I am a huge fan of both Lew and Stanley Turrentine.
I believe Lew's set up on Tenor is an older Mk6 with an Otto Link(I
believe he said) 6* Brass when he is working with the big band and Hard
Rubber when he is with the Trio or Quartet.
I couldn't say for sure what flute he playes on, but He studied
Classical Flute,)I think at Temple University)
What a player.... He said that when he chooses a tune to record it is a
Tenor or Flute tune and he does not play the same song on both
instruments. This concept makes sense to me since each tune speaks a
little differently.
In article <3984D9FC...@mediaone.net>,
Sent via Deja.com http://www.deja.com/
Before you buy.
amos...@my-deja.com wrote:
>
> Here Here !!!!!
>
> I am a huge fan of both Lew and Stanley Turrentine.
>
> I believe Lew's set up on Tenor is an older Mk6 with an Otto Link(I
> believe he said) 6* Brass when he is working with the big band and Hard
> Rubber when he is with the Trio or Quartet.
> I couldn't say for sure what flute he playes on, but He studied
> Classical Flute,)I think at Temple University)
He evidently absorbed a great deal on flute from the great Eric Dolphy.
Both are phenomenal on the instrument. Such lyrical soaring flute.
Someone in the back yelled out, "'Round Midnight!" and that's what they
played. I think that might have been the night I decided to give up
playing tenor!
Matso Limtiaco
Hi Lew Tabackin fans!
I'm glad his name turns up on these pages!
He really has the greatest sound on the tenor. I had the privilage to play
with him in Breda with the Frits Bayens big band. When our concert began he
had already been warming up for an hour. That's where his tone comes from:
mileage.
A couple of months ago I went to a concert in Zevenbergen with a friend. Lew
was compining that his reed was dead. He had the greatest tone though!
We were admireing his golden Haynes flute. It has a b-foot and the
mouthpiece is one that he selected himself at the Haynes workshop.
At a certain moment during the concert Lew started to play the flute. The
soundman wasn't paying attention to give a sound on the mike. Lew got mad
and jumped from the stage and continued to play without microphone. He
didn't even need it. What a wonder-ful sound!
Peter den Otter
Roosendaal
The Netherlands
>
>
>
If you dig Lews solos ....I have got a bunch in my book " Great Tenor Sax
Solos " ...published by Hal Leonard .
You can order thru - 1`-800- 637-2852 .
Lew is one of the masters. We always seem to run into each other in
Minneapolis . Sitting in on each others gigs and hanging out.
OH- Lew never went to Temple Univ- He's a great person- Tim Price
Mike
NoaH
<sons...@my-deja.com> wrote in message news:8mmeei$n2$1...@nnrp1.deja.com...