On Fri, 3 Feb 2012 21:33:44 -0500, "Phil_S"
<
psymond...@comcast.net> wrote:
>
>"WB" wrote in message news:4f2c74d0$0$26970$bbae...@news.suddenlink.net...
> With a mu of 80, as compared to 100, I don't know
> if the audible differences *could* really be heard
> depending on where the au7 part ends up at.
>
>============
>Huh? Instead of two sections at 100, it is one at 100 and one at 20. Big
>difference. At 80 vs 100, probably not.
>IMO, these are good for a gain stage followed by a concertina. The AU makes
>a great concertina.
Correct about the mu specs for 12au7. I think I had originally
mentioned that the 7247 might be useful for concertina/split load or
for Marshall- type gain-stage-into-follower (providing that pinouts
assigned the lower gain half to the follower).
Worth adding that mu is generally important, but in some cases, like a
diff stage/Schmidt/Long tail, lower plate resistance and higher
transconductance can be more important. So in many cases, a 12at7 can
yield higher actual amplification than a 12ax7. A 12au7 is an extreme
example of course, but as the long tail's plate load resistors are
lowered in value, even the 12au7 will start to close the gap, and can
probably have up to 50% of a 12ax7's practical signal amplification,
despite having only 20% of its rated mu. Note that I'm approximating,
but those figures should be close.