Feminist Aesthetics
Feminism_IS_Equal_Rights
Introduction
This page includes information on Aesthetic Theory, Art in General,
History of Women Artists, Architecture, Dance, Film, Music, Painting
and Sculpture, Performance Art, and Theatre.
Bibliography
Aesthetic Theory
Allan, Tuzyline Jita. Womanist and Feminist Aesthetics: A Comparative
Review. Ohio Univ. Press, 1995.
Battersby, Christine. Gender and Genius: Towards a Feminist
Aesthetics. Indiana Univ. Press, 1989.
Brand, Peggy Zeglin and Carolyn Korsmeyer, ed. Feminism and Tradition
in Aesthetics. Penn State Univ. Press, 1995.
Deepwell, Katy, ed. New Feminist Artr Criticism: Critical Strategies.
Manchester Univ. Press, 1995.
Deutsche, Rosalyn. Evictions: Art and Spatial Politics. MIT Press,
1996.
Ecker, Gisela, ed. Feminist Aesthetics. Trans. Harriet Anderson.
Beacon Press, 1986.
Frueh, Joanna, Cassandra L. Langer, and Arlene Raven. New Feminist
Criticism: Art, Identity, Action. 1993.
Hein, Hilde and Carolyn Korsmeyer, ed. Aesthetics in Feminist
Perspective. Indiana Univ. Press, 1993.
Kipnis, Laura. Ecstasy Unlimited: On Sex, Capital, Gender, and
Aesthetics. Univ. Minnesota Press, 1993.
Langer, Cassandra L. Feminist Art Criticism: An Annotated
Bibliography. G.K. Hall, 1993.
Langer, Cassandra L. A Feminist Critique. Harper Collins, 1996.
Piper, Adrian, Lowery S. Sims and Ted Potter. Next Generation:
Southern Black Aesthetic. Univ. North Carolina Press, 1990.
Piper, Adrian. Out of Order, Out of Sight. MIT Press, 1996.
Volume I: Selected Writings in Meta-Art, 1968-1992.
Volume II: Selected Writings in Art Criticism, 1967-1992.
Pollock, Griselda. Trouble in the Archives. Differences 4/3.
Raven, Arlene, Cassandra Langer, and Joanna Frueh, ed. Feminist Art
Criticism. 1991.
Art in General
Battersby, Christine. Gender and Genius: Towards a Feminist
Aesthetics. Indiana Univ. Press, 1990.
Bigwood, Carol. Earth Muse: Feminism, Nature, and Art. Temple Univ.
Press, 1993.
Broude, Norma and Mary D. Garrard, ed. The Expanding Discourse:
Feminism and Art History. NY: Icon Editions, 1992.
Broude, Norma and Mary D. Garrard, ed. Feminism and Art History:
Questioning the Litany. Icon Editions, 1982.
Caputi, Mary. Voluptuous Yearnings: A Feminist Theory of the Obscene.
Rowman and Littlefield, 1994.
Isaak, Jo Anna. Feminism and Contemporary Art: The Revolutionary Power
of Women's Laughter. Routledge, 1996.
Lambert, Ellen Zetzel. The Face of Love: Feminism and the Beauty
Question. Beacon Press, 1995.
Hoorn, Jeanette, ed. Strange Women: Essays in Art and Gender.
Melbourne Univ. Press, 1994.
Moore, Catriona, ed. Dissonance: Feminism and the Arts, 1970-1990. St.
Leonards: Allen and Unwin Australia, 1994.
Mulvey, Laura. Fetishism and Curiosity. British Film Institute, 1996.
Nochlin, Linda. Women, Art, and Power and Other Essays. Icon Editions,
1989.
Pacteau, Francette. The Symptom of Beauty. Belknap Press, 1994.
Parker, Rozsika and Griselda Pollock, ed. Framing Feminism: Art and
the Women's Movement, 1970-85. Harper San Francisco, 1987.
Pollock, Griselda. Avant-Garde Gambits: Gender and the Colour of Art
History. London: Thames, 1992.
Pollock, Griselda. Differencing the Canon: Feminist Desire and the
Writing of Art Histories. New York: Routledge, 1999.
Pollock, Griselda. Vision and Difference: Femininity, Feminism, and
the Histories of Art. Methuen Drama, 1988.
