Forniphilia (Human Furniture) Frequently Asked Questions (FAQ)
Forniphiliac
Version: 1.1 Last updated: 3 February 2000
The most recent version of this FAQ can be found in Web format at
http://www.houseofgord.com/forniphilia/
or in text format at
http://www.houseofgord.com/forniphilia/faq.txt.
forni-
f. Old French furnir f. Roman, fornire; to furnish
-philia
f. Greek philos; love of, fondness for
Contents:
1. What is forniphilia?
2. What are some known forniphilic creations?
3. How do I find such a woman?
4. How do I get my wife interested? I love bondage but she doesn't
want to know.
5. How long can a woman be left as an item of furniture?
6. What safety precautions should be taken in the design and production
of human furniture?
7. Where can I discuss forniphilia with others?
8. My girlfriend has claustrophobia, but likes bondage, and wants to
try forniphilia type bondage. How can I work around that?
9. What are the best type of gags, and how long can they be left on?
10. What sort of padding is best for these furniture items?
11. How may I contribute to this FAQ?
1. What is forniphilia?
One description, I would say, is the ultimate in artistic expression.
Over the centuries, mere mortal man, artists and sculptures of renown,
have struggled to capture the essence of femininity in various
inanimate and inadequate mediums of paint, stone, plaster-of-paris,
bronze, and a host of other organic materials. Whilst they came close,
none really managed to portray that indefinable something that is
womanhood; a mystical state-of-the-art life form that guards its
secrets jealously. In my opinion, they never will. They were using the
wrong materials.
I on the other hand, whilst not possessing the same magnificent skills
in handcrafting as these old masters; I chose to use the ultimate
material. "Woman" The most erotic and exciting material on this
planet. The trick is to find some material that is not hostile, endowed
with a volatile temper, or downright hazardous to your health.
A second description of forniphilia would be man's desire to render a
powerful and dangerous adversary to the role of utility item. Make no
mistake, women are a dangerous species. Thus by relegating her to an
item of furniture that can be used and enjoyed at leisure and in
complete safety we can achieve that goal. It is in man's nature to
conquer and control, and in this respect the female of our species
probably represents the only adversary he has never managed to subdue.
OK, we win the odd battle, and if we were to use physical strength we
can overcome them. But we never truly win. Reduce a woman to a
usable object and she becomes so damned sexually alluring that she has
you by the balls so to speak. What the hell. Try sitting on a human
female chair, with a human female table, and a human female foot stool,
and you really stop caring about the battle of the sexes. In fact, you
don't really give a shit how much hassle about jobs around the house
they are going to give you when they get free, as even a few moments of
illusory control are worth the mundane things in life.
2. What are some known forniphilic creations?
Masterpieces of the forniphilics craft include:
- Chandelier (3 women and one bug eyed bondage master)
- Tables of all sorts and descriptions
- Lamps
- Pedestals.
- Chairs.
- Footstools.
- Ceiling decorations.
These are only my efforts. But in fact the Egyptians were at it 2000
years ago. Lucky bastards had tons of material, unfortunately not
consenting material. It was common place for powerful rulers to use
females as items of furniture. In recent years, Stanley Kubrick and
his film Clockwork Orange revived the art of forniphilia with sculpted
female coffee tables in a cafe. A few years back the great bondage
artists, Stanton, Eneg, Bob Bishop and others did their own thing.
3. How do I find such a woman?
You don't! They find you most of the time. Initially you will have to
search out some so as to build a reputation for being honourable, safe,
and respectful. Submissive female sexual partners are not necessarily
whimps and easy conquests in real life. I have found the vast majority
to be highly intelligent, self- assured, strong willed, and very
astute.
Now finding and wooing such a woman may seem a tall order, but truth be
known, it isn't. There are many pre-sculpted, sensuously animated
female blocks of raw material that just love the idea of being sculpted
by various forms of tight bondage.
Often men just go blundering in with the assumption that what turns
them on, will surely turn the woman on. Well sorry to disappoint you
guys, but if she doesn't like bondage, the chances are she never will.
Bondage is a fantasy that seems to be there from birth. I have yet to
meet a woman who has never, ever, had any fantasy of bondage that
eventually got into the scene and enjoyed it. They either have it or
they don't. Some may profess to enjoy it for the sake of pleasing a
mate they want to be with, but often I have talked to ladies who
confessed to that in private. Fortunately they were only a few, and
generally their male partner was extremely good to them on all other
counts, so a little discomfort seemed to be acceptable to them for the
returns.
