Subject says it all, someone with no Internet access asked me this
question.
Please answer also on my E-mail, because I don't read this group
regularly
Thanks in advance
Rudi
One Year of Love, played by Steve Gregory, from the album A Kind of Magic.
Jacqui
Nico
"P or J Mills" <p.mi...@cableinet.co.uk> a écrit dans le message news:
8v066.13862$0x5.1...@news3.cableinet.net...
Action This Day....
P or J Mills wrote in message
<8v066.13862$0x5.1...@news3.cableinet.net>...
Steve "I said no to drugs, but they didn't listen..." Smittens -wonder kitten
and expert fridge lifter
Michel.
<rudi....@advalvas.be> schreef in berichtnieuws
psrg5tshb8jiis4v6...@4ax.com...
That is a synth. Real horns don't sound like that.
Matt
Sent via Deja.com
http://www.deja.com/
Matt wrote in message <93b12p$cr0$1...@nnrp1.deja.com>...
Matt:
>>That is a synth. Real horns don't sound like that.
"Rudi de Jong":
>nah...don't agree with you......
Doesn't it usually say on the CD sleave if it's a real instrument? And
one of the guys gets credit for playing it. Look at 'Seaside
Rendezvous' and all those extra 'instruments' and credits..
Jackie.
Cheers,
R.H.Watson.
Does that really sound like a genuine sax to you? The horns on staying
power were also synths, and sound much more convincing.
Matt
Thanks to everyone who responded to my question, Jacqui Mills in
particular, because he was the one with the right answer.
The song was indeed " One Year Of Love"
Thanks Jacqui !!
Rudi
"R.H.Watson" <R.H.W...@durham.ac.uk> wrote in message
news:3A5AE5A4...@durham.ac.uk...
>Besides the saxophone is the worst instrument in the world apart from
>maybe the bagpipes.
I think this is a very personal thing.... either you like it, or you
don't.
I personally love a song with some good 'sax' in it ! :-)
>
>Cheers,
>
>R.H.Watson.
And I happen to love the bagpipes :-)
No seriously, I really do love Celtic music
>>I personally love a song with some good 'sax' in it ! :-)
>>
>
>And I happen to love the bagpipes :-)
>
>No seriously, I really do love Celtic music
Me too and remeber....no "Gimme the prize" without celtic music....the
guitar solo is very Bagpipy :)
---------------------------------
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Craig Ogden
Steven P. Smittens <steves...@aol.com> wrote in message
news:20010110212131...@ng-bj1.aol.com...
>In article <3np66.5061$B5.1...@typhoon.bart.nl>,
> "Rudi de Jong" <ru...@miracle.nl.com> wrote:
>> nah...don't agree with you......
>>
>
>Does that really sound like a genuine sax to you? The horns on staying
>power were also synths, and sound much more convincing.
>
>Matt
Those are definitely NOT synths. Neither is the sax. There's more to
recording brass and woodwind parts than the sound. It's highly
unlikely that back in '82 they could get those sounds or that kind of
expression from the synths of that time.
Besides, the horns were arranged by Arif Mardin who has plenty of
producing and arranging credits and a jazz background. He would know
what musicians to call to get that recorded.
I pulled out the cd and gave it a listen, and I'd have to agree with
you about the horns being actual *horns* on Staying Power. It's not
something I listen to often(if ever), and I guess I came to my
conclusion partly because there aren't any performance credits on the
album of who actually played what on that track.
However, I disagree about the sax on Action this Day though. If it is
an actual horn, it was recorded in a much more primitive manner than
what was available around that time. Maybe it was deliberate, dunno? It
sounds very sterile, to say the least, and doesn't sound genuine to me.
Matt
I agree it does sound odd, but I always assumed that it was a
stylistic choice by either the player, producer or Queen - I always
liked that "lazy" solo.