Pollock, Griselda and Rozsika Parker. Framing Feminism: Art and the
Women's Movement, 1970-1985. London: Pandora Books, 1987.
Pollock, Griselda. Generations and Geographies in the Visual Arts:
Feminist Readings. London: Routledge, 1996.
Pollock, Griselda. Vision and Difference: Femininity, Feminism and the
Histories of Art. London: Routledge, 1988.
Suleiman, Susan Rubin. Subversive Intent: Gender, Politics, and the
Avant-Garde. Harvard Univ. Press, 1990.
History of Women Artists
Benzel, Kathryn N. and Lauren Pringle De La Vars, ed. Images of the
Self as Female: The Achivement of Women Artists in Re-Envisioning
Feminine Identity. Mellen Press, 1991.
Bentz, Valerie Malhotra and Philip E.F. Mayes, ed. Women's Power and
Roles as Portrayed in Visual Images of Women in the Arts and Mass
Media. Mellen Press, 1993.
Bissell, R. Ward. Artemisia Gentileschi and the Authority of Art. Penn
State Univ. Press, 1998.
Chicago, Judy. Beyond the Flower: The Autobiography of a Feminist
Artist. Penguin USA, 1996.
Deepwell, Katy, ed. Women Artists and Modernism. Manchester University
Press, 1998.
Fine, Elsa Honig. Women and Art: A History of Women Painters and
Sculptors from the Renaissance to the 20th Century. 1991.
Jenefsky, Cindy and Ann Russo. Without Apology: Andrea Dworkin's Art
and Politics. Westview Press, 1997.
Jones, Amelia, ed. Sexual Politics: Judy Chicago's Dinner Party in
Feminist Art History. Univ. of California Press, 1996.
Jones, Suzanne W., ed. Writing the Woman Artist: Essays on Poetics,
Politics, and Portraiture. Univ. of Pennsylvania Press, 1991.
Lippard, Lucy. The Pink Glass Swan: Selected Essays on Feminist Art.
New Press, 1995.
Meskimmon, Marsha. The Art of Reflection: Women Artists'
Self-Portraiture in the Twentieth Century. Columbia Univ. Press, 1996.
Nemser, Cindy. Art Talk: Conversations with 15 Women Artists. Westview
Press,1996.
Piland, Sherry. Women Artists: An Historical, Contemporary and Feminst
Bibliography. Scarecrow Press, 1994.
Pollock, Griselda and Rozsika Parker. Old Mistresses: Women, Art and
Ideology. London: Pandora Books, 1981.
Pollock, Griselda. Mary Cassatt. London: Jupiter Books, 1980.
Architecture
Coleman, Debra, Elizabeth Danze, Carol Henderson, and Courtney Mercer,
ed. Architecture and Feminism: Yale Publications on Architecture.
Princeton Architectural Press, 1996.
Dance
Banes, Sally. Dancing Women: Female Bodies on Stage. Routledge, 1998.
Manning, Susan. Ecstacy and the Demon: Feminism and Nationalism in the
Dances of Mary Wigman. Univ. of California Press, 1993.
Thomas, Helen, ed. Dance, Gender, and Culture. St. Martins Press,
1993.
Film
[Note: Some of this information was contributed by Kathleen
Kinsolving.]
Anderson, Lisa M. Mammies No More: The Changing Image of Black Women
on Stage and Screen. Rowman and Littlefield, 1997.
Byers, Jackie. All That Hollywood Allows: Re-Reading Gender in the
1950s Melodrama. Univ. of North Carolina Press, 1991.
Carson, Diane, Linda Dittmar, and Janice R. Welsch, ed. Multiple
Voices in Feminist Film Criticism. Univ. of Minnesota Press,1994.
Christensen, Inger. Literary Women on the Screen: The Representation
of Women in Films Based on Imaginative Literature. Peter Lang Pub.,
1991.
Cowie, Elizabeth. Representing the Woman: Cinema and Psychoanalysis.
Univ. of Minnesota Press, 1996.
Creed, Barbara. The Monstrous-Feminine: Film, Feminism,
Psychoanalysis. Routledge, 1994.
deLauretis, Teresa. Alice Doesn't: Feminism, Semiotics, Cinema.