A true bondage-loving lady is easy to separate from the actors. They
will come to you and travel great distances without any form of
coercion once the word goes out that you are a genuine safe player.
They love the attention, and they thrive on the power it gives them
over their male counterparts. You just have to treat them with the
respect they deserve, prove to them that you are safe, consensual, and
care about their well being ,and they will begin to emerge from beneath
that protective female barrier; a barrier that unfortunately, we men
created in our blundering and often crass approach. Once your
sincerity and honesty is proven in their minds, women quickly
demonstrate that far from being the less sexually oriented, they are in
fact in class that leaves male sexuality in the dust.
4. How do I get my wife interested? I love bondage but she doesn't
want to know.
Again, you can't. However, if you were to ask her what he rfantasies
are, you just might find some overlapping interests. In addition, she
may be slightly interested in experimenting with bondage and if you
were to attend to her sexual needs, she maybe willing to try low levels
of bondage so as to return the favour so to speak. Who knows, she may
discover a vague bondage fantasy she discarded some time in her past.
You just never know. The key is, don't force the issue. Bondage has
to be a completely voluntary game or it doesn't work and it could well
destroy a good relationship, and worst of all, her trust in you. You
may get your jollies for a short time, but eventually the relationship
is doomed to failure. So the key word here is make that lady feel
really good by attending to her needs, and generally women will respond
favourably. Control by pleasure and caring is a powerful tool that
rarely backfires. Control by force, blackmail or coercion isa no go
that will surely blow up in your face. Don't ever underestimate the
female of the species. They are not malleable, easily controlled
beings. You make think you have won, but they'll nail your ass in the
long run by a variety of subtle methods. Respect them and treat them
right, that is the key. In fact, one of the most common reasons for a
woman who is not strongly into restraint and bondage being reticent
about trying it, is the feeling that she is being used and or
humiliated. One of the first issues you must attend to is to get the
message over to them that although they may be bound, objectified,
whatever you want to call it; is that a bound bondage play mate in
fact holds all the cards. The bound woman becomes not an object of
ridicule, but an object of immense power in the eyes of a bondage
master. It is a Catch 22 situation that I have never managed to
resolve, nor really want to. It goes like this. If you don't please
her, she will never want to play again. If you hurt her or betray her
trust by refusing to release her when she uses the safe word, you are
toast. A quaint way of putting it is that the true bondage master
becomes the moth fluttering around the flickering candle flame: treat
the flame with respect or you will be burned up. If that isn't how you
see it, then keep away from bondage as you are approaching a possible
non-consensual attitude.
5. How long can a woman be left as an item of furniture?
That depends entirely on the woman, the amount of contortion, the
pressure, the type of bindings, and a host of other variables. In
general a couple of hours maximum. The main factors seem to be that
folded formats create pressure on the chest and therefore breathing is
a concern. The others are circulation, and if she has a tendency to get
joint freeze. Of course, if you are using her as a chair, there are
other considerations. If you weigh 300 lbs, and she is around 130 lbs,
it isn't a good idea to rest your entire weight on her as she will not
be able to breath.
6. What safety precautions should be taken in the design and production
of human furniture?
OK, the boring facts, but nonetheless ones you should read. The main
concerns for long term super tight bondage, (forniphilia by nature is
super tight) are circulation, respiration and orthopedic concerns. The
Chair and the Lamps were in fact constructed after taking advice from
an Orthopedic surgeon. Our original concept for the chair had to be
scrapped due to the fact that it would concentrate too much strain on
the small of the back. The design we settled on after taking advice
spread the pressure equally over the entire back, and supported the
spine completely. So the first thing to do is seek expert advice on
the orthopedic angles.
Circulation was basically taken care of by the use of strapping as
opposed to rope or thin bindings. Straps will extend the time your play
partner can sustain the position without serious discomfort or risk of
damage. Glovelets to secure the hands negated the usual problem area
of wrist binding.
Respiration has to be monitored constantly. The intense pressure of
being folded and compressed into the chair shape did restrict chest
movement. But we were advised by the padding of the chair, (none other
than Blanche Maynard) as to the level she could comfortably accept.
