Coming from THE STEELY DAN INTERNET RESOURCE..
The following interview with Donald and Walter first appeared in
Musician magazine, circa 1980
MUSICIAN: Are you familiar with a Keith Jarrett record Belonging,
particularly a tune called "Long as you know you're living yours"?
BECKER: Yes.
MUSICIAN: Have you ever listened to that up against "Gaucho"?
BECKER: No.
MUSICIAN: I'm not casting any aspersions now, but in terms of the tempo
and the bass line and the saxophone melody it's pretty interesting.
BECKER: Parenthetically it is, yeah [uneasy laughter]
MUSICIAN: At this point the reporter traditionally asks the cornered
politican or athlete to "go off the record."
FAGEN: Off the record, we were heavily influenced by that particular
piece of music.
BECKER: I love it.
[Becker and Fagen later approved their "off the record" responses for
publication.]
SiD
Given that, I wonder if they settled out of court.
Yeah, KJ probably made more $$$ off of that than the total of all his
album sales lifetime combined!
The old geezer
ND: Conway's Irish Ale
NP: Dynamic Stillness - Steve Roach
Doubt that. The Koln Concert was a massive success, more than 3.5
millions copies sold, and the best-selling solo album in jazz history.
Have any of you guys been able to listen to the relevatn Keith Jarrett
track. What puzzles me is that the resemblance is so strong, even a
deaf donkey would have picked up on it. So why Becker and Fagen went
ahead anyway is almost incomprehensible. It's not as though they
needed a tune, they have plenty excellent other ones of their own.
Law of averages state: there has to be unintentional similarities
between songs. eh e.g. Listen to the chord progression for "While My
Guitar Gently Weeps," "25 or 6 to 4," and "Babe I'm Going To Leave
You." They're exactly the same! LOL! -D, NYC "Ninety minutes from New
York to Paris (more leisure for artists everywhere)..well by seventy-
six we'll be A-O.K...what a beautiful world this will be..what a
glorious time to be free" - DONALD FAGEN (sweet Jew).."We'll move to
Manhattan and fill the place with friends" - DONALD FAGEN.."Gentleman
loser, drive me to Harlem..or somewhere the same" - STEELY DAN..."From
their boats of iron they looked upon the promised land..Where surely
life was sweet..on the rising tide to New York City" - STEELY
DAN.."Brooklyn owes the charmer under me" - STEELY DAN.."Bad sneakers
and a pina colada my friend, stomping by the Avenue at Radio City" -
STEELY DAN.."Daddy don't live in that New York City no more - he don't
celebrate Sunday on a Saturday night no more" - STEELY DAN
I just bought the track on iTunes, and the similarity is startling...
not just the sax part, but the piano vamp is very similar to Gaucho.
It's a little disheartening, since "Gaucho" is one of my favorite SD
tunes.
Hmmm.
I just down-loaded the track from iTunes. I agree that the I IV I IV ...
repeated piano vamp in the intro is similar, and that both have a Spanish
feel in places, but I think it's no more than an influence. They're not
copying any of the sax line, or the chord structure of the verse or the
chorus.
At least they owned up to it and allowed the "off the record" comments
to appear in the (Musician magazine) article.
That reall isn't the point. Granted that the similarity is
unintentional - these guys really do not need to rip anyone off - but
once that similarity was apparent, the wise move would have been to
ditch their own tune and whisper c'est la vie. The true mystery is why
they went ahead anyway, despite, by their own admission ('we were
heavily influenced') realising that there was - albeit inadvertent -
plagiarism.
This is whistling in the wind by an incorrigible diehard. The relevant
parts are not 'similar', they are identical. Granted that the middle
bit is different but in the grand scheme of things, that is
irrelevant.