Bloomington: Indiana University Press, 1984.
deLauretis, Teresa and Stephen Heath, ed. The Cinematic Apparatus.
London: Macmillan, 1980.
deLauretis, Teresa. Technologies of Gender: Essays on Theory, Film,
and Fiction. Bloomington: Indiana University Press, 1987.
Erens, Patricia, ed. Issues in Feminist Film Criticism. Indiana Univ.
press, 1991.
Freeland, Cynthia A. "Feminist Film Theory." You can read this article
here.
Grant, Barry Keith, ed. The Dread of Difference: Gender and the Horror
Film. Univ. of Texas Press, 1996.
Green, Philip. Cracks in the Pedestal: Ideology and Gender in
Hollywood. Univ. of Massachusetts Press, 1998.
Haskell, Molly. Holding My Own in No Man's Land: Women and Men and
Film and Feminists. Oxford Univ. Press, 1997.
hooks, bell. Reel to Real: Race, Sex, and Class at the Movies.
Routledge, 1997.
Humm, Maggie. Feminism and Film. Indiana Univ. Press, 1997.
Jayamanne, Laleen. Kiss Me Deadly: Feminism and Cinema for the Moment.
Power Pub., Inc., 1996.
Kaplan, E. Ann. Looking for the Other: Feminism, Film, and the
Imperial Gaze. Routledge, 1997.
Kuhn, Annette. Women's Pictures: Feminism and Cinema. Verso Books,
1994.
Lee, Gia B. Revisions of Feminism: An Analysis of Contemporary Film
and Video Directed by Asian American Women. 1992.
Mellencamp, Patricia. A Fine Romance ... Five Ages of Film Feminism.
Temple Univ. Press, 1995.
Modelski, Tania. The Women Who Knew Too Much: Hitchcock and Feminist
Theory. Routledge, Kegan and Paul, 1996.
Mueller, Roswitha. Valie Export: Fragments of the Imagination (Women
Artists in Film). Indiana Univ. Press, 1994.
Mulvey, Laura. Fetishism and Curiosity. British Film Institute, 1996.
O'Sickey, Ingerborg Majer and Ingerborg Von Zadow, ed. Triangulated
Visions: Women in Recent German Cinema. SUNY Press, 1998.
Penley, Constance. Feminism and Film Theory. Univ. of Minnesota Press,
1988.
Penley, Constance. The Future of an Illusion: Film, Feminism, and
Psychoanalysis. 1989.
Penley, Constance and Sharon Willis, ed. Male Trouble (Camera
Obscura). Univ. of Minnesota Press, 1993.
Penley, Constance, Elisabeth Lyon, Lynn Spigel, and Janet Bergstrom,
ed. Close Encounters: Film, Feminism, and Science Fiction. Univ. of
Minnesota Press, 1990.
Pietropaolo, Laura and Ada Testaferri, ed. Feminisms in the Cinema.
Indiana Univ. Press, 1995.
Rainer, Yvonne, et. al. The Films of Yvonne Rainer. Indiana Univ.
Press, 1989.
Rich, B. Ruby. Chick Flicks: Theories and Memories of the Feminist
Film Movement. Duke Univ. Press, 1998.
Silverman, Kaja. The Threshold of the Visible World. Routledge, 1996.
Smelik, Anneke. And the Mirror Cracked: Feminist Cinema and Film
Theory. St. Martins Press, 1998.
Staiger, Janet. Bad Women: Regulating Sexuality in Early American
Cinema. Univ. of Minnesota Press, 1995.
Straayer, Chris. Deviant Eyes, Deviant Bodies: Sexual Re-Orientation
in Film and Video. Columbia Univ. Press, 1996.
Studlar, Gaylyn. In the Realm of Pleasure: Von Sternberg, Dietrich,
and the Masochistic Aesthetic. Columbia Univ. Press, 1988.
Thornham, Sue. Passionate Detachments: An Introduction to Feminist
Film Theory. Edward Arnold, 1998.
Walker, Janet. Couching Resistance: Women, Film, and Psychoanalytic
Psychiatry. Univ. of Minnesota Press, 1993.
Whatling, Clare. Screen Dreams: Fantasising Lesbians in Film.
Manchester Univ. Pres, 1997.