The Lamp-standards and Tables present fewer problems in that area, but
circulation and orthopedic concerns still have to be considered, as oes
stability. These women have absolutely no way of protecting themselves
if the device were to fall over.
Much of the grunt work to prepare such incredibly tight bondage is
about planning, molding and preparation. We use various mediums.
I would at this juncture mention that I do not recommend anyone to try
any of this unless you are an expert. This is not an instructional
page about molding. But I do know that people out there dabble in
this, and whilst I cannot stop them from experimenting, I might just be
able to warn them of dangers they never realised existed.
This page is a WARNING, not a licence to go ahead, or an instructional
manual. Even if you observe the cautions I have mentioned, it is still
no guarantee of safety. Neither the House of Gord nor the author of
this FAQ accept any responsibility for any accidents of any kind that
may occur by people who are experimenting in bondage play.
Plaster of Paris. Fibre Glass. Urethane Foam. All of these materials
can be dangerous if misused.
Plaster of Paris seems to be the most innocuous material, and that is
what probably makes it the most dangerous of all. Most people do not
realise that a large volume of poured Plaster of Paris will reach
temperatures over 100 degrees centigrade at the core as the chemical
reaction of setting and curing takes place. If you have been stupid
enough to place a woman in a box and try to cast her shape, you will
literally cook her alive before you can get her out. Even a lower leg
mould will create serious burns. The speed of setting is directly
affected by heat and vice-versa. So in effect, the plaster, once set,
starts to cure into a super tough ceramic-like material in seconds.
The heat x mass = speed of temperature rise equation then accelerates
out of control so fast that you would have no chance to get her out. I
have seen plaster molds so hot that they were steaming and could not be
touched without asbestos gloves. Think about that before you pour it
around the woman you love.
Don't fuck with this stuff unless you know what you are doing. It can
be used reasonably safely for shell moldings, i.e. moldings that cover
half the body and can be lifted clear as soon as set and before the
heat starts to rise. But be prepared to destroy the mould by lifting
too early if the lady says it is getting too hot. The thickness you are
using is the key. The thinner you can make it, the less heat you will
generate. Best plan is to have wooden dowels ready to bury in the
plaster. This will stiffen the mold without having to make it too
thick. It will also allow you to lift it off the moment it has
basically set without the mould breaking. You can then lay it down
with your lady safely out of the way whilst it cures fully.
Urethane Foam on the other hand, will only rise a few degrees above
body heat, and an enclosed mold around the lower body is sustainable
for short periods, like 20 minutes max, providing the person in the
mould is getting cool fresh air so that the body can dissipate the body
heat trapped inside the mold by the insulating property of the foam.
However there are serious problems with this material as well. One is
that it contains isocyanates and gives off toxic fumes when curing.
You cannot allow it to come into contact with the skin, and you MUST
ensure that the subject and yourself has a pure air supply, if
necessary, fed through a mask from a clean air location. Breathing
apparatus should be tested beforehand, and be proprietary approved
equipment. A simple tube will not hack it, and if it is long, it will
create enormous strain on the person's ability to breath. Another
problem encountered with long tubes is called re-breathing. If the
volume of the tube approaches or surpasses the volume of the person's
lungs, she will be shoving the same used air back and forth without
drawing fresh air. The CO2 content will then become lethal. Tube
breathers should be short, with dedicated inlet and outlet that is
controlled by flap valves. If in doubt ask a diving expert. Don't
chance it.
Returning to the foam itself, unless you know what you are doing, don't
fuck with this stuff. It can expand at enormous speed and it cannot be
stopped once the resin and catalyst are mixed. I actually had two 10
gallon drums of catalyst and resin fall off a collapsing bench, and
they mixed. The result was an exploded shed. It expanded, buried all
my tools, burst the shed walls outward and shoved to roof three feet
into the air. It took me a month to clear up that mess, and the
neighbours were forever asking me what that strange massive loaf of
bread was doing in my garden. It can exert crushing pressure in an
enclosed mold that is not designed to burst. Racing car shells have
been burst and wrecked with this stuff. Think what it would do to a
human if it can burst riveted aluminium. It sticks like shit to a
blanket, and you would never be able to clear airways fast enough to
rescue anyone who got a face-full of the stuff.
