Brian Running <
runnin...@gmail.com> wrote:
> About two weeks ago, I bought one of these:
>
>
http://www.fullcompass.com/product/386634.html
>
> Just to have for rehearsals. Works fine for vocals, just like any powered
> mixer. As this past weekend's gig approached, it occurred to me that I
> could use it as a bass amp. A trio in a smallish place, wouldn't need
> much volume. I gave it a try, and this thing might now become my
> regular bass amp.
After you've played a few gigs with a channel for each bass, you'll find
it hard to go back to a single channel head.
The only thing that would concern me about this kind of setup is the
impedence on the inputs. Most little powered mixers are set for mic or
line - not guitars. Having said that, if your basses are active then it
might not be a problem. If you are using passive basses you might need
to get a couple of DI boxes.
Actually, there are a couple of other things that would concern me.
Once you start turning up to gigs with a little PA, and on one of those
little jobs you let the other intruments go through it, there will be an
expectation tha Brian always has that PA, so no one else will bother.
By the end of the year you'll have had to beef up the speakers to cope
and you'll be Brian the PA guy.
The other thing that would worry me, personally, is that desks have all
these different ways of making no sound come out, mutes, mains/monitor
selections, volume controls everywhere. I'd be worried about spending
10 minutes panicking before a gig trying to get a sound - it's bad
enough with input gain, master and mute.
Having more of those possibilities is more trouble than I want on a gig.
Oh, and if you want feather light, an acoustic image coda is the same
weight - including speakers. A bit more expensive though.
--- Derek
--
Derek Tearne -
de...@url.co.nz
Vitamin S: improvisation from New Zealand
http://www.vitamin-s.co.nz/
d'Groove: 12 piece party/covers band
http://www.dGroove.co.nz/