Probably about late 1930s or early 1940s. This was a student model.
> For whatever it may be worth (probably not much!), I think the Elkhart
> name was used on saxophones too, and I think saxophones made by Buescher.
Some Elkharts were made by Buescher. Others made them too. At one point they
were Weltklangs. Current Elkharts are made in Taiwan. It is basically a
stencil name and Buescher used to make the stencil horns.
I've heard that mainly two factories made metal claris. I'll need to check
the names. I think one was Penzil Muller (?)
The story I heard was that they came about when the army was in Burma and
the heat and humidity was such that the clarinets split, so metal ones were
made that wouldn't crack in the heat.
Steve M
Metal clarinets have been around since before 1910. Many companies made
metal clarinets at one time including Leblanc (under the Noblet name),
Selmer, Haynes, and Conn. There was a plethora of small companies making
them also. Even some foreign companies made metal clarinets. I have one
from probably the 1930s stamped made in Italy.
ns
I think this is just another of the common "urban myths". They actually
appear to have been made in great quantities for the school trade as they
were sturdy instruments.
> Metal clarinets have been around since before 1910. Many companies made
> metal clarinets at one time including Leblanc (under the Noblet name),
> Selmer, Haynes, and Conn. There was a plethora of small companies making
> them also. Even some foreign companies made metal clarinets. I have one
> from probably the 1930s stamped made in Italy.
Weren't most of them stencils ?
I think Gretch is the one I've seen most of.
Steve M
I imagine so.
> "Dee D. Flint" <deefl...@comcast.net> wrote
>
> > Metal clarinets have been around since before 1910. Many companies made
> > metal clarinets at one time including Leblanc (under the Noblet name),
> > Selmer, Haynes, and Conn.
Conn made a few as early as the 1880s! I think they switched to hard
rubber as soon as it was feasible. They didn't make another metal
clarinet till the late 1920s.
-P.
Haynes did indeed produce some sterling silver clarinets. From what I have
read, they were of very high quality and performed well.
The biggest problem with metal clarinets (and what killed them off) was that
the vast majority were cheap junk produced to foist off on students just
like the cheap plastic junk that has been flooding this country from som
parts of Asia.
There is nothing inferior about metal or plastic or hard rubber or whatever.
A well designed clarinet will play and sound good while a bad one will play
poorly and have sound problems.
A poorly designed and built wooden clarinet can be as bad as anything on the
market. The old Conn Pan American is an example. Although it had a big,
bold pleasing sound, it was next to impossible to play in tune.
> There is nothing inferior about metal or plastic or hard rubber or
whatever.
> A well designed clarinet will play and sound good while a bad one will
play
> poorly and have sound problems.
Last few hard rubber clarients I saw smelt rather badly. I wouldn't want to
play a clarient that smelt.
Do you know how many of the metal clarinets were high pitched ? I've seen
one a few and that makes them next to useless too.
Steve M
Smell is not inherent in hard rubber but the rubber can pick it up from
another source. Of course it could have been the pads and a repad would
correct that. Finally if exposed to too much sun or heat, the hard rubber
loses some of its material properties and can start to smell but this
general is not strong.
>
> Do you know how many of the metal clarinets were high pitched ? I've seen
> one a few and that makes them next to useless too.
>
I have no idea. However most of the ones that a person runs across were
produced as student instruments in the late 30's and the 40's so they would
typically be low pitch (modern pitch).
> Smell is not inherent in hard rubber but the rubber can pick it up from
> another source. Of course it could have been the pads and a repad would
> correct that. Finally if exposed to too much sun or heat, the hard rubber
> loses some of its material properties and can start to smell but this
> general is not strong.
>
These were brand new instruments, made in China. They seem to be softer
than other hard rubber items I've seen i.e. mouthpieces etc. They certainly
smell - and they smell of rubber.
Most of the el cheapo instruments out today seem to be similar to these
instruments. (If not the same).
Steve M
Interesting. In this case, I would tend to think the rubber was not
properly cured. This is just another reason to stay away from these
clarinet shaped objects.