Williams, Linda. Hard Core: Power, Pleasure, and the 'Frenzy of the
Visible'." Univ. of California Press, 1999.
Music
Bolen, Jean Shinoda. Ring of Power: Symbols and Themes in Wagner's
Ring Cycle, a Jungian Feminist Perspective. Nicolas Hays, 1999.
Clément, Catherine. Opera, or the Undoing of Women. Trans. by Betsy
Wing. Univ. of Minnesota Press, 1989.
Cook, Susan C. and Judy S. Tsou, ed. Cecilia Reclaimed: Feminist
perspectives on Gender and Music. Univ. of Illinois Press, 1994.
Davis, Angela Y. Blues Legacies and Black Feminism. Pantheon Books,
1998.
Ericson, Margaret. Woman and Music: A Selective Annotated Bibliography
on Women and Gender Issues in Music, 1987-1992. G.K. Hall, 1996.
McClary, Susan. Feminine Endings: Music, Gender, and Sexuality. Univ.
of Minnesota Press, 1991.
Post, Laura and Dar Williams. Backstage Pass: Interviews with Women in
Music. New Victoria Pub., 1997.
Painting and Sculpture
Betterson, Rosemary, ed. Looking On: Images of Femininity in the
Visual Arts and Media.1987.
Brand, Peggy Zeglin and Carolyn Korsmeyer, ed. Feminism and Tradition
in Aesthetics. Penn State Univ. Press, 1995.
Broude, Norma. Impressionism: A Feminist Reading:The Gendering of Art,
Science, and Nature in the Nineteenth Century. Westview Press, 1991.
Elliott, Bridget and Janice Williamson. Dangerous Goods: Feminist
Visual Art Practices. 1990.
Jones, Suzanne W., ed. Writing the Woman Artist: Essays on Poetics,
Politics, and Portraiture. Univ. of Pennsylvania Press, 1991.
Lichtenberg-Ettinger, Bracha. The Matrixial Gaze. Feminist Arts and
Histories Network: - Fine Arts, Leeds Univ., 1995.
Lichtenberg-Ettinger, Bracha. Time is the Breath of the Spirit.
(co-authored with Emmanuel Levinas) Museum of Modern Art. Oxford,
1993.
Lichtenberg-Ettinger, Bracha. A Threshold Where We Are Afraid.
(co-authored with Edmund Jabès) Museum of Modern Art. Oxford, 1993.
Lichtenberg-Ettinger, Bracha. Matrix * Halal(a) -- Lapsus, Notes on
Painting. Museum of Modern Art. Oxford, 1993.
Lichtenberg-Ettinger, Bracha. Matrix et le Voyage a Jerusalem de C.B.
(bilingual French and Hebrew) 1990.
Pollock, Griselda, ed. Generations and Geographies in the Visual Arts:
Feminist Readings. Routledge, 1996.
Schor, Mira. Wet: On Painting, Feminism, and Art Culture. Duke
University Press, 1997.
Todd, Ellen Wiley. The "New Woman" Revised: Painting and Gender
Politics on Fourteenth Street. Univ. of California Press, 1993.
Performance Art
Frueh, Joanna. Erotic Faculties. Univ. of California Press, 1996.
Goodman, Lizbeth and Jane de Gay, ed. The Routledge Reader in Gender
and Performance. Routledge, 1998.
Jones, Amelia. Body Art/ Performing the Subject. Univ. of Minnesota
Press, 1998.
O'Dell, Kathy. Contract with the Skin: Masochism, Performance Art, and
the 1970s. Univ. of Minnesota Press, 1998.
Phelan, Peggy. Unmarked: The Politics of Performance Routledge, 1993.
Rapi, Nina and Maya Chowdhry, ed. Acts of Passion: Sexuality, Gender,
and Performance. Haworth Press, 1998.
Schneider, Rebecca. The Explicit Body in Performance. Routledge, 1997.
Theatre
Aston, Elaine. An Introduction to Feminism and Theatre. Routledge,
1995.
Canning, Charlotte. Feminist Theaters in the U.S.A.: Staging Women's
Experience. 1996.
Case, Sue-Ellen. Feminism and Theatre. Routledgge, 1988.
Case, Sue-Ellen, ed. Performing Feminisms: Feminist Critical Theory
and Theatre. Johns Hopkins Univ. Press, 1990.
