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Have a nice day!
Roger Privitt
Plano, TX
~Matt
"Roger Privitt" <rpri...@hotmail.com> wrote in message
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"Roger Privitt" <rpri...@hotmail.com> wrote in message
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Again, thanks for the advise about staying away from a Steuben.
"Roger Privitt" <rpri...@hotmail.com> wrote in message
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"Roger Privitt" <rpri...@hotmail.com> wrote in message
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This is my impression. When I imagine the vintage sound, I think of the
50's R&R that is a bit brighter and with more growl. When I think of the
current sound, I think of a student sax the has less edge to the brightness
and a lot smoother then the growl of the vintage. Would this be an accurate
assessment? I realize that a good player can achieve the type sound they
want by playing style and tweaking the reed & mouthpiece settings.
I was strongly considering the Selmer AS300 because it is a fairly new horn
with less risk of being playable & repairable. The Martin that I'm also
considering is a real beauty. The color has very evenly turned a nice dark
copper/brown with some small hints of various colors. It looks rustic yet
interesting. It has the original finish. I am going to look at it again
today to verify if it is a "The Martin Alto". I think it is because it has
those distinctive deco looking guards at the lower notes.
I am still interested in having a better sense of what the differences if
Vintage and current sounding sax' are. Is there a good listening reference
(CD) that you could recommend?
Roger
"Tom Joyce" <dontspam...@toast.net> wrote in message
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For some tasty tunes on a Martin alto, pick up anything by Art Pepper. He
played them pretty near exclusively. He is pictured with one on almost all
his album covers.
Tom J.
"Roger Privitt" <rpri...@hotmail.com> wrote in message
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