BB wrote:
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<< Hello,
I can buy a Hammond L100 with Leslie, does it sound the same as a
A100/B3/C3?
thanks
BB >>
The same?…No. Better than anything you could buy for a few hundred
bucks?…absolutely! Look also for M100s & M3s. All of these burn equally well
I think (where's Steve?) Hey, BB doesn't stand for "Brother Bob" does it?
If you let any of these spinets get their hooks into you, you'll soon want
the real deal.
Father Gino
Only kidding, you must be a youngster. The L is a piece of shit. Throw
it away.
Frank
BB wrote:
> Hello,
> I can buy a Hammond L100 with Leslie, does it sound the same as a
> A100/B3/C3?
> thanks
> BB
>
Ooops, left out the key factor-- on an L, you get synth type "diving board"
keys. Whereas on the B3 you get more pianoy, "waterfall" keys. Not a big
difference for me but it is for many.
GOOD LUCK!
DAN!
Nope...no foldback, no scanner vibrato. Also, you don't say which Leslie.
Probably a 125, which is good boxwood. M100, M-3...better, but lacking
foldback. Most can make an M schpinette sound pretty much like a console,
1.) if foldback is added, and they work up near the top of the upper manual
a lot, 2.) you only play three fingered chords a lot anyway. Problem with
an M is they look funny...people point and laugh a lot. One easy way
around this problem is to use a scrim box of some kind, and plop a synth on
top of it. Then, nobody can see it, anyway, and it'll sound about the same.
DeserTBoB
<< Hello,
I can buy a Hammond L100 with Leslie, does it sound the same as a
A100/B3/C3?
thanks >>
I thinks the question here is does it cost as much?? that's the answer
> Hello,
> I can buy a Hammond L100 with Leslie, does it sound the same as a
> A100/B3/C3? thanks BB
Since Mr. BB seem to be located in the Netherlands, it might very
well be the case that the L-100 is his "standard" Hammond sound.
The famous and talented Tijs Van Leer of Focus used L-100s.
L-100s tend to be much more appreciated in Europe than in the US,
for the simple reason that they are much more abundant here. They
also fetch much much higher prices here than in the US.
As many people have told you, a key factor here is which Leslie
model is included in the deal. Usually, if this has been a "gig" organ
in the past, you will find a Leslie 760 (or 770) attached to it, and if it
has been a home instrument chances are high that it is a 145. Both
are good value for money when combined with a L-100... but for use
with better instruments (remember the L-100 is the entry-level
tonewheel Hammond) try to stay clear of the 760, which has a very
brittle and unpleasant treble response; albeit with a thundering bass.
Please come back and fill us in with more details and we can say
whether this is a good deal or not.
Is the organ stock, with the original case and pedals or has it been
(god forbid) cut down? Which model Leslie is included? And, what
is the asking price?
I'd be happy to help. Please do consider that our american friends
cast their judgements out of an entirely different situation than the
european one. Over here most people don't consider the L-100 a
piece of crap, although everyone knows it's far from great.
/Magnus
//Worra
B3
C3 or A-100 (series)
H-100
E-100
M-100
L-100
Variations included number of presets (and different presets for the
H-100 ?), preset style (tabs vs reverse keys), keys per manual,
style of keys, type of vibrato ? Anything else of substance ?
Doug (starting to look... ideally for an A-100, since it's self-
contained)
--
Doug S. (do...@cc.ysu.edu) (http://cc.ysu.edu/~doug/)
The shadow of a dog never bit anyone -- Kenneth Copeland
>I can buy a Hammond L100 with Leslie, does it sound the same as a
>A100/B3/C3?
Newbies, wannabees, and wishers unite - see Mike Fulk on Aisle 7.
Better idea - get off yer ass, go out and play em. Now you tell US - do
they sound the same?
Steve Leigh - sle...@tampabay.rr.com
http://home.tampabay.rr.com/steveleigh
>One easy way
>around this problem is to use a scrim box of some kind, and plop a synth on
>top of it. Then, nobody can see it, anyway, and it'll sound about the same.
ROFLMAO! GLADYS!! Is dat YOU Gurl?????