Diamond, Elin. Unmaking Mimesis: Essays on Feminism and Theater.
Routledge, 1997.
Finney, Gail. Women in Modern Drama: Freud, Feminism, and European
Theater at the Turn of the Century. Cornell Univ. Press, 1989.
Keyssar, Helene, ed. Feminist Theory and Theatre. NY: St. Martin's
Press, 1996.
Kintz, Linda. The Subject's Tragedy: Political Poetics, Feminist
Theory, and Drama. Univ. of Michigan Press, 1992.
Laughlin, Karen and Catherine Schuler. Theatre and Feminist
Aesthetics. Farleigh Dickinson Univ. Press, 1995.
Martin, Carol, ed. A Sourcebook of Feminist Theatre and Performance:
On and Beyond the Stage. Routledge, 1996.
Schneider, Rebecca. The Explicit Body in Performance. Routledge, 1997.
Schroeder, Patricia R. The Feminist Possibilities of Dramatic Realism.
Farleigh Dickinson Univ. Press, 1996.
COPYRIGHT 1999 KRISTIN SWITALA. ALL RIGHTS RESERVED.
-
The fact that a believer is happier than a skeptic is no more to
the point than the fact that a drunken man is happier than a sober
one. The happiness of credulity is a cheap and dangerous quality.
- George Bernard Shaw
annie shank
spring, and this reference list will be invaluable!
Annie an...@rt66.com
--
Everyone thinks of changing the world, but no one thinks of changing
himself. -- Leo Tolstoy
GodHimself
> Thanks for the great list! I'm going into a literature PhD program this
> spring, and this reference list will be invaluable!
Well, that explains your posts. But, a quick question. What, exactly, is
a literature PhD and what are you qualified to do afterwards? What I'm
after is how you're going to be supporting yourself? Are there really all
that many well-paid positions for people with literature PhDs? Or this is
just a hobby and you've got a Phd in Computer Science or something? Just a
question, not trying to be insulting.
Chive Mynde
> Thanks for the great list! I'm going into a literature PhD program this
> spring, and this reference list will be invaluable!
You're welcome. Good-luck with your PhD, I'm sure you'll do fine.
Here's the URL where you can find many, many more references:
http://www.cddc.vt.edu/feminism/fields.html
And the main site:
http://www.cddc.vt.edu/feminism/index.html
I look forward to reading more of your posts on alt.feminist.
- Chive
The fact that a believer is happier than a skeptic is no more to
the point than the fact that a drunken man is happier than a sober
one. The happiness of credulity is a cheap and dangerous quality.
- George Bernard Shaw
-- Posted via nooz.net - is this thing working? --
Chive Mynde
> >-- on Tue, 26 Jun 2001 10:27:21 -0600, annie shank <an...@rt66.com> said:
> > Thanks for the great list! I'm going into a literature PhD program this
> > spring, and this reference list will be invaluable!
>
> You're welcome. Good-luck with your PhD, I'm sure you'll do fine.
> Here's the URL where you can find many, many more references:
>
> http://www.cddc.vt.edu/feminism/fields.html
>
> And the main site:
>
> http://www.cddc.vt.edu/feminism/index.html
>
> I look forward to reading more of your posts on alt.feminist.
That's alt.feminism. Sorry.
Michael Snyder
GodHimself wrote in message ...
>annie shank <an...@rt66.com> wrote in news:3B38B7E8...@rt66.com:
>
>> Thanks for the great list! I'm going into a literature PhD program this
>> spring, and this reference list will be invaluable!
>
>Well, that explains your posts. But, a quick question. What, exactly, is
>a literature PhD and what are you qualified to do afterwards?
Want fries with that?
GodHimself
news:uKc_6.12802$Tk.45...@newsrump.sjc.telocity.net:
LOL! I know a girl who graduated as a Bachelor of Women's Studies. Know
what she does now for a living? She sometimes works behind the candy
counter at a local theatre, and other times she's an usher at the same
theatre.
Melisande
GodHimself <yu...@enlightsys.com> wrote in message
news:Xns90CCE3B684...@24.2.9.61...
