Also, check inside the chassis (with the amp off and unplugged) if you have
some experience inside amps. I believe those amps are PC board based
circuits. Trace the wire that runs from pin 1 and 6 of the pre-amp tubes to
the board. It should connect to a plate load resistor. I don't know what
type of resistors Mesa uses in those amps, but if they're carbon comps, they
have a tendency to drift and change values over time, especially when
exposed to the type of heat in an amp chassis. Sometimes, hiss is caused by
these plate load resistors. In most cases, swapping out the carbon comp
plate resistors and either substituting them for metal film, or a larger
wattage carbon comp will solve or reduce the hiss problem. I use carbon
comps in my circuit boards and amps for most of the circuit, but I use high
quality metal films for the plate load resistors, so that I don't have to
worry about hiss now, or later on. Hope this helps.
Mikey
"Frank A. Baffoni, M.D." <fbaf...@ix.netcom.com> wrote in message
news:bbm5cb$99n$1...@slb6.atl.mindspring.net...
Mikey, the Mesa amps usually use metal films for plate resistors
so the carbon comp thingy is not an issue, however, you made
some excellent points about making sure the preamp tubes are correct
or of less gain to minimize the hiss. Unfortunately, the tone will be
different,
but should be useful for Frank's application of having a good sounding jazz
amp, maybe.
Frank, what type of jazz sound are you after, after all?
7 string? Fusion? Smooth stuff? Nice warm tone with just a little edge or no
edge?
Just curious.
Ed @ Sonic Surgery
"the Boogie Man" <commieu...@bogeycentral.net> wrote in message
news:3HyDa.34364$hj5....@fe07.atl2.webusenet.com...
This white noise problem you are referring to is a "feature" of the
Mesa Blue Angel. A friend of mine bought one and, while he also loves
the tone, has had to deal with the same hiss. He went as far as
contacting Mesa. They gave him an adjustment inside the amp (a
potentiometer, I think). He was able to adjusted until the hiss was
bearable, but it killed the tone. He readjusted the pot to its
original setting, and now he just lives with the hiss.
~ John
"Frank A. Baffoni, M.D." <fbaf...@ix.netcom.com> wrote in message news:<bbnc4j$fel$1...@slb4.atl.mindspring.net>...
"Axeplyr" <jflu...@hotmail.com> wrote in message
news:b33f68c4.03060...@posting.google.com...
Mikey
"the Boogie Man" <commieu...@bogeycentral.net> wrote in message
news:3HyDa.34364$hj5....@fe07.atl2.webusenet.com...
> Mikey, the Mesa amps usually use metal films for plate resistors
> so the carbon comp thingy is not an issue, however, you made
> some excellent points about making sure the preamp tubes are correct
> or of less gain to minimize the hiss. Unfortunately, the tone will be
> different,
> but should be useful for Frank's application of having a good sounding
jazz
> amp, maybe.
> Ed @ Sonic Surgery
Mikey
"Axeplyr" <jflu...@hotmail.com> wrote in message
news:b33f68c4.03060...@posting.google.com...
Mikey, since Boogies have double-sided PCBs, the possibility
of a cracked solder connection is unlikely and if there was a crack
somewhere, the resulting "side effect" would more be of the nature
of crackling and sputtering, not hiss. The hiss is likely from too much
gain in the first stage that is being amplified down the line.
Mirage2all seems to come up with somewhat of a solution by using
a preamp tube with less transconductance than the original, but Boogies
are already using 12AX7 EH tubes for preamp. But Frank should try the
5751 for V1 and see what he gets. Then again, one could change the
plate/cathode resistance ratio to lower the gain of the first stage and
perhaps
also the second stage to lower the hiss, but how much it will affect the
tone
is the question. If the change is not too drastic, it might still preserve
the
quality of the tone Frank likes while lowering the amount of hiss.
Then again, there's always the 12AU7 or 12AT7 to experiment with for V1.
Ed
Lloyd
in article 0TSdndLt0d4...@comcast.com, recruiterman at
recrui...@comcast.net wrote on 6/5/03 8:15 PM:
Paul B
Frank,
You're not using P90's are you? The reason I ask is that my recent Gibson
ES-137P with P90's made my otherwise quiet Fender DRRI noisy as all get
out.
GReg
Oh... too bad, since that amp is not sold as high gain model. OK, one
last thing... I know the white noise sounds loud in your practice
room, but how about with a jam band at near gig levels. Most noise
seems to become sonically invisible at that time, which is fine if you
gig with it, but not if you don't.
Recent experience: My fave recent guitar was a Gibson ES-137P archtop
with P90's. The sweetest sounding guitar with any pedal or amp! Well,
with gigging the pup noise was so loud that when I was not playing I
had to kill the volume (with my vol pedal). Is your amp as bad as that
guitar was? Even with the noise - I still miss that guitar.
Greg
"Greg D" <oas...@cox.net> wrote in message
news:293e6062.03061...@posting.google.com...