halana
moshi moshi
i just got a message from them this morning. #4 is coming out this fall.
for the content, ask them at hal...@halana.com, it's their NEW ADDRESS.
olivier
Jason Lescalleet
Brent C wrote:
> I had an issue of Halana w/ a CD comp that had a track by this guy in Australia
> who recorded the sound of wind passing through an extensive arrangement of
> wires suspended in the air by telephone poles or something. They made a very
> nice dark ambient natural sound...
i've never read halana, but i've heard of such a recording. i think it was by
chris watson and was actually a recording of the telephone wires themselves, not
any fancy arrangement. contact mics were used to pick up the sounds.
jason
moshi moshi
Actually, it's by alan lamb. and he did use abandonned telephone wires in
australia, plugged them to some machines and didn't fidget with the
sounds. the article said he had tons of reels of these 'wind symphonies'
but that he hadn't listened to them all...
olivier
VSVN...@my-dejanews.com
Jason Lescalleet <noi...@NoSpam.worldnet.att.net> wrote:
>
>
> Brent C wrote:
>
> > I had an issue of Halana w/ a CD comp that had a track by this guy in
Australia
> > who recorded the sound of wind passing through an extensive arrangement of
> > wires suspended in the air by telephone poles or something. They made a
very
> > nice dark ambient natural sound...
>
> i've never read halana, but i've heard of such a recording. i think it was by
> chris watson and was actually a recording of the telephone wires themselves,
not
> any fancy arrangement. contact mics were used to pick up the sounds.
He's talking about Alam Lamb. His recordings are generated from the sounds
created by telegraph wires in the outback of the Australian desert. He has
three very good releases on the Dorobo label, one of which was just released
very recently. The most recent is the "Night Passages - original masters"
which is the companion to Night Passages - Demixed which includes Ryoji
Ikeda, Thomas Koener, Lustmord/Paul Haslinger, and Bernard Gunter. The first
release, Primal Image, is a classic.
VSVN ARAB
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The Hand
<cr...@alcor.concordia.ca> wrote:
>
>
>
>> > I had an issue of Halana w/ a CD comp that had a track by this guy in Australia
>> > who recorded the sound of wind passing through an extensive arrangement of
>> > wires suspended in the air by telephone poles or something. They made a very
>> > nice dark ambient natural sound...
>>
>> i've never read halana, but i've heard of such a recording. i think it was by
>> chris watson and was actually a recording of the telephone wires themselves, not
>> any fancy arrangement. contact mics were used to pick up the sounds.
>
>Actually, it's by alan lamb. and he did use abandonned telephone wires in
>australia, plugged them to some machines and didn't fidget with the
>sounds. the article said he had tons of reels of these 'wind symphonies'
>but that he hadn't listened to them all...
>
>olivier
I liked the track on the sampler so much I went ahead and bought the
record, its not as fascinating as the sampler track, but still pretty
decent, Dorobo put it out. There's also a new CD now with a bunch of
people remixing Alan Lamb recordings that's supposed to be even
better.
The Hand
Ever found reading about noise more interesting than actually
listening to it?
Gary Robert Kelly
>Ever found reading about noise more interesting than actually listening
to it?
Two words: Seymour Glass.
--
Gaz (_*_) blac...@hotmail.com
http://www.geocities.com/WestHollywood/Village/1408
"When the fallout comes he is fire" - Neurosis
Bless Ed
> record, its not as fascinating as the sampler track, but still pretty
> decent, Dorobo put it out. There's also a new CD now with a bunch of
> people remixing Alan Lamb recordings that's supposed to be even
> better.
_Night Passage Demixed_ (Dorobo) with Ryoji Ikeda, Bernhard Gunter,
Lustmord and Thomas Koner. It blows the original away. Worth it for the
Koner alone, though the Lustmord is some of his best.
moshi moshi
> >Ever found reading about noise more interesting than actually listening
> to it?
ooooh yeah. you read about all the cool pains they went through to get
original samples, you buy the records and you hear ppprrrrshrrrkrrrr for
twenty minutes. oh the betrayal, oh the pain.
ever tried to make someone that doesn't like noise understand "i don't
like this record because it goes -pssshhhrrr- but i like this one because
it's all -krpppptsscchhu-"?
hehe
olivier
Stig Mathausen
> to it?
>
>
Sure. I mean, when someone describes a MSBR disc as sounding like a couple of
cheetah cubs trying to figure out the autopilot controls of a helicopter, how
could the disc itself ever live up to that?
James and Sean Quirk
> like this record because it goes -pssshhhrrr- but i like this one because
> it's all -krpppptsscchhu-"?
ex-girlfriend, who pretty much hates noise. She's going to read from the book of
Matthew and I'm gonna drop some fucked up turntable shite. So that should be a
funny situation: "What exactly are you doing? How can you tell if this is any good as
you're doing it?" Etc....