Teaching. That's it. In California, you can find an immediate opening at
the
high school level ($45k a year after five years), or in one of the community
colleges ($50k after five years)
Or you can teach adjunct at one of the CSU's (there's very little full time
hiring) ($40k with little chance
of any pay increase).
Lots of Ph.D.'s these days teaching high school (and elementary) here in CA.
Get your summers off, home at 3:30 every day...50% quit after the first
year, can't
take the stress (in the LA school district).
MR
GodHimself
news:8gm_6.96$iA2....@dfiatx1-snr1.gtei.net:
>
> GodHimself <yu...@enlightsys.com> wrote in message
> news:Xns90CCE3B684...@24.2.9.61...
>> annie shank <an...@rt66.com> wrote in news:3B38B7E8...@rt66.com:
>>
>> > Thanks for the great list! I'm going into a literature PhD program
>> > this spring, and this reference list will be invaluable!
>>
>> Well, that explains your posts. But, a quick question. What,
>> exactly, is a literature PhD and what are you qualified to do
>> afterwards? What I'm after is how you're going to be supporting
>> yourself? Are there really all that many well-paid positions for
>> people with literature PhDs? Or this is just a hobby and you've got a
>> Phd in Computer Science or something? Just a question, not trying to
>> be insulting.
>
> Teaching. That's it. In California, you can find an immediate opening
> at the
> high school level ($45k a year after five years), or in one of the
> community colleges ($50k after five years)
> Or you can teach adjunct at one of the CSU's (there's very little full
> time hiring) ($40k with little chance
> of any pay increase).
>
> Lots of Ph.D.'s these days teaching high school (and elementary) here
> in CA.
Excuse me, but I didn't ask about PhDs. I asked about Literature PhDs.
What are *they* good for? How many teaching jobs are available for *them*?
Melisande
I was referring to literature Ph.D.'s Math and English (literature),
that's where
the jobs are. State-mandated curriculum changes have increased the number
of
courses in both areas. Reading, writing, arithmetic, in both k-12 and the
undergrad
years. I did not mean Ph.D.'s in general. If you've got a doctorate in a
science, for
example, you're much more employable.
MR
GodHimself
news:yRu_6.3144$Fc2.4...@paloalto-snr1.gtei.net:
Really? Enough to justify all the girls-only schools churning out Lit
PhDs? Is a Lit PhD the same as a Science PhD?
Melisande
Well, they're both doctorates. But with a science Ph.D. you have a good
shot
at a tenured position at a university. With a lit Ph.D. you might well end
up teaching
elementary school (I know two who do). In fact, in California, having an
undergraduate
minor in science is enough to qualify you to teach science in many school
districts.
We have a small joke at our college. With all those MA and PhD people
teaching
lower grades in English...how come an increasing number of students need
remedial
English when they get to college?
Of course, the fact that our students also know very little science is
well-explained
by the fact (for example) that my daughter's most recent "science" teacher
had a degree
in literature (with 9 units of science...a temporary hire, of course...)
MR
Chive Mynde
> spring, and this reference list will be invaluable!
You're welcome. Good-luck with your PhD, I'm sure you'll do fine.
Here's the URL where you can find many, many more references:
http://www.cddc.vt.edu/feminism/fields.html
And the main site:
http://www.cddc.vt.edu/feminism/index.html
I look forward to reading more of your posts on alt.feminist.
- Chive
The fact that a believer is happier than a skeptic is no more to
the point than the fact that a drunken man is happier than a sober
one. The happiness of credulity is a cheap and dangerous quality.
- George Bernard Shaw
-- Posted via nooz.net - is this thing working? --
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Chive Mynde
> > Thanks for the great list! I'm going into a literature PhD program this
> > spring, and this reference list will be invaluable!
>
> You're welcome. Good-luck with your PhD, I'm sure you'll do fine.
> Here's the URL where you can find many, many more references:
>
> http://www.cddc.vt.edu/feminism/fields.html
>
> And the main site:
>
> http://www.cddc.vt.edu/feminism/index.html
>
> I look forward to reading more of your posts on alt.feminist.
That's alt.feminism. Sorry.
- Chive
The fact that a believer is happier than a skeptic is no more to
the point than the fact that a drunken man is happier than a sober
one. The happiness of credulity is a cheap and dangerous quality.
- George Bernard Shaw
-- Posted via nooz.net - is this thing working? --
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