> If I follow this and other discussions right, the "pecking order" for
> desirability is:
This is my personal opinion only, and I'm sure not all will agree, but I
would add a few models and strike a few:
>
> B3
> C3 or A-100 (series)
B-2/C-2
BV/CV
BC/D
A/AB
> E-100
M-3
> M-100
> L-100
P-100/Porta-B
T-100 series
Note that the H-100 isn't even on my list... sorry folks ;-)
>
> Variations included number of presets (and different presets for the
> H-100 ?), preset style (tabs vs reverse keys), keys per manual, style
> of keys, type of vibrato ? Anything else of substance ?
Number of pedals.
As a side note... the question "anything else of substance?" seems
a bit misplaced since the factors you named pretty much defines the
whole organ.
/Magnus
No, but is can still kick ass if you're playing it in a rock group on
overdrive and like stick knives in it, pitch bending and playing with
the reverb springs!
--
Dave Bentley
If you want to hear an L1OO in all it's glory check out the Album "Nice"
by The Nice (their 3rd Album , released in 1969) Keith Emerson made
this "piece of shit" as some of you have called it, sound awsome,
particularly on the tracks Rondo'69 and She Belongs to Me.
So to those of you who think the L100 sucks, you're talking nonsense.
Da's RI'! Ah be HEUH! ....'cept'n I dun SAT onna PIP!
OMG gurl!! Kin he still do the "whoooooop whoooooooooo!" parts??
--
Another question: Is there any consensus out there that the 122 Leslie
is the most favoured match for the B-3 / C-3 ?
Andrew (Aussie)
Doug S wrote:
> If I follow this and other discussions right, the "pecking order" for
> desirability is:
>
> B3
> C3 or A-100 (series)
> H-100
> E-100
> M-100
> L-100
>
> Variations included number of presets (and different presets for the
> H-100 ?), preset style (tabs vs reverse keys), keys per manual,
> style of keys, type of vibrato ? Anything else of substance ?
>
> Doug (starting to look... ideally for an A-100, since it's self-
> contained)
> --
> Doug S. (do...@cc.ysu.edu) (http://cc.ysu.edu/~doug/)
>
> The shadow of a dog never bit anyone -- Kenneth Copeland
>
I inherited it, being the only surviving musician in the family, but I was
never much of a keyboardist, and my talents run more towards piano anyway.
Easier to "strum" and fake it on. I'd like to move it out, but I don't want
to get ripped off, and I don't even have a ballpark idea of what to ask for
it.
Other than an ad in the local paper, is there any online resources to sell
used Hammonds? I was surprised to find enough interest in them to sustain a
newsgroup.
--On Monday, June 19, 2000, 2:00 AM -0500 Bull...@aol.com wrote:
> In a message dated 06/18/00 6:46:43 PM Central Daylight Time,
> bos...@worldonline.nl writes:
>
> << Hello,
> I can buy a Hammond L100 with Leslie, does it sound the same as a
> A100/B3/C3?
> thanks >>
> I thinks the question here is does it cost as much?? that's the answer
<<
What *would* be a fair asking price for an L-100, in the Pittsburgh, PA
area, in good condition, owned by an older lady church organist as a home
organ? No Leslie included. She had one, but I have no idea where it ended
up. >>
Without a Leslie , L-100's usually go in the $100 range around the Midwest
region.
Harry L.
the same thing happens in Italy, at times even before the end of the first
...
Maurizio
za...@inwind.it
--
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line are exported to the usenet group alt.music.hammond-organ.
----- Original Message -----
From: Worra <wo...@telia.com>
To: <magnus....@home.se>; The Hammond Forum <ham...@ns2.zeni.net>
Sent: Monday, June 19, 2000 11:48 AM
Subject: SV: [HAM] EX Hammond L100 compared to B3
>
> >
> > Since Mr. BB seem to be located in the Netherlands, it might very
> > well be the case that the L-100 is his "standard" Hammond sound.
> > The famous and talented Tijs Van Leer of Focus used L-100s.
> >
> As did Jon Lord / Deep Purple in the early days, and I'm told that "Whiter
> Shade Of Pale" was recorded using an L-100
>
> file://Worra