Salma Hayek's 'Frida' is an intensely personal project
PUSSSYKATT
Salma Hayek is so obsessed with the movie she's making about the artist Frida
Kahlo that she doesn't care she just topped Jennifer Lopez in the People en
Español poll for sexiest female celebrity.
"All I care about is the movie, is it good or bad!" she says from Mexico, where
she's in the final weeks of shooting Frida. She stars in and is producing the
story of the passionate Mexican painter.
After "six years of sweating it," trying to get the film on track, competing
for the role for a time with Lopez, not to mention Madonna, Mexican-born Hayek
says, "I come to work with a smile on my face every day. ... There's a lot of
fun ... a lot of drama."
And not just with actors: A month ago, "I got attacked by the monkey — he bit
me really badly!"
The capuchin monkey plays a Kahlo pet; Kahlo actually had a spider monkey, but
they're now endangered. It "went for my face" but got her hands, arms and
fingers. "I'm marked for life," Hayek says cheerfully, "but they have little
teeth." She admits the bites were "extremely painful" and injured nerves and
ligaments.
Hayek has many more complications to deal with: Kahlo was in a wheelchair for
much of her life after a trolley car accident (she died in 1954 at age 47). She
had a little mustache that she exaggerated in paintings of herself; her
romantic life was turbulent — she wed muralist Diego Rivera twice, had an
affair with exiled Russian revolutionary leader Leon Trotsky, and had many
lovers, male and female. Geoffrey Rush plays Trotsky, and Antonio Banderas is
the muralist David Siquieros, a good friend of Rivera's.
The movie "really is the story of the two of them," she says of Kahlo and
Rivera, known in the USA for his Rockefeller Center murals; he's played by
Alfred Molina (Chocolat). "She couldn't exist without him. They were two
sophisticated minds." But Diego, rejected by his mother as a child, "has issues
with women. He was not capable of fidelity. He told her that from the
beginning. But she was capable of unconditional love, and at the end of the day
he learned from her courage. He ended up loving her the same way."
Besides using a wheelchair, "I have to limp a little," Hayek says. And Miramax
Films "was not crazy for me to have a mustache for the whole film. I shaved
myself a couple of times so it would grow naturally. It's very small but it is
there."
Hayek herself does Kahlo's painting: "It's no fake hand doing brush strokes.
Painting is the best part. The worst was learning how to smoke! I couldn't do
it. I wouldn't aim right at my mouth, the cigarette, and I don't understand
why. I'm pretty coordinated. I hated it, I was dizzy."
She says she and Molina joke that the movie will give him a heart attack,
because he had to gain so much weight, "and me lung cancer."
Despite her mustache and continuous eyebrow, Kahlo was very sexy, "or she would
not have seduced so many men and women around the world with such success,"
says Hayek. "I think she was beautiful."
"I don't want to make her look like she's a slut," she hastens to add. But
Hayek has love scenes with Molina and Rush, as well as two women.
Hayek thinks U.S. audiences have an idea who Kahlo is, or at least "they have
an image of a woman with one brow."
Hayek's mother is Mexican; she has been to other Hayek movie sets, "but she
gets special pride seeing me do this."
Most of her co-stars "are my friends," she notes, "doing this as a favor. We're
paying scale." The movie, in English, is directed by Julie Taymor, known for
Broadway's The Lion King.
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