I understand that the Spotmatic will work with modern Silver-oxide cells
without any modifications, where the SRT needs to have a diode
installed. (Not a big deal). So batteries aren't really a consideration.
Thanks,
-Adam
>I'm looking at buying an SLR for black&white work that's sturdy and easy
>to take everywhere.. Internal lightmeter is must. Can anyone offer a
>suggestion as to which of these cameras to buy? At first glance, the SRT
>looks like a better camera.. Full aperture metering, and the metering
>method is actually an average of 2 cells.. The spotmatic uses stop-down
>metering with a single cell. Now, this is just the metering method, of
>course.. Otherwise, the 2 cameras look pretty identical for features.
>Any personal experiences? I have to admit, the SRT looks tougher.. but
>the Spotmatic looks nicer. The Spotmatic sells for about twice what a
>comparable quality SRT goes for.. Is it just because "Pentax" is a
>better brand than "Minolta"? I'm currently shooting color with a
>consumer-end Olympus IS-50, and doing portraits of the kids with my
>Yashica-MAT. The Olympus is way too slow (f/4.9 at it's fastest, slowing
>throughout the zoom) for a lot of edge of day photography.. Unless I'm
>shooting super fast film. (800 or higher). Both the Takumar and Rokkor
>lenses seem to be very very fast (f/1.7). Is one inherently better than
>the other? I've read glowing reviews of both lenses.
>
The SRT's only weakness is the metering cell glass blocks are glued to
the main prism with a glue that is probably deteriated thus affecting
meter accuracy. However this is an easy fix with crystal clear glue
from micro-tools.com.
The Spotmatic's weakness is in the mirror return spring which is
somewhat weak due to age and will in all probability break with
moderate use. In order to fix this problem you have to remove the
mirror cage and if you are lucky to find another spring replace it.
Both cameras are very good cameras but my personal favorite is the
SRT. I still own and use several. The SRT is a lot tougher than the
Spotmatic..
As for the diode installation, it takes less than 5 minutes to
install..
Go with the SRT...
--
Colyn Goodson
I've never cared for anything with the Minolta name on it. Their stuff
was always designed strangely and there were significant repair
problems.
My 1969 Spotmatic is still going strong.
>I've never cared for anything with the Minolta name on it. Their stuff
>was always designed strangely and there were significant repair
>problems.
>
>
Could you be more specific??
What exactly were the significant repair problems?
> Could you be more specific??
>
> What exactly were the significant repair problems?
Back when we had a local camera shop, they used to get a lot of
Minoltas of all models in for repair - more than any other brand.
>> Could you be more specific??
>>
>> What exactly were the significant repair problems?
>
>Back when we had a local camera shop, they used to get a lot of
>Minoltas of all models in for repair - more than any other brand.
>
You didn't answer my question which is what were the specific
problems?
I've owned and used Minoltas since the SR-series first came out and
have never seen any significant problems.
As I stated before the only weakness of the SRT was with the meter
cell glass glue would deteriated with age and had to be cleaned and
re-glued which is a fairly simple repair.
I've seen no significant problems with the XD or XE series and the
XG-9 I bought new is still working as good as the day I bought it.
>Leicaflex SL and two-cam lenses. They are plentiful and cheap.
>Indestructible.
>
Unless you get lucky you won't get a Leicaflex cheap but the 2 cam
lens can be had for not much more than say a Minolta or Nikon lens of
the same focal length.
...and the Leiz lens generally being of far superior quality.
See:
http://www.keh.com/shop/product.cfm?bid=LR&cid=02&sid=newused&crid=13385706
>...and the Leiz lens generally being of far superior quality.
>
>See:
>
I got my first Leica in 1959 when my granddad gave me a IIIa with
Summar.
I now have several screwmount Leicas, 2 M3's, and a M4 along with a
number of Leica lens. I sold my SL a few years ago.
I found a IIIfBD at the local flea market with 50mm f/2 Summicron for
$20. I just replaced the curtains and am in the process of timing the
shutter with my homemade shutter speed timer.
I agree that Leicas are the best. I also believe Minoltas are the best
as far as Japanese cameras go.
>Leicaflex SL and two-cam lenses. They are plentiful and cheap.
Cheap????
You are cheap. hehhehhehheh
Yes, cheap for what you get. Look on KEH at all the lenses and how
reasonable they are.
http://www.keh.com/shop/product.cfm?bid=LR&cid=06&sid=newused&crid=13399790
http://www.keh.com/shop/product.cfm?bid=LR&cid=02&sid=newused&crid=13399790
Consider that these lenses will outlast anything else by a considerable
margin, and perform at the highest levels optically, it's a no-brainer.