In short, IT IS LETHAL STUFF to work with, and certainly not for the
use of anyone who hasn't used it on a regular basis and knows exactly
what they are doing. The only reason I am even mentioning it is because
I know some people are experimenting with it. NEVER, EVER, get this
stuff around the head region unless you wanna loose your loved one, and
get busted for manslaughter. It frightens the shit out of me just
thinking that people out there may be experimenting with this stuff
around the head region. I have heard that some did head moulds. CRAZY!
- ABSOLUTE MADNESS. They were playing with a horrible form of death if
the protective membrane were to rupture: .. violent convulsions of
cyanide poisoning, whilst being suffocated in a mask of super sticky
goo that is expanding up into the nasal passageways and throat whilst
burning and destroying the eyes. It is the nightmare of science fiction
proportions. If you want action and excitement, do something less
dangerous, like skydiving with no back-up chute and a torn main chute.
Or play chicken with a railway engine. The chances of survival are
probably higher.
Fibre Glass is generally only used for a final body shape, and it is
invariably formed over a cast made in plaster for several reasons. One
is that it requires layers to be built up for strength, and the time
can be counted in days. The other is safety. NEVER allow fibre glass
or its resin and catalyst components to get anywhere near skin. I
refer of course to industrial fibreglass products. There is however a
new medical fibre-glass that is fast replacing the old gypsum plaster
bandages for broken limbs. It is lighter and tougher. But a Seran
Wrap barrier should still be used between skin and fibreglass bandage.
Generally we use this to make basic shape moulds, which are then taken
away from the model and reinforced with industrial fibreglass at a safe
location with proper venting. Fumes from industrial fibreglass resins
are not good news. They can kill in an enclosed space by overcoming
you before you even know it is happening.
Medical Fibreglass Bandage: off all the aforementioned materials, I
would recommend the use of this material if you must experiment with
molds. It is designed by experts to be human friendly if used with a
reasonable amount of forethought. It is activated by water, not resin
catalysts. It does not give off toxic fumes, and it is skin tolerant in
the short term if it comes into contact. You WILL loose any body hair
though when you lift off the finished article if you cast on bare skin.
Ouch! However, one more word of warning. DO NOT use it around the
throat in a wrap when designing collars. Cast a half shell first, trim
the half shell, then put that back on and cast the other half shell to
mate up to it. Make sure you coat the edges of the first half shell
with a mold separator wax or you will end up trying to cut it off,
which is not a desired pastime around the throat.
So if you must mold, use this medical stuff and take care.
Remember; the overriding rule is: if you are not FULLY conversant with
what you are doing, and the safety precautions that apply ... don't do
it. Get an expert to do it for you, or don't do it at all.
7. Where can I discuss forniphilia with others?
The House of Gord hosts this FAQ and has human furniture images on
their Web site. I hear that John Hewson of Australia, (Shining
Designs) is dabbling in the field. Otherwise I don't know of any other
people who specialise in this field. But if you hear of some, let me
know, I'd love to talk with them.
NOTE: http://www.clublibertine.asn.au/shiningdesigns/home.html
8. My girlfriend has claustrophobia, but likes bondage, and wants to
try forniphilia type bondage. How can I work around that?
Good question, and one that I do have some real experience with. My
first wife, who you all know as Gwen, had claustrophobia. But she did
like bondage. So the answer was to work very slowly and design
lightweight bondage that was comfortable, not too restrictive, and
designed to be removed instantly if the onset of claustrophobia reared
its ugly head. The worst thing you can possibly do is keep her in
bondage and try to reason with her on a matter you cannot possibly
understand if you don't suffer from it yourself. I have some knowledge
of this type of unreasoning terror. I once climbed mountains for fun,
until one day when things went wrong and I suffered vertigo. At the
time I was in the roof of a steel mill 100 feet above a vat of molten
steel when I tripped and almost pitched over into the vat. I froze and
was gripped by a terror and fear that is mind numbing and totally
irrational. It took me a half hour to regain control of myself and
finally start to recover the situation. I have never managed to recover
the same level of confidence in heights since that day. So if your lady
shows signs, get her out FAST. That way you will slowly build
confidence in her, and she will try again and again because she trusts
you to get her out of it at the slightest sign.
The next step is to carefully think about your equipment. Not just for
ease of release, but also for methods of avoiding items that trigger
these feelings. The items that seems to create the claustrophobia
most easily are gags, hoods, and full body cocoons. But that doesn't
mean she will never be able to accept them. Hoods and over-mouth
devices can be made using permeable material such as Lycra and Spandex.
