1 = would trust this person to fix a broken spring or put on a neck cork
2 = would trust this person to repad a modern instrument such as a
Yamaha
3 = would trust this person to repad a rare and expensive Selmer Mark VI
4 = would trust this person to overhaul a vintage horn such as a Chu,
and
be able to deal with old mechanics, key heights, swedging, worn
lacquer, etc
As I understand it the two Straits (Round Rock and Intown) have
different reigning saxmeisters so if you have feedback on a Strait,
please clarify which one.
There are some other folks around -- Darren Wicker at Austin Brass;
Bill(?) Ross at Northwest Music, the various Brook Mayses, etc etc --
If you don't feel comfortable naming (local) names in a public forum,
please email me and I will respect your confidentiality.
--
Morgan in Austin
(Do not ReplyTo the @Deja address. Send email to
m7wit...@austin8.rr.com after
first removing all NUMERICs from that address.)
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Share what you know. Learn what you don't.
You have a choice of Karen Holrath at Strait downtown or Kent Winking at
the Round Rock store (Strait Central Texas). Some prefer Karen, some
Kent. Tony Campise has Karen work on his horns, and we are talking
vintage Conns in some cases here. Harvey Pittel uses Kent. Traveling
pros use either. I have experience with both of them. I would have to
give a slight edge to Kent so far as identifying and fixing problems you
might not see, but I have had, in recent years, trouble getting hold of
him to have the work done. He seems to have lost some of the
enthusiasum for his work. He is a trombone/bass player. Anymore I use
Karen because I know I can trust her to be there. She does just as good
work, but sometimes you might have to tell her a little more what you
want done. She is a sax player. Either one will do a fine job.
Another possibility is Spencer Eudy. He lives a little south of the
Ben White/Lamar intersection. He doesn't have a shop now, but at one
time he had his own repair shop, SMUD'S (S. M. Eudy; get it?). He went
on to making, first, flute headjoints and later flutes themselves. He is
the original designer/maker of what became Altus flutes, though he is no
longer associated with them. Last time I saw him, he told me to tell the
pros in town he was back and doing some repair work out of his home. He
was making a bass flute for Tony Campise at the time. Might be worth
looking into.
I also would like to mention Tommy at Brook Mays in Round Rock. Although I
haven't used him in awhile he does excellent work.
GW
----------
RF
In article <BHEr3.323$r4.1...@typhoon2.austin.rr.com>, greg wilson
--
Morgan in Austin
(Do not ReplyTo the @Deja address. Send email to
m7wit...@austin8.rr.com after
first removing all NUMERICs from that address.)
Well, it doesn't seem like much of a horn town. By that I mean that you
can't walk into a music store and try/buy a used Conn or King or Mark VI.
I'm sure there are some in town, but I sure don't see them in the stores.
To me, that is a litmus test.
Of couse, I'm comparing this to NYC, where I walked into Sam Ash and there
were a dozen Conns on one wall...
You have to remember, one of the nice things about Austin is that hardly
anyone around there is actually from Texas. Karen and Kent both are from
more northerly states.