: 29 (#59); Ego: 80 (#110),
@3: Sup: 18 (#77); Ego: 70 (#180),
@4: Sup: 48 (#125); Ego: 30 (#210),
@5: Sup: 7 (#132); Ego: 40 (#250),
Male: #132; Feme: #250
} // #250

T'AI HSÜAN CHING {POLAR OPPOSITIONS / INTERPLAY OF OPPOSITES} [4 BCE]:

UMBRA: #180 % #41 = #16 - Being a Guide, Returning to the Root;
I-Ching: H28 - Major Superiority, Excess, Great Exceeding, Preponderance
of the great, Critical mass; Tetra: 75 - Failure;

EGYPTIAN GOD: #16 - Oh thou who turnest backwards, who makest thine
appearance in Bubastis; I am not an eaves-dropper.

#VIRTUE: Contact (no. #16) means mutual compliance.
#TOOLS: Closed Mouth (no. #56) means no contact.
#POSITION: With Increase (no. #13), daily additions, but
#TIME: With Diminishment (no. #55), daily reductions.
#CANON: #140

#250 as [#30, #80, #70, #30, #40] = po`al (H6467): {UMBRA: #9 as #180 %
#41 = #16} 1) work, deed, doing; 1a) deed, thing done; 1b) work, thing
made; 1c) wages of work; 1d) acquisition (of treasure)

H6664@{
@1: Sup: 9 (#9); Ego: 9 (#9),
@2: Sup: 13 (#22); Ego: 4 (#13),
@3: Sup: 32 (#54); Ego: 19 (#32),
@4: Sup: 1 (#55); Ego: 50 (#82),
@5: Sup: 7 (#62); Ego: 6 (#88),
Male: #62; Feme: #88
} // #250

T'AI HSÜAN CHING {POLAR OPPOSITIONS / INTERPLAY OF OPPOSITES} [4 BCE]:

UMBRA: #194 % #41 = #30 - Government without Coercion, Be Chary of War;
I-Ching: H45 - Gathering, Congregation, Clustering, Gathering together
(massing), Finished; Tetra: 59 - Massing;

EGYPTIAN GOD: #30 - Oh thou who earnest thine own offering, and makest
thine appearance in Syut; I am not of aggressive hand.

#VIRTUE: With Bold Resolution (no. #30), daring but
#TOOLS: With Severance (no. #70), weakening.
#POSITION: With Failure (no. #75), great loss.
#TIME: With Gathering (no. #35), small gain.
#CANON: #210

#250 as [#90, #4, #100, #50, #6] = tsedeq (H6664): {UMBRA: #11 as #194 %
#41 = #30} 1) justice, rightness, righteousness; 1a) what is right or
just or normal, rightness, justness (of weights and measures); 1b)
righteousness (in government); 1b1) of judges, rulers, kings; 1b2) of
law; 1b3) of Davidic king, Messiah; 1b4) of Jerusalem as seat of just
government; 1b5) of God's attribute; 1c) righteousness, justice (in case
or cause); 1d) rightness (in speech); 1e) righteousness (as ethically
right); 1f) righteousness (as vindicated), justification (in
controversy), deliverance, victory, prosperity; 1f1) of God as
covenant-keeping in redemption; 1f2) in name of Messianic king; 1f3) of
people enjoying salvation; 1f4) of Cyrus

H5481@{
@1: Sup: 6 (#6); Ego: 6 (#6),
@2: Sup: 66 (#72); Ego: 60 (#66),
@3: Sup: 72 (#144); Ego: 6 (#72),
@4: Sup: 31 (#175); Ego: 40 (#112),
@5: Sup: 30 (#205); Ego: 80 (#192),
@6: Sup: 80 (#285); Ego: 50 (#242),
@7: Sup: 9 (#294); Ego: 10 (#252),
@8: Sup: 14 (#308); Ego: 5 (#257),
Male: #308; Feme: #257
} // #257

T'AI HSÜAN CHING {POLAR OPPOSITIONS / INTERPLAY OF OPPOSITES} [4 BCE]:

UMBRA: #211 % #41 = #6 - Female Superiority, Completion of Form;
I-Ching: H25 - No Errancy, Without Embroiling, Innocence, Pestilence;
Tetra: 66 - Departure;

EGYPTIAN GOD: #6 - Oh thou of Lion form, who makest thine appearance in
Heaven; I am not fraudulent in measures of grain.

