I tried a few times to take lessons when I first started.
I wasnt ready for them but thats a whole different boring story....
Anyway, one of the guys who I tried to get to wave the magic
wand over me and make me play perfectly without all the stupid
theory, chords ( I thought I only needed one cord...duh) and
the most boorish of all, actual practice..used to have a big dog
that would jump all over the place, jump all over you while you
were trying to play and made the "studio" smell like a Vet's office.
He would eat big drippy sausage sandwiches while teaching.
Im a vegatarian and a cat person so this combination was doubly
undesireable.......When I quit he was dumbfounded...."you can be great"....
"a natural talent"...etc etc....yea right.....sure.
To end this epic saga I will opine, and Im sure wrankle someones
ass, but in this age of internet I cant see wasting money on lessons.
EVERYTHING I could need is a dial-up away. I had to stop
playing guitar for a few years to get some personal priorities
straightened out. When I came back and saw how much stuff was out
there I was amazed. Equally amazing is this stuff has made me
want to learn more and more instead of just kicking back and chilling
on up in da krib with only 3 chords and de amp on 10 !
I am actually more interested in scoring the perfect chord than the
what type of guitar I am seeking that chord on. For me, this is huge.
The internet...good for guitars !
<noolives...@yahoo.com> wrote in message
news:b73a4c8a.02042...@posting.google.com...
Maybe he's warning anyone in Arlington, Massachusetts about this guy through
the ng? ...
I think it's pretty goddamned stupid to read the below post and then knock
the posters.
For one thing, there's the great american tendendcy to defer to authority..
the poster thought bob was going to back up his statements and promises..
thought he had knowledge and experience.. was himself anxious to get on with
it.. and was kind enough to let a few things slip..
Now.. sure.. he should have been more forceful, and gotten what he paid for
or a return on his money.. but...
he's still the victim, he's still the one who got ripped off, and whether he
handled the situation perfectly is vastly unimportant in the context of the
real subject of the post which is.. bob wolfman is a lousy teacher..
He warns not only people in his area, but everyone out there that age
experience and bullshit can be used to intimidate a younger person. He warns
that just as every music store clerk seems to have a high and lofty opinion
on all things guitar, they dont' all know anything.
He warns that you should shop well for a teacher, and be up front about what
you expect, or what you don't like.
Real life experience posts are valuable. Being able to admit in a post that
you made some small mistakes and they cost you a lot takes a bigger man than
it takes to criticise that same person.
The ability to admit your own errors, the ability to see that a mistake is
not a rip off.. (the intentions are completly different..) the ability to be
willing to share what is slightly embarrassing in order to help others out..
those are all good things, and ought to be appreciated.
Bob Wolfman is no rarity.. he's around every corner.. and he's hoping to
find a kid who wants to play guitar but has little knowledge about guitar,
and who he can then rip off.
It's NOT uncommon.
You don't say to someone.. well dumbass you should have taken you shotgun to
school since we all know there might be a crazy kid with his shotgun.. and
you don't say to a victim that he's a fool.. point out his errors, if you
must, but try to recognize.. he's the one on YOUR side.
Twang!
> For one thing, there's the great american tendendcy to defer to
authority..
> the poster thought bob was going to back up his statements and promises..
> thought he had knowledge and experience.. was himself anxious to get on
with
> it.. and was kind enough to let a few things slip..
I think being kind enough to let a few things slip versus allowing himself
to get so outraged as to trash the guy behind his back is a HUGE difference.
I suppose there will always be passive people out there that will never
speak their mind and stand up for themselves, but to finally explode in this
passive-aggressive manner is unacceptable and unfair.
> Now.. sure.. he should have been more forceful, and gotten what he paid
for
> or a return on his money.. but...
> he's still the victim, he's still the one who got ripped off, and whether
he
> handled the situation perfectly is vastly unimportant in the context of
the
> real subject of the post which is.. bob wolfman is a lousy teacher..
"Get ripped off once, shame on you. Get ripped off twice shame on me." It
took this guy $480 worth of lessons to figure out that the guy was a lousy
teacher??
> He warns not only people in his area, but everyone out there that age
> experience and bullshit can be used to intimidate a younger person. He
warns
> that just as every music store clerk seems to have a high and lofty
opinion
> on all things guitar, they dont' all know anything.
> He warns that you should shop well for a teacher, and be up front about
what
> you expect, or what you don't like.