One of the most used hoods on the Gord website, and preferred by all
the ladies, is the old original Gwen Hood. It is tight, all
enveloping, and has all the aesthetic value of a full powerful hood,
and yet they can breath through it. At a later stage, when the
playmate has gotten used to it, surgical tape can be used over the lips
prior to fitting the hood. That will complete the full gagging process
as the tightness of the hood and the built-in band of surgical support
elastic prevents the tape being pushed off. However, the hood allows
her bondage master to simply pull the elastic away from the face and
remove the tape in an instant.
A big NO - NO is never to leave a bound claustrophobic alone, even
simulated. That is INSTANT terror. One should never leave a bound
gagged woman alone at any time unless strict and comprehensive
failsafes are installed into the scene that will allow release at the
onset of any problem. Many times I have simulated lone bondage with
women who cannot see, so that they enjoy the feeling of being alone and
bound, which of course is their edge play. But in fact I am either
there watching silently, or in the next room watching and listening to
them on a monitor. Even if they are almost certain that you are there,
the element of doubt is enough to make the scene work; - In their mind,
maybe just this once you did really leave.
Returning to the bondage itself. A good way to start is by using
elasticated bandage, (Ace bandage to Americans). It is cheap,
comfortable, and can be cut off with scissors in an instant if
claustrophobia appears. Later, and when the lady has gained
confidence, one can move on to the more complex equipment. But the
watch-word is speed of release. Design around super quick release
systems like ratchets that have quick release, and use webbing that can
be cut with scissors in the event of a release failure. Fit additional
snap releases in the same straps. In other words, overkill on safety
and speed. And most important, demonstrate the speed of release to the
lady before you tie her up. Most times if they have a small attack
they can control it by knowing that release is but a few scant seconds
away if they request it. Use Spandex for cocoons. It is comfortable,
relative cheap, and again, it can be sliced off quickly and safely with
a packing safety cutter.
It took me years to get Gwen to a level we all now know as her super
bondage level. Unfortunately 30 years of effort and patience was undone
in one afternoon when British Customs and Excise busted us for our
magazine and locked her in a cell. British police cells are totally
enclosed. No bars. No window that you can see out of, and a flat steel
door. She suffered massive terror and almost went crazy. My thanks
to the Police Sergeant who waited till Customs had gone and opened her
cell door so that she could sit there with the door open. Gwen never
recovered from that incident. I mention this to emphasis how
precarious the trust factor in a claustrophobic can be destroyed and
reversed. It is also a great pity despite the bondage thing. Gwen was
an exploring type, and I even got her fear reduced to a level where she
could go into caves and confined spaces. She was enthralled to be able
to explore the South African Kango caves, but now she can't go near
such a place.
A last word is that the size of the room can greatly affect the woman.
In fact I know some women who can take really heavy restrictive bondage
outside in the woods, but go crazy in a room. So if you can, use the
largest room available, or go outside. Cupboards are great fun to
contemplate storing a bound lady in for a scene, but are strictly a no
go for a claustrophobic. Ask Butterfly. Ha! I have to laugh, but
maybe I shouldn't. Butterfly is a strong powerful woman, and her top,
not realising she was claustrophobic, bound her in a closet. Suddenly
she reacted and burst clean out of the cupboard taking most of it clean
out of the wall. I would dearly love to have seen the look on her
top's face as the hall cupboard disintegrated before his eyes.
9. What are the best type of gags, and how long can they be left on?
Depends on a multitude of factors.
Ball gags are my favourite, and face cinching flat leather gags or the
like. Ball gags however, are not for all bondage ladies. Some women
cannot stand anything in the mouth and they start to wretch
immediately. If they are that type, then don't even bother trying to
force them. There is a serious risk of choking whilst in bondage. You
can ask them to practice whilst going about daily chores, unbound and
able to eject the thing themselves, and that way some can learn to
accept the ball gag.
Strangely, although it is the most effective and impressive gag, the
ball gag is also the safest from of gag. The reason being is that it
does not seal the lips, and therefore, the lady can breath through her
mouth by simply altering the shape of her lips. A good plan is to
always start with a small comfortable ball, but make sure it has
external straps that will prevent it lodging at the back of the throat.
A hollow practice golf ball is a great way to start. You can then work
up to bigger and more solid devices later when she has become
accustomed to that.
