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Dunno about that, but i got Code Red #10 the other week, which is all
the other code red tracks remixed by the likes of Bem Sims, James
Ruskin, Claude Young, The Advent et al. BANGABANGABANGABANGA all night
long i tell ya. Bit pricey though. 16.95 ukp for the triple pack.
Now where did i leave that bike?
TTFN,
--
Trackhead
ICQ:21604785
"A penny saved is ridiculous"
love it. wicked stuff. "discipline" being the fave.
--
:: andrew/aksen :-: np: camping pad ep - hardcell ::
:: ak...@cygnus.uwa.edu.au [-:-] http://www.cygnus.uwa.edu.au/~aksen ::
:: "It's just beep beep beep boop boop boop" - someone on techno ::
DJ Ad Lib 4 Interference
http://www.interference.fr.st/
Allthough it's considered "not done" to critisize the drum code releases...
I think they are boring. The loop itself is great but it's just one loop
repeated for 8 minutes on end. Next track: a bit more of the same loop,
slightly changed... and so on.
I like Thomas Schumacher's techno better, at least it has more variation.
But feel free to disagree :p
--
Beydts Didier a.k.a. Dj Norman Bates
>> Run Forrest Run! <<
Website: http://come.to/normanbates
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>Allthough it's considered "not done" to critisize the drum code releases...
I think they are boring. The loop itself is great but it's just one loop
repeated for 8 minutes on end. Next track: a bit more of the same loop,
slightly changed... and so on.
>
>I like Thomas Schumacher's techno better, at least it has more variation.
>But feel free to disagree :p>>
I'll agree here. Some months back this NG had a thread going that discussed the
plateau that Beyer had reached with his particular style. It's only on occasion
that I find a Beyer release to my liking. The loops are always good but the
tracks are generally too bare to be memorable.
I haven't heard the new LP yet.
Mike
Lukas
> >I haven't heard the new LP yet.
Beyer sounds like he has been listening to ALOT of Oliver Ho Records
the lp is ok.... Oliver's is better
: Beyer sounds like he has been listening to ALOT of Oliver Ho Records
: the lp is ok.... Oliver's is better
gonna probably get murdered for saying this, but i didn't think oliver's
album was that great. dunno why, just didn't grab me, and so i didn't grab
it. yet i like "protechtion". go figure :) should be said that the only
oliver ho release i _really_ liked was "metaphysical", and then only the B
side.
--
:: andrew/aksen :-: np: "pakard" - plastikman ::
On 1 Dec 1999 07:30:18 GMT, Andrew Utting <ak...@cygnus.uwa.edu.au>
wrote:
d
In article <822iqa$7gf$1...@enyo.uwa.edu.au>, Andrew Utting
>Oliver's early work on labels such as Mokum was weird (as is his usual)
Oliver has never released anything on Mokum. Isn't that an old gabber
label. What are you on about?
>extremely hardcore
whu? As in gabber? WHAT ARE you on about?
>but I'd warrant that maybe Oliver Ho has been listening to Beyer as
>opposed to the other way around
mmm, must be why Adam was hassling Oliver to release stuff on Drumcode
before we really knew who he (Adam) was.....naaah, I think you're
wrong there, I don't think Oliver has been influenced much by Adam's
work. If you want to analyse influences, I'd say Adam's LP is very
tinged with Surgeon influences. Surgeon is very into Oliver's stuff,
so in a way, I guess maybe Oliver influenced Surgeon, who influenced
Adam. So, maybe Oliver has influenced Adam more than you think. I
think Adam's LP is pretty good.
>If you haven't heard Ho's work on Surface, I recommend that the most.
>Just look for the submarine labels.
Can't disagree with that.
--
It's good to stalk.
i'm not convinced either but i get the feeling there's more of concept going
on with that, and records that need a bit more attention often get better
with time. i love the beyer and recent code red compilation but there'll
probably sound less interesting in a few months time, whereas stuff that has
a more abstract kinda feel will stay fresh. but i guess it also depends on
whether you want to sit back and listen or mix it - in which case beyer
loops are never boring :-) thats why i think surgeon is the absolute
business cause he seems to be able to produce both types of sound without
ever coming across as weird just for the sake of it.