These are good points but quite a reach to say these are the points that the
original poster is trying to make. Read the original post again. It's a
bash session based on a personal vendetta.
> Real life experience posts are valuable. Being able to admit in a post
that
> you made some small mistakes and they cost you a lot takes a bigger man
than
> it takes to criticise that same person.
But this guy did is criticise that "same person"!! That's been my point all
along.
> The ability to admit your own errors, the ability to see that a mistake is
> not a rip off.. (the intentions are completly different..) the ability to
be
> willing to share what is slightly embarrassing in order to help others
out..
> those are all good things, and ought to be appreciated.
>
Of course.
> Bob Wolfman is no rarity.. he's around every corner.. and he's hoping to
> find a kid who wants to play guitar but has little knowledge about guitar,
> and who he can then rip off.
> It's NOT uncommon.
Which is why you need to do your homework before you pick a teacher.
> You don't say to someone.. well dumbass you should have taken you shotgun
to
> school since we all know there might be a crazy kid with his shotgun..
Duh.
>and
> you don't say to a victim that he's a fool.. point out his errors, if you
> must, but try to recognize.. he's the one on YOUR side.
So if a guy hops into a car, floors it and drives out of control into a tree
and kills himself, is he a victim of the evil automobile industry, or just a
fool? There are certain things that fall under 'personal responsibility'.
Hopefully this is a lesson to the original poster and other people out there
about being weary of shister salesmen disguising themselves as guitar
teachers, but like I said before, there's no need to tiptoe around the
teacher, say things are great, then turn around and stab him in the back.
That's not the socially acceptable way to do things.
> Twang!
What?
>Over the course of two months I was $480 (that's the price of a
>decent new guitar!!) poorer and had learned JACK SHIT.
Why on earth would you pay that much for lessons? That's at least a third
too expensive based on what good teachers seem to charge.
And why did you go through more than one lesson like that without asking why
you were not getting what you were paying for? Are you one of those born
victims who buys clothes that obviously don't fit because the salesman says
they do?
And why are you telling us about it rather than your ex-teacher, or the
Better Business Bureau? You picked the wrong time and the wrong place to
finally stand up for yourself. It's a shame you got ripped off, but from
what you have told us, it seems like you were half the problem.
>>Over the course of two months I was $480 (that's the price of a
>>decent new guitar!!) poorer and had learned JACK SHIT.
>
>Why on earth would you pay that much for lessons? That's at least a third
>too expensive based on what good teachers seem to charge.
From what I've seen, teachers in the Boston area are much more expensive than
the rates I've seen mentioned on this newsgroup!
=======================================================
Dave Morgenlender
e-mail: dmo...@alum.mit.edu
=======================================================
Epi wildkat.. twin p90s, bigsby type vibrato, semi hollow..
oo lah lah!
and a good price, good setup/action, lifetime warranty..
Twang!
ok ok.. So I have a crush on them.. *transluscent black, flame maple top*
You might want to look through the *kat series from Epiphone. There are
three models. One has a Bigsby, flame graphics, two mini-buckers. I think.
One has a pair of humbuckers, and the third has a humbucker in the bridge
and a mini-bucker up front. Something like that. I *think* the only one with
a Bigsby is the one with the flame graphic. It has dice knobs, too.
But you can fit a Bigsby to either of the others, if you want one but prefer
a more sedate guitar.
Epiphone also offers a nice version of the old Gibson switch master, that'd
be a guitar worth trying.
Also look for Guild Starfire II and III, Dearmond's version, or the Squier
version that has supplanted Dearmond.
Dan
Chip L
alleyKat.. wildKat .. flameKat
alley humbuck bridge mini humbuck neck no bigsby
wildKat two p 90 single coils and bigsby
flameKat two mini humbucks and bigsby
bigsby here means epis version of it.. the vibrotone.. so close to the same
thing..
> But you can fit a Bigsby to either of the others, if you want one but
prefer
> a more sedate guitar.
>
> Epiphone also offers a nice version of the old Gibson switch master,
that'd
> be a guitar worth trying.
zephyr blues deluxe.. triple p 90s thick body.. trapeze tail..
a monster and the price just went down!
> Also look for Guild Starfire II and III, Dearmond's version, or the Squier
> version that has supplanted Dearmond.
no. just look at epis cause I like them.
*s*
Twang!
> Dan
>
>
>
Thanks for getting it all sorted out....I knew I didn't have it right. I've
played a couple of each. No worries, pretty good guitars over all, and I bet
a little poking around would turn up a great one, and a little set up work
could work wonders on even a normal one.
