Regards,
Ty Ford
--Audio Equipment Reviews Audio Production Services
Acting and Voiceover Demos http://www.tyford.com
Guitar player?:http://www.youtube.com/watch?v=yWaPRHMGhGA
>
>http://www.vimeo.com/3218424
>
>Regards,
>
>Ty Ford
>
So impressive packaging, and a nice bag - but how do they sound?
Even nicer packaging here
http://www.youtube.com/watch?v=GTpBzJXCy5M&feature=related
d
> http://www.vimeo.com/3218424
No, no, no, no, no. Ty you do NOT EVER take a device out of the cardboard
box like that. Upside down and lift the box off.
> Ty Ford
Kind regards
Peter Larsen
I find it disturbing.
"Ty Ford" <tyre...@comcast.net> wrote in message
news:0001HW.C5BF0BFB...@News.Individual.NET...
> what have we come to when someone makes videos of unpacking boxes. ?
Great video of how not do do it, including forgetting to putting it on a
suitable height table instead of on the floor.
> I find it disturbing.
So will Ty's back if he doesn't learn to do things wiser. He didn't even
lift it right as pr. Roadie standards, i.e. one hand low and one hand high
and close to the chest. Also he had the weight too far away from his body
when setting the box down initially.
Kind regards
Peter Larsen
If you need a video to figure out how to open a box.. that's just sad.
>
>> I find it disturbing.
>
> So will Ty's back if he doesn't learn to do things wiser. He didn't even
> lift it right as pr. Roadie standards, i.e. one hand low and one hand high
> and close to the chest. Also he had the weight too far away from his body
> when setting the box down initially.
Ladies and gentlemen.. we all have too much time on our hands. The end is
near.
:)
>
> Kind regards
>
> Peter Larsen
>
>
>
Neil R
"Ty Ford" <tyre...@comcast.net> wrote in message
news:0001HW.C5BF0BFB...@News.Individual.NET...
>
On Feb 16, 11:26Â am, Ty Ford <tyreef...@comcast.net> wrote:
> http://www.vimeo.com/3218424
>
> Regards,
>
> Ty Ford
>
> --Audio Equipment Reviews Audio Production Services
> Acting and Voiceover Demoshttp://www.tyford.com
> Guitar player?:http://www.youtube.com/watch?v=yWaPRHMGhGA
Thanks for the compliment.
> So what kind of microphone works best for recording the opening of a
> cardboard box?
You can see them behind me. Neumann D-01 and AEA R84. :)
Regards,
Ty Ford
--Audio Equipment Reviews Audio Production Services
Acting and Voiceover Demos http://www.tyford.com
Guitar player?:http://www.youtube.com/watch?v=yWaPRHMGhGA
*Please* don't ask why... :-)
Although there's probably an answer buried somewhere in the Diagnostic and
Statistical Manual of Mental Disorders, Fourth Edition (DSM-IV).
--
Gene E. Bloch letters0x40blochg0x2Ecom
Win some, lose some,
UPS Customer Service
> Don't complain - a couple of months ago I watched a set of videos on how to
> unpack and set up a non-flushing toilet.
>
> *Please* don't ask why... :-)
>
> Although there's probably an answer buried somewhere in the Diagnostic and
> Statistical Manual of Mental Disorders, Fourth Edition (DSM-IV).
>
> On Mon, 16 Feb 2009 09:52:01 -0800, Flatulent Father Flannigan wrote:
>
>> what have we come to when someone makes videos of unpacking boxes. ?
>>
>> I find it disturbing.
Dear FFF,
Take the choir boy off your lap and listen up. The way in which the goods are
packed makes a big difference in how well they will survive and also says a
lot about the packer.
BTW, folks, do you have any particularly good ball busters CDs you use to
test a system? I have some that are my favorites, but I'm always open to
more.
Thanks,
>On Mon, 16 Feb 2009 15:51:32 -0500, Gene E. Bloch wrote
>(in article <11tvk2nogdp3h$.1ju5l2tp...@40tude.net>):
>
>> Don't complain - a couple of months ago I watched a set of videos on how to
>> unpack and set up a non-flushing toilet.
>>
>> *Please* don't ask why... :-)
>>
>> Although there's probably an answer buried somewhere in the Diagnostic and
>> Statistical Manual of Mental Disorders, Fourth Edition (DSM-IV).
>>
>> On Mon, 16 Feb 2009 09:52:01 -0800, Flatulent Father Flannigan wrote:
>>
>>> what have we come to when someone makes videos of unpacking boxes. ?
>>>
>>> I find it disturbing.
>
>
>Dear FFF,
>
>Take the choir boy off your lap and listen up. The way in which the goods are
>packed makes a big difference in how well they will survive and also says a
>lot about the packer.
>
>BTW, folks, do you have any particularly good ball busters CDs you use to
>test a system? I have some that are my favorites, but I'm always open to
>more.
>
>Thanks,
>
>Ty Ford
>
Absolutely. Get hold of Fires, a CD by Nerina Pallot. Just a girl
singer/songwriter and her piano, but incredibly demanding. The last
track, NickIndia, has good solid bass down to below 20Hz, and it
really shows up the difference between real bass and the home cinema
kind.
d
--
Pearce Consulting
http://www.pearce.uk.com
Ty, search this forum for posts by "nappy" (aka FFF) and you'll see
why it's best to ignore him.
Every once in awhile he does offer good advice but unfortunately those
times are few and far between :-(
Mike
David
Thanks Mike. Oh, him. We've actually had a few nice back and forths, but he
can suffer from waxy buildup.
Regards,
Ty
PS Those indian drums in the Zachary Richard CD are down around 45 Hz, and
even at low volume they are right there.
well.. at least I am not making videos of me unpacking boxes.
The end is near.