>
> You are cheap. hehhehhehheh
Well, specifically, such ancient gear because the quality / price ratio
is so good. I spent $100 on that Olympus (retail $300), and I described
its problems. Digital is even more money for decent quality. These 70's
SLR's are very sweet quality for very little money ($30-$50).
Besides, I love the solid feel of a real metal SLR.
Well, I think I'm going to go with the SRT, then. Thanks everyone!
Choke, cough...
Thanks.
I'm in the SRT-Spotmatic pricerange for this camera. I do believe whole
heartedly that more money buys a better camera (Leica, Nikon, etc).. I'm
just not in that market at all. This camera will be replacing a Petri FT
1000, and will sit in the same camera bag as an Olympus IS-50 and a
YashicaMat.
People are buying $3000 cameras like water, and you think $300 is a lot
of money?
>Thank you for your very well thought out and detailed reply. Sounds like
>a winner to me.
>
>Thanks.
>
You can't go wrong with the SRT..
>Holy cow!
>I think I should have been more specific.. A quick check of ebay is showing:
>Minolta SRT at $30
>Pentax Spotmatic at $60
>Leicaflex at $300
>
The problem with the Leicaflex is most who buy just sit it on a shelf
and look at it.
I've been told I'm an idiot for using my Leica gear but a camera is
made to take photos not sit on a shelf.
>
>I'm in the SRT-Spotmatic pricerange for this camera. I do believe whole
>heartedly that more money buys a better camera (Leica, Nikon, etc).. I'm
>just not in that market at all. This camera will be replacing a Petri FT
>1000, and will sit in the same camera bag as an Olympus IS-50 and a
>YashicaMat.
>
I once had a Petri FT. A good camera in its day.
I use mine---a lot!
It must really piss people off at Leica to see their products just
sitting around, when they take such great pains in ergonomic design.
I've only been shooting for about 2 years now, and I just don't buy into
the idea that more money will get me better pictures at this point in my
hobby.
(shrug)
I also thought that was strange myself, that some-one would buy a camera
and not take pictures.
Why didn't they buy a sculpture, engraving or painting instead and leave
the useful stuff to people who will use it rather than shelve it?
>>I'm in the SRT-Spotmatic pricerange for this camera. I do believe whole
>>heartedly that more money buys a better camera (Leica, Nikon, etc).. I'm
>>just not in that market at all. This camera will be replacing a Petri FT
>>1000, and will sit in the same camera bag as an Olympus IS-50 and a
>>YashicaMat.
>
> I once had a Petri FT. A good camera in its day.
Has the shutter or wind-on mechanism died, to stop it from still being a
good camera?
>> The problem with the Leicaflex is most who buy just sit it on a shelf
>> and look at it.
>> I've been told I'm an idiot for using my Leica gear but a camera is
>> made to take photos not sit on a shelf.
>
>I also thought that was strange myself, that some-one would buy a camera
>and not take pictures.
>Why didn't they buy a sculpture, engraving or painting instead and leave
>the useful stuff to people who will use it rather than shelve it?
>
Some people collect to look at not use.
>
>> I once had a Petri FT. A good camera in its day.
>
>Has the shutter or wind-on mechanism died, to stop it from still being a
>good camera?
>
The camera died.. I ended up selling it for parts.
No, it wasn't. It was crap.
>> >> I once had a Petri FT. A good camera in its day.
>
>No, it wasn't. It was crap.
>
It was a bit awkward to use but the slides I have taken with this
camera are every bit as good as those taken with other cameras.
I bought it from a friend while stationed in Vietnam so it saw hard
use. Finally died about 3 years ago..
>Petri was one of the worst Japanese camera companies, ever.
>
Is this based on personal experience or what someone else said??
Petri never tried to compete with the big names. They were however
making good consumer grade cameras very capable of making just as good
photos as the big boys..
The Petri Penta VI with its bayonet lens was one of the best early
60's SLR's and the lens were on a par with other top end SLR's and the
Petri Color 35 was a top end leaf shutter scale focus camera.
I must admit that I was impressed by the strength of the Petri SLR
lensmount design when I first saw one.
Kind of like a shrunk down version of the Kiev 60 and Pentacon Six
lensmount.
> Petri was one of the worst Japanese camera companies, ever.
A lot of servicemen bought them, only to have them go tits up when they
got back to the States.
Yup....I saw a few of 'em over the years, almost always not working..