#VIRTUE: With Contrariety (no. #6), internal contradiction.
#TOOLS: Enlargement (no. #46) means external opposition.
#POSITION: As to Watch (no. #63), it is the apparent.
#TIME: As to Darkening (no. #67), it is the indistinct.
#CANON: #182

#257 as [#6, #60, #6, #40, #80, #50, #10, #5] = cuwmpowneyah (Aramaic)
(H5481): {UMBRA: #13 as #211 % #41 = #6} 1) a musical instrument, wind
instrument, bagpipe, double pipe, panpipes; 1a) perhaps dulcimer, panpipes

G3715@{
@1: Sup: 70 (#70); Ego: 70 (#70),
@2: Sup: 8 (#78); Ego: 19 (#89),
@3: Sup: 13 (#91); Ego: 5 (#94),
@4: Sup: 73 (#164); Ego: 60 (#154),
@5: Sup: 78 (#242); Ego: 5 (#159),
@6: Sup: 7 (#249); Ego: 10 (#169),
Male: #249; Feme: #169
} // #250

T'AI HSÜAN CHING {POLAR OPPOSITIONS / INTERPLAY OF OPPOSITES} [4 BCE]:

UMBRA: #445 % #41 = #35 - Great Guiding Signs?, Virtue of Benevolence;
I-Ching: H17 - Following, Allegiance; Tetra: 19 - Following;

EGYPTIAN GOD: #35 - Oh Tem-sepu, who makest thine appearance in Tattu; I
am not one who curseth the king.

#VIRTUE: As to Gathering (no. #35), it is success.
#TOOLS: With Failure (no. #75), loss of fortune.
#POSITION: With Ascent (no. #7), high ambitions.
#TIME: With Sinking (no. #64), low ambitions.
#CANON: #181

#250 as [#70, #100, #5, #60, #5, #10] = orexis (G3715): {UMBRA: #16 as
#445 % #41 = #35} 1) desire, longing, craving for; 2) eager desire,
lust, appetite; 2a) used both in a good and a bad sense, as well of
natural and lawful and even of proper cravings (of appetite for food),
also of corrupt and unlawful desires

G14@{
@1: Sup: 1 (#1); Ego: 1 (#1),
@2: Sup: 4 (#5); Ego: 3 (#4),
@3: Sup: 5 (#10); Ego: 1 (#5),
@4: Sup: 14 (#24); Ego: 9 (#14),
@5: Sup: 3 (#27); Ego: 70 (#84),
@6: Sup: 8 (#35); Ego: 5 (#89),
@7: Sup: 27 (#62); Ego: 19 (#108),
@8: Sup: 30 (#92); Ego: 3 (#111),
@9: Sup: 35 (#127); Ego: 5 (#116),
@10: Sup: 45 (#172); Ego: 10 (#126),
@11: Sup: 14 (#186); Ego: 50 (#176),
Male: #186; Feme: #176
} // #257

T'AI HSÜAN CHING {POLAR OPPOSITIONS / INTERPLAY OF OPPOSITES} [4 BCE]:

UMBRA: #997 % #41 = #13 - Status, Loathing Shame; I-Ching: H5 -
Waiting, Delay, Attending, Moistened, Arriving; Tetra: 17 - Holding Back;

EGYPTIAN GOD: #13 - Oh Eater of Blood, who makest thine appearance at
the Block; I have not slaughtered the sacred animals.