Mike who?
We could address your attention span, but it doesn't.
--
ha
shut up and play your guitar
> > BTW, folks, do you have any particularly good ball busters CDs you use to
> > test a system? I have some that are my favorites, but I'm always open to
> > more.
> >
> > Thanks,
> >
> > Ty Ford
> >
> I used to like Money For Nothing as performed by Dire Straits to impress
> visitors.
> If you set the first part for a nice hot leven, It will scare you out of the
> room when the song actually starts :-)
>
> David
I use about half the cuts on Dire Straits "On Every Street" whenever I
have my monitoring worked on. Damn nice recording. Real nice bottom.
David Correia
www.Celebrationsound.com
For bass I sometimes use a remaster of "The Band", or a Jesse Winchester
recording with very nice bass on it.
Peace,
Paul (never went out with the guitar player, but know what he sounds like
too)
Thanks Mike (and others)
I found the original Pink Panther Theme (Henry Mancini) this morning is a
good one particularly for horns and bass, even though I can hear the tape
hiss, I don't much care. The glock (or triangle) and string parts towards the
end are particularly well done.
Regards,
thanks for that David. What i continue to hear is a noticeable difference
among CDs. Even the stereo field. It seems obvious that different mixers had
different monitor/sweet spot distance ratios set up when they mixed. If
something doesn't pop right in, I move forward or back slightly until I hit
the right distance and bang, there it is.
Regards,
>
> We could address your attention span, but it doesn't.
>
allzheimer's? Alcohol?
I guess the girls here still can't take a little ribbing ..
Lisa Sherman has been posting important, relevant information for years!
Sorry Lisa, I must have missed your post.
Actually, I was just being sarcastic.
I would assume that there are some women here (maybe even girls :-)
I just haven't noticed any, but then I don't read everything.
David
>I found the original Pink Panther Theme (Henry Mancini) this morning is a
>good one particularly for horns and bass, even though I can hear the tape
>hiss, I don't much care. The glock (or triangle) and string parts towards the
>end are particularly well done.
Maybe not ALL that well done if you can't tell whether it's a glock.
or a triangle? :-)
Seven Hail Mary's and a 40 oz.
Lisa is the spammer's name that posts video links here. I suspect her real
name is 'stupid'
you're too nice.
>
> David
>
You beat me to it, that's exactly what i was going to say. Since you
wouldn't mistake one for the other live, you shouldn't on a good set of
monitors either.
may be both! Orchestral hitting thing nomencalture is not my main focus. The
sounds are.
JESUS guys! I don't have deep experience with either. Pound another fucking
nail in. Once you get over trying to beat me up, why don't you get ahold of
yourselves, listen to the track and tell me what the fuck it is.
I wish I had been your older brother when we were kids.
Ty I don't remember you being so profane! It's f 'in great !
I think they're just ribbin ya ..
I don't really listen to anyone elses music much here in my studio. Only
what I compose. That's how I chose the JBLs in the room now. I couldn't
think of any single recording that would work for that analysis anyway. Or
any group of recordings. Except noise, a sweep and some pulses into an
analyzer!
It take so long to evaluate speakers for me.. I have to let them sink in
over a number of projects and see how far I have to stretch things to make
it sound good on most monitors, in the car and out of an iPod or whatever.
When I buy spkrs I take some of my best mixes with me and pick the ones that
sound like they should. On my last venture I really wanted to like the
Genelecs and the Adam(s) and the rest.. but the JBLS were right in the
pocket.
Then.. I bought another console! One curve after another.
Lighten up Ty, we were just poking a little fun at you. BTW, there are both
triangle and glock in the part toward the end, and it's very easy to tell
which is which on all three sets of monitors I use, EV Sentry 100A, M-Audio
BX5a, and JBL Control 25, and yeah, I know the Control 25s aren't really
monitors, but I find them useful as nearfields on occasion.
Just so you know the tringle is doing the single high note and the glock is
playing a melody line. :-)
I think the Opal brings something new to the table. I think you need to put
it on your short list. I'm hearing a lot more variation from CD to CD. That
says, "transparency" to me.
I would have written any monitor with only a 7-8" LF driver off in the past.
The Opal has a very nice LF.
Still listening for the tragic flaw. Don't hear one yet.
Regards,
Mike,
Sorry, over here the comments just translate as "pissy." Thanks for
confirming. I thought I heard both in there but was trying to be casual about
it. But you can really hear the wood in some of those hits and metallic ping
in others.
The bass is, and I've never used this word before, luscious. Not all of the
Mancini tracks on that CD sound as good, but Pink Panther is exceptional. The
horns (a good test of a system) also sound very "real" to me.
I have 100A on one station and know how to mix on them to deal with that
thickness/darkness they have. The Opals are several TIMES above the 100A.
It's like taking a thick towel off and turning on a sub. Exponentially more
open. Obviously more complete in the LF.
I continue to have my skepticism eroded.
Still waiting for the opportunity to apply the brotherly whack or pink belly.
Regards,
you need to listen to some of my mixes. I work tragic flaws in routinely. :)
The 100A's are what they are, in my room the bass is just fine, they're hung
in the room corners near the ceiling and they have decent response down to
30 Hz. I have a pair of 12" subs if I need more bass, but I rarely use them.
My 100A's don't sound either thick or dark, in fact, I'd describe them as
being just a hair bright. They are a bit reticent in the midrange though. I
do most of my mixing with my BX5a's and use the 100A's as a check.
> I continue to have my skepticism eroded.
>
> Still waiting for the opportunity to apply the brotherly whack or pink
> belly.
>
> Regards,
>
> Ty Ford
I've heard a lot of good things about the Event Opals, when I get ready to
upgrade, I'll probably audition a pair.
It seems so, naps :-)
-m-