>Most dist. pedals thru a clean channel will sound thinner than an
>overdriven-to-hi-gain tube amp. The Boss DS-1 with tone off and gain max is
>OK (Satriani), the Danelectro DaddyO can be tweaked for thickness. Classic
>example: Fuzz Face into clean Fender (Twin or the like) vs. Fuzz Face into
>Marshall 4-input on "4" to "6" volume. The compression happening in the
>Marshall smooths out the thin fuzz tone, the Fender pretty much repeats the
>thin-ness.
>Chris and Tracy wrote in message
>
I don't know which amp this guy has. My super reverb does sound thin
and harsh with some pedals, until I turn the bright switch off. Then
it sounds good. I find a RAT pedal works good with a fender amp, it
must have been designed for fender's eq curve or something.
Amp:Seymour Duncan 100watt Convertible
Cab: Marshall 4x10 (1965A?)
Guitar: Gibson Les Paul Studio
Dist Pedals I've Tried: Tubeworks Tubedriver, Boss Super Overdrive, Boss
Metal Zone and ProCo Rat/
fin...@sprint.ca
Most distortion pedals benefit from tone adjustment on
both the input and output sides. You could:
1) back off the guitar tone & and bump the amp bass;
2) use an equalizer pedal (or 2) with the distortion pedal;
Also, the Tech 21 XXL is a versatile little box that
needs a lot of experimentation to get your favorite tone.
It cleans up well when you back off the guitar volume -
and less DRIVE (like zero) is often better. It's worth
auditioning once, but isn't for everyone.
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Paul Brannon wrote in message <6mocbf$k...@bgtnsc03.worldnet.att.net>...
My best guess as to why people who have gain channels and still use
dist.boxes is that many guitarist get suckered into buying 100w amps
instead of a reasobnably usefull 50w or even better a 25 watter.Short of
the Big Top you'll never rev that 100w up enough to get its true sound.A
smaller amp can be cranked more and get that overdrive.Believe it, a
cranked 25 watt amp is plenty loud.
Problem with smaller amps - which I love and have many, BTW - is that
you get absolutely NO stage volume at outdoor gigs. Admitedly, I only
play a few outdoors gigs a year (hopefully in July rather than January
:) but the little ones get lost, even with a great sound man and a mic'd
amp and a great monitor system, into the vacuum of the great wide open -
to borrow a phrase from Tom Petty). Somehow I can never seen to hear
myself. The smaller amps have a definate role, and can even be made to
sound as big as a 100W'er with a sufficently efficent speaker such as an
EVM12L or the like, but sometimes it just takes a lot of watts to move a
lot of air on so that the guys on stage can hear.
Chris and Tracy <fin...@sprint.ca> wrote in article
<898593338.255192@michelob>...
> I've tried numerous distortion pedals through my clean channel and all of
this is right on. i hate almost all dist pedals because they too, too
often change the eq of your original signal. the blues breaker is a
great pedal. try the other marshall pedals if you want a smoother,
more sustaining signal, esp. the unfortunately named "shred master".
these fx are really good at adding and not taking from your signal.
because of it's negligible effect on the overall tonal balance of a
signal, my fav, since my long lost high school days, remains a *old*
dod fx50 overdrive (the one with only lvl, dist, and no tone knob).
it's nice as long as you keep the dist setting below 4.5 or so, but
it's a *really* limited one-tick pony, not even adding much boost when
the lvl is maxed. it sounds like this won't be enough fuzz for your
tastes, however.
short of getting a smaller amp that overdrives at the vol. you play
at, seek out the marshall pedals.
good luck!!! -tt
if you have 2 small amps, you can use one that will get miked and use
the other for stage fill
Jeff wrote:
>
>
> Problem with smaller amps - which I love and have many, BTW - is that
> you get absolutely NO stage volume at outdoor gigs. Admitedly, I only
> play a few outdoors gigs a year (hopefully in July rather than January
> :) but the little ones get lost, even with a great sound man and a mic'd
> amp and a great monitor system, into the vacuum of the great wide open -
> to borrow a phrase from Tom Petty). Somehow I can never seen to hear
> myself. The smaller amps have a definate role, and can even be made to
> sound as big as a 100W'er with a sufficently efficent speaker such as an
> EVM12L or the like, but sometimes it just takes a lot of watts to move a
> lot of air on so that the guys on stage can hear.
Now, my experience leads me to believe this is a problem with an open
back cab, as opposed to a closed back.
Outside (or on huge indoor stages), I can get by with even a low
wattage amp, as long as it's in a sealed cab. 12W through a Marshall
4x12 seems to be more audible on a large stage than a 130W, open
back 2x12 combo.
I think this is beacuse in a smaller space, you're getting benefit of the
walls, floor, cieling, etc. Your amp is pushing into a 45 degree x 45
degree space, as opposed to 180 x 180 outside (or more, if elevated).
Joe the wanderer