#VIRTUE: With Increase (no. #13), the beginning of florescence, but
#TOOLS: With Eternal (no. #53), what lasts to the very end.
#POSITION: With Opposition (no. #8), at court, but
#TIME: With Inner (no. #65), on the sleeping mat
#CANON: #139

#257 as [#1, #3, #1, #9, #70, #5, #100, #3, #5, #10, #50] = agathoergeo
(G14): {UMBRA: #16 as #997 % #41 = #13} 1) to work good, to do good, to
do well, act rightly

H7078@{
@1: Sup: 19 (#19); Ego: 19 (#19),
@2: Sup: 69 (#88); Ego: 50 (#69),
@3: Sup: 78 (#166); Ego: 9 (#78),
@4: Sup: 7 (#173); Ego: 10 (#88),
Male: #173; Feme: #88
} // #250

T'AI HSÜAN CHING {POLAR OPPOSITIONS / INTERPLAY OF OPPOSITES} [4 BCE]:

UMBRA: #240 % #41 = #35 - Great Guiding Signs?, Virtue of Benevolence;
I-Ching: H17 - Following, Allegiance; Tetra: 19 - Following;

EGYPTIAN GOD: #35 - Oh Tem-sepu, who makest thine appearance in Tattu; I
am not one who curseth the king.

#VIRTUE: As to Gathering (no. #35), it is success.
#TOOLS: With Failure (no. #75), loss of fortune.
#POSITION: With Ascent (no. #7), high ambitions.
#TIME: With Sinking (no. #64), low ambitions.
#CANON: #181

#250 as [#100, #50, #90, #10] = qenets (H7078): {UMBRA: #15 as #240 %
#41 = #35} 1) snare, net; 1a) meaning dubious

G2565@{
@1: Sup: 20 (#20); Ego: 20 (#20),
@2: Sup: 21 (#41); Ego: 1 (#21),
@3: Sup: 51 (#92); Ego: 30 (#51),
@4: Sup: 81 (#173); Ego: 30 (#81),
@5: Sup: 10 (#183); Ego: 10 (#91),
@6: Sup: 15 (#198); Ego: 5 (#96),
@7: Sup: 45 (#243); Ego: 30 (#126),
@8: Sup: 46 (#289); Ego: 1 (#127),
@9: Sup: 56 (#345); Ego: 10 (#137),
@10: Sup: 45 (#390); Ego: 70 (#207),
@11: Sup: 14 (#404); Ego: 50 (#257),
Male: #404; Feme: #257
} // #257

T'AI HSÜAN CHING {POLAR OPPOSITIONS / INTERPLAY OF OPPOSITES} [4 BCE]:

UMBRA: #407 % #41 = #38 - Consequences for Virtuous Discourse; I-Ching:
H62 - Minor Superiority, Small Excess, Small Exceeding, Preponderance of
the small, Small surpassing; Tetra: 11 - Divergence;

EGYPTIAN GOD: #38 - Oh thou who makest mortals to flourish, and who
makest thine appearance at Sais; I curse not a god.

#VIRTUE: Fullness (no. #38) means the prime of life, but
#TOOLS: On the Verge (no. #78) means old age.
#POSITION: With Kinship (no. #34), attachment between even distant
relatives.
#TIME: With Severance (no. #70), offense to one’s own flesh and blood.
#CANON: #220

#257 as [#20, #1, #30, #30, #10, #5, #30, #1, #10, #70, #50] =
kallielaios (G2565): {UMBRA: #18 as #407 % #41 = #38} 1) the garden
*OLIVE* as opposed to the wild olive

Artists carved out reliefs that were designed by priests, with themes
similar to those that were used for ancient pharaohs on temple walls.
Important themes were the pharaoh smiting his (Egypt’s) enemies and the
pharaoh offering maat to the gods. Remarkably, there are also coronation
scenes. Hölbl explains these scenes by the so-called ‘magical function’
of these reliefs. They would guarantee the emperors legitimization and
enforce the fulfilment of his function as pharaoh. The reliefs were
accompanied by the name and titles of rulers, which always included the
words ‘Imperator’ and ‘Caesar’. Augustus’s form of address differed
quite a lot until 22 BC when a fixed range of formulas was determined.
From this point on Augustus was known as: “King of Upper and Lower
Egypt, Imperator, Son of Re, Lord of the crowns, Caesar, May he live
forever, Beloved of Ptah and Isis.”

In seven other inscriptions Augustus’ Horus-name is mentioned. The order
and inclusion of names is different in each inscription, but all are
variations on the following Horus-name: “Celui don’t les bras est
valeureux, celui qui frappe les pays étrangers, celui don’t la force
est grande, le “champion” de l’Égypte, le bel adolescent doux d’amour,
le roi des rois, l’élu de Ptah Tanen le Grand Noun père des dieux.”
The name indicates that Augustus had freed the Egyptians from unwanted
and illegitimate rulers and taken his place as the rightful heir.
However, Augustus’s pharaonic name does indicate that the Egyptians
considered him a ‘Fremdherrscher’.