> bigsby here means epis version of it.. the vibrotone.. so close to the
same
> thing..
Right.
> > Epiphone also offers a nice version of the old Gibson switch master,
> that'd
> > be a guitar worth trying.
>
> zephyr blues deluxe.. triple p 90s thick body.. trapeze tail..
> a monster and the price just went down!
Really? I might go look for one. I don't need one, but still...!
> > Also look for Guild Starfire II and III, Dearmond's version, or the
Squier
> > version that has supplanted Dearmond.
>
> no. just look at epis cause I like them.
> *s*
Heh. I've got a couple Epis here, a V and an EB-0 bass. I've changed what
needed changing, and have a ball with them.
Dan
Sounds like you are thinking semi-hollow and hollow. There are plenty.
Those with a harp tailpiece can accomodate a bigsby nicely enough.
Those with stop tailpieces, a LesTrem over at stewmac.
People have mentioned the epis, and there are plenty of good ones out
there. You might consider the company that makes the epis, Samick.
Samick has come out with a nice closed hollow body with bigsby. Review
here:
http://www.harmony-central.com/Guitar/Data4/Samick/CCT650-Closed-Hollowbody-01.html
This would be a really nice ticket.
Plenty of the artist and Bennett series from Samick to think about as
well. Do a search concerning the recent Samick artist series that
folks at rec.music.makers.guitar.jazz have been purchasing.
Somebody already mentioned the DeArmonds. Cort has some models that
would be good. The TRG2, now sold by Musicians Friend, is real sweet.
Lots of twang on the bridge pickup. The neck pickup is smooth enough
for jazz of all sorts. This guitar really covers some bases with
regard to sound.
You can also check it out at Cort's web site. That Tennesse Orange job
is a beaut.
Thought I'd throw two really choice candidates out there that are off
the beaten track.
I've been around some monsters on teles. Also, what has been passing
for, "swing," as of late is actually jump blues. The artists you
mentioned are all good fun. If you want to really swing, start out by
getting some Benny Goodman records. Cop the vibe and play those licks
on your guitar. You'll be the envy of many of the players you know.
Want to get real classy and smooth, go get some Glen Miller. Be
prepared for some extremely well written songs. Great vibes and you
can do your own thing with them. From there, the swing world will open
up. Don't be surprised if eventually you find yourself digging bebop.
I've heard/seen master swing on a Strat, as well as world class be-bop
on a Jaguar.
Which of course means, if you can swing, you can swing on any guitar.
Have fun.
As it happens, there's a 1951 Epiphone Deluxe Regent at the 12th Fret right
now:
http://www.12fret.com/used/epiphoneDlxRegentcb.jpg
However, I'd hesitate to call it an 'inexpensive' guitar.
-pk
Find a used Guild.
Adam Childers <adam...@home.com> wrote in message
news:kv6z8.82485$3C4.1...@news1.east.cox.net...
You know..
two things.
first off. I thought the big epi logo on these things looked lousy
too..until I saw one not in a picture.. and again when I saw one in a
picture but life size.. it looks pretty cool to me, now.
second, I've see the flameKat in pics and they don't do it justice.. there's
a beegees concert where one is used, and it looks just like it ought to.
as for the dice knobs.. I can see your complaint, since they are square they
seem to be tilted in relationship to one another.. but I kind of like 'em.
but one place you are wrong beyond personal taste is 'overpriced'.. it's
priced well.. not, of course, if you think it's ugly.. but otherwise it's
another good guitar from epi priced well.
Twang!
> You know..
> two things.
> first off. I thought the big epi logo on these things looked lousy
> too..until I saw one not in a picture.. and again when I saw one in a
> picture but life size.. it looks pretty cool to me, now.
> second, I've see the flameKat in pics and they don't do it justice..
there's
> a beegees concert where one is used, and it looks just like it ought to.
> as for the dice knobs.. I can see your complaint, since they are square
they
> seem to be tilted in relationship to one another.. but I kind of like 'em.
And knobs are cheaply and easily changed. I can't imagine not buying a
guitar I otherwised liked just because I didn't like the knobs. If the flame
paint job bugs you, well....then you might want to look elsewhere.
> but one place you are wrong beyond personal taste is 'overpriced'.. it's
> priced well.. not, of course, if you think it's ugly.. but otherwise it's
> another good guitar from epi priced well.
That's how I see it.