The limitations on ball gags if retching isn't a problem, is of course
possible jaw hinge pain. Settle for one a bit smaller than she can
actually take for the prolonged games. Keep the monster gob-stoppers
for those short mega bondage sessions. A fraction smaller and with the
jaw not actually at maximum open will add a long time to your play
period before she indicates that she needs it out. A nice scenario is
to do all the foreplay and warm up with the smaller gag, and then
switch to the face busting, cheek expanding filler just before you get
to the serious sexual fun. That way both of you can go ballistic with
the maximum erotic sensation created by the gag phenomenon.
Pear Gags and other expanding types should be used with great caution.
Be very conscious of your mate's sounds and expressions. A screw
expanding pear gag could quickly damage the jaw hinge. Also be sure
that it is a good shape and no sharp lumps that could damage the
pallet.
Pump gags are another favourite of mine, especially the ones with
cheek bladders. There's nothing quite like silencing a lady and having
her face pumped full. But again, use extreme caution. Some of the
poorly manufactured versions can expand into the back of the throat and
make the subject wretch very easily. As before, only for use with you
there at all times.
Face wrapping with tape is one you have to be careful of. It takes
time to remove. Not a good idea for anyone with a breathing problem,
or for inverted bondage where the nasal passages start to block. Again,
NEVER leave an inverted person gagged. In fact, NEVER leave them
anyway. Duration in that position is extremely limited and is only good
for a quick sex scene.
A voluntary gag is the only way to go for the real players. This is
any silencing device that can be ejected by the subject, but designed
in such a way that the subject has to make a choice they would rather
not make as long as they can keep it in.
I once did a scene with a lady strapped to a back frame, the same type
as we used in the Lamp Standard device and ceiling decorations. This
was fitted with two wire runner wheels, and the whole contraption, lady
and all hung horizontally from a taut steel wire. The wire was
anchored at one end inside the house, but then led out through the
French windows, across the garden to a tree. The wire was arranged to
have a slight downward slope. So once she was mounted, I put a ball gag
in her mouth, which was just a ball with one foot chain, no strap
around the head. The other end of the chain was anchored to the wall.
She was allowed to roll back down the wire until the chain was taut and
only thing holding her back. Now here was her predicament. It was a
hot summer day, and all the neighbours were out in their gardens. We
went out into the garden and left her whilst we sat on the lawn and had
drinks and a barbecue.
If anything about the gag became unbearable or dangerous, she could
spit it out. But the result would be that she would run down the wire,
out into the garden, and in full view of all the neighbours whilst
naked, bound, dildoed etc.
The beauty of this arrangement was that it was failsafe. If for any
reason she lost consciousness, had a coughing fit, or whatever, she
would roll out into view and we would be there to help. We finished
the barbecue two and a half hours later and returned inside to find her
still diligently gripping the ball gag, and dripping from the crotch
region. Her verdict was that it was the most daring and exciting
bondage she had ever done. Her husband duly serviced one very horny
lady after I had gone.
Another voluntary gag is for nose pierced players. The Bob Bishop ball
gag with short chain attached to the nose ring and a weight dangling
from it. Then fasten the lady where she cannot rest the weight down.
The choice is, stay gagged or endure the ball-gag and weight dangling
from a nose ring. A word of caution. The weight of the contraption
should be carefully worked out to be painful, but not capable of
pulling the ring out. It should also have a very short chain with
virtually no slack so that it only drops a half inch at most if
ejected. I have yet to see any lady eject this arrangement, and it is
such a diabolically simple way to use a voluntary gag.
10. What sort of padding is best for these furniture items?
I assume you mean padding the the padding (subject) I usually use that
thin poly wrap packing material that you often find around computers
and the like. It is about 3 millimeters thick and usually white in
colour. It needs to be thin and yet high density so that high spots
don't dig through it. Thick foam padding is a problem. For one thing
it is too bulky, and also it doesn't allow tight bondage without
exerting immense pressure on the lady to ensure that she is securely
immobilized: anything less and the foam will allow movement. The
other problem is that it is resilient. In other words it continually
exerts pressure by trying to expand again, whereas the high density
packing sheet dos not.
11. How may I contribute to this FAQ?
Additions to, suggestions for or comments on this FAQ are
welcome at:
forni...@houseofgord.com
This FAQ is supported as a public service by:
The House of Gord
http://www.houseofgord.com
extreme bondage and forniphilia pictures