Grenier defines this situation very clearly: “En un mot, on
reconnaissait que le Romain ne régnait pas sur un empire parce qu’il
était pharaon: il était pharaon parce qu’il régnait sur un empire,
dont la capital était Rome et don’t l’Égypte se trouvait être une
province parmi d’autres”

TRANSLATION: "In a word, it was recognized that the Roman did not reign
over an empire because he was Pharaoh: he was Pharaoh because he ruled
over an empire, whose capital was Rome, and Egypt was a province among
others"

Besides the role of the emperor as pharaoh, another development
concerning religion took place. This development already started during
Ptolemaic rule in Egypt. The Greek citizens that moved to Egypt during
the Ptolemaic period brought their cultural and religious ideas along.
The Greeks recognized certain qualities in Egyptian gods and goddesses
that were similar to the gods in their own pantheon. This identification
of Egyptian gods with Greek ones is called the interpretatio graeca. In
time syncretism of some Greek and Egyptian gods took place as well. A
good example of syncretism is Sarapis, a god invented by the first
Ptolemy. The god consisted of both Greek and Egyptian elements, which
symbolized the unity of these countries. It proved to be a successful
political tool. Sarapis and his consort Isis became especially popular
in the Roman period, due to their universal character. The exchange of
ideas worked both ways, which explains the growing popularity of Sarapis
and Isis in the rest of the Roman empire too.

<https://openaccess.leidenuniv.nl/bitstream/handle/1887/42896/masterthesis%20definitief.pdf?sequence=1>

- dolf

Initial Post: 19 June 2018


--


YOUTUBE: "The Meerkat Circus"

<https://www.youtube.com/watch?v=H-7OuqWi4vQ>

SEE ALSO AS RELATIONSHIP: *INVALIDATING* {Perennial philosophy (HETEROS
{#390 - ROBBERS} v’s HOMOIOS {#391 - STEWARDS OF GOD’S HOUSE} THEORY OF
NUMBER) as universal of right and wrong...} *THE* *ORTHODOX* *AND*
*ROMAN* *CATHOLIC* *CHURCH'S* *CLAIM* {#390 as 1, #100, #80, #1, #3, #5,
#200 as harpax (G727): {#11 as #242} 1) rapacious, ravenous; 2) a
extortioner, a robber} *TO* *JUBILEE2000* *AS* *BEING* *DELUSIONAL*

*AND* *FRAUDULENT*

Private Street on the edge of the Central Business District dated 16th
May, 2000 - This report is prepared in response to a TP00/55 as a Notice
of an Application for Planning Permit

<http://www.grapple369.com/jubilee2000.html>

SEE ALSO: HYPOSTATIS AS DAO OF NATURE (Chinese: ZIRAN) / COURSE (Greek:
TROCHOS) OF NATURE (Greek: GENESIS) [James 3:6]

Chinese HAN Dynasty (206 BCE - 220CE) Hexagon Trigrams to Tetragram
assignments proposed by Yang Hsiung (53BCE - 18CE) which by 4BCE
(translation published within English as first European language in
1993), first appeared in draft form as a meta-thesis titled T'AI HSUAN
CHING {ie. Canon of Supreme Mystery} on Natural Divination associated
with the theory of number, annual seasonal chronology and astrology
reliant upon the seven visible planets as cosmological mother image and
the zodiac.

It shows the ZIRAN as the DAO of NATURE / COURSE-trochos OF
NATURE-genesis [James 3:6] as HYPOSTATIS comprising #81 trinomial
tetragrammaton x 4.5 day = #364.5 day / year as HOMOIOS THEORY OF NUMBER
which is an amalgam of the 64 hexagrams as binomial trigrams / 81 as
trinomial tetragrammaton rather than its encapsulated contrived use as
the microcosm to redefine the macrocosm as the quintessence of the
Pythagorean [Babylonian] as binomial canon of transposition as HETEROS
THEORY OF NUMBER.

