Players included Bryan Bowman, David Vining, Sam Pilafian, Daniel
Perantoni, Carl Lenthe and other famous folks that I'd not heard
before. What a great ensemble.
Trumpet player Tim Morrison did a fantastic job. Just huge tone all
over the place, and no "earsplitting". Also interesting is how he was
able to switch from C trumpet to D trumpet and piccolo trumpet, muted or
otherwise, without missing a beat.
An award for lifetime service was presented to Harvey Phillips.
On the topic of materials, which is subject to a lot of discussion on
this newsgroup:
Anthony Plog, who is retiring from the Summit Brass, played trumpet with
a wooden mouthpiece, as has been his custom for many years. No
"megatone", no "tone booster", and he sounded just great on it.
Mike Tramm
"Ross" <rml...@fuse.net> wrote in message news:3B2CD192...@fuse.net...
The traditional alpenhorn mouthpiece is wood, and, just like brass mouthpieces,
you can get different designs from different makers.
Mainly, I raised the point because the idea of "Megatone" mouthpieces, or
sterling silver ones, or other expensive mouthpiece specialties seems to be
contraindicated by Mr. Plog's success on a wooden mouthpiece.
Perhaps an allergy problem?
Dave
--
Dafydd y garreg wen
>forgive my ignorance (I'm also new to the group). What is the advantage of
>those things anywayz?? Why does a player prefer a wooden mouthpiece?
>
>Mike Tramm
Good for marching apparently and any outdoor work. They won't freeze
onto yuor face. Like acryllic rim mouthpieces, some players with
allergies use them. They have a continuous soft and warm feel and are
very comfortable. I don't use one personally and it has been a while
since I tried one. They aren;t so good that I would pay a lot of money
for them.
--
Andy Derrick Group www.andyderrick.com (Jazz)
Orquesta Huracan www.oh-latinmusic.com (Salsa)
Les
Gary "GRIZ" Kurbis Sr.
PASSING THE TORCH - KEEPING THE FIRE OF BRASS ALIVE ! !