How can the Japanese "reissue" something they never "issued"?
Hawkeye8th
"over the hill but still grabbin gears"
The main thing is to go through a bunch of them (if available) and
find a good one. I was very disappointed in the Made In Japan 75
reissue and Marcus Miller bass. The Miller bass I tried was literally
falling apart in my hand. You're better off just getting a real 70's
bass, e.g. a refin or beat up body could be in a similar price range
as the new junk.
Steve "Dude" Barr
http://www.vintagebass.com
"If it's not playable then it's not collectible...100% "Shark-Free Zone"
Man, that's even funnier because you can easily get the real thing for
that much or less! All the ones I ever bought needed was a fret
dressing for $50.
Hawkeye8th wrote:
>
> >please give opinions of 75 jazz japan reissue. thanks
>
>The same way the americans reissue tons of gears that have nothing more
>to do with the originals than the japanese one
'Don't recollect the Americans reissuing anything that was originated by the
Japanese.
Up until recently Fernandes made the Fender reissue series but that
is no longer the case. They were constructed very well using solid ash
bodies.
IMHO the biggest playing difference is the thicknes of the necks (front
to back) that really stands out with the various "reissue" years 62, 72,
75. I am not sure about the new Fender "Artist" reissues. Remember a re-
issue is NOT the original- I would tell you to find a good playing
instrument and modify.. ie upgrade pickups, beef up bridge etc. There
is a reason there are so many Fender copies-Fender (Leo)defined what a
solid body electric Bass sounds like..."It sounds like a percision" "it
sounds like a Jazz" or "It sounds like a Stingray" The "high-end" copies
pay more attention to detail such as fret dressing or better electronics
or an exotic finish. Its YOUR MONEY if YOU like it BUY IT! If it
doesn't sound the way you want ask what will it take to get it there OR
there may be another that is closer to what you are looking for.
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