<http://www.grapple369.com/nature.html>

The Charter of Human Rights and Responsibilities No. 43 of Act 2006
defines a "PERSON MEANS A HUMAN BEING” and the question is, if it is
permissible to extend this definition to be a "PERSON MEANS A HUMAN
BEING AS A CONSCIOUS REALITY OF HOMO[iOS] SAPIEN[T] WHO IS INSTANTIATED
WITHIN THE TEMPORAL REALITY AS THEN THE CAUSE FOR REASONING AND
RATIONALITY."

That my mathematical theoretical noumenon defines the meta-descriptor
prototypes which are prerequisite to the BEING of HOMO[iOS] SAPIEN[T] as
EXISTENCE.

[dolf]

— OH LA LA I’D LIKE TO TAKE LIBERTY AND FRATERNISE WITH THE FRENCH
PRESIDENT HAVING ANOTHER DELICIOUS MOMENT AS EQUALLY AN ARTISTIC PLUNDER

(c) 2018 Dolf Leendert Boek, Revision: 19 June 2018

YOUTUBE: “Dimitri From Paris - Sacrebleu”

<https://m.youtube.com/watch?v=YFtpoaPYXM4>

If I had not taken the time to reply, I would never have found this
classic album which I had lost to a thief and so pleased am I that I
will order it again from the local music shop today if in fact I still
can as it is not available on the iTunes Store.

“20 He that is so impoverished that he hath no oblation chooseth a tree
that will not rot; he seeketh unto him a cunning workman to prepare a
graven image, that shall not be moved.

21 Have ye not known? Have ye not heard? Hath it not been told you from
the beginning? Have ye not understood from the foundations of the earth?

symbolizes fruitfulness and beauty and dignity} took *LIBERTÉ* with the
French President and sought as *EGALITÉ* to regard him as Jupiter-Zeus
whom by *FRATERNITÉ* is father of all.

ABC NEWS: “He was captured on LCI television singing the words of the
international socialist anthem before asking the President:

"CA VA MANU?" — WHICH TRANSLATES AS "HOW'S IT GOING, MANU?"

"No, no, you are here at an official ceremony," Mr Macron, 40, told him
sharply.

"You can't just behave like that.

"You can act like a clown, but today it's the 'Marseillaise' and the
'Partisans Song' we're singing.

"YOU ADDRESS ME AS MR PRESIDENT OF THE REPUBLIC OR SIR, OK?"

The boy, shaggy hair falling in front of his eyes, apologised.

"Sorry, Mr President," the teenager said.

But Mr Macron, who is known for his quick tongue and often mixes
elevated language with street slang, went on:

“You need to do things the right way.

Even if you want to lead a revolution one day, you've first got to earn
a diploma and learn how to put food on the table," he said.

It's not the first time Mr Macron has been captured on camera giving
lessons to those who challenge or disrespect him.

<http://mobile.abc.net.au/news/2018-06-19/macron-scolds-teen-for-asking-hows-it-going-manu/9884346>

Manu (Sanskrit: मनु) is a Hindu term that refers to the archetypal man
{#15 ... #34 ... #65 - ZEUS {JUPITER} / ABRAHAM / NERO / MANU / #111, or
to the first man (progenitor of humanity). The Sanskrit term for
'human', मानव (IAST: mānava) means 'of Manu' or 'children of Manu'. In
later texts, Manu is the title or name of fourteen mystical Kshatriya
rulers of earth, or alternatively as the head of mythical dynasties that
begin with each cyclic kalpa (aeon) when the universe is born anew into
the *GOLDEN* *AGE* or the MESSIANIC AGE of the SON OF MAN.

The title of the text Manusmriti uses this term as a prefix, but refers
to the first Manu – Svayambhuva, the spiritual son of Brahma the creator
god in triad with Vishnu and Shiva.

<https://en.m.wikipedia.org/wiki/Manu_(Hinduism)>

THUS TO CONTAINERIZE AND QUARTERIZE THE HETEROS QUINTESSENCE OF INDIAN
RELIGIOUS BELIEF / AS NON DIFFERENTIATED FROM EGYPTIAN / ROMAN PARAGONIC

IDOLATRY AND SUB-ORDINATE (ie. I HAVE A VALID OBJECTION ASSOCIATED TO