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Have I offended Someone?

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JYOB

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Mar 6, 1998, 3:00:00 AM3/6/98
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HELP! Considering purchasing HIOS. Have all the songs on other cds, are the
alternate versions worth the purchase?

AND--- Why "Yo Cats" instead of "Rudy sez he wants to buy youse a drink" as the
anti - union song??

Homer Simpson

Peter de B. Harrington

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Mar 6, 1998, 3:00:00 AM3/6/98
to JYOB

I bought mine as a cut-out for $9.00. You should be able
to find it, at a reduce price. Not all of the songs are
different, but I've grown especially fond of the extend
Dynamo-Humm.

Yo Cats refers to the musicians union and the Berklee school
of music.

Pete

Patrick Neve

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Mar 6, 1998, 3:00:00 AM3/6/98
to JYOB

On 6 Mar 1998, JYOB wrote:

> HELP! Considering purchasing HIOS. Have all the songs on other cds, are the
> alternate versions worth the purchase?

Here are some findings to date. Mostly my initial observations followed
by Keneally's, Spencer Chrislu, and various other posters. (Vladimir? A
HIOS N&C?)

Patrick Neve
http://darkwing.uoregon.edu/~splat/zappapage.html

**************************************************************

1. Bobby Brown Goes Down (2:42)
(remixed)

From: sp...@darkwing.uoregon.edu
It sounds to me like the back-up vocals were brought way forward,
especially the barotine. ("get a good job" makes my windows rattle)
There's a floor tom that would destroy my woofers if I didn't pull the
bass back. No need for bass boost on this cut. The hi-hat is also brought
forward so you can hear every rattle.

From: boil...@aol.com
"Bobby Brown": I can hear Adrian's guitar! Never noticed the "P.U."
background vocals accompanying the "Vaseline" line. Sounds like a
Wackerman drum overdub. Sounds a million times better than the "Sheik
Yerbouti" domestic CD - wish FZ had had time to remix the whole thing.

From: Spencer Chrislu <spe...@zappa.com>
This was interesting in the fact that, quite honestly, I had never heard
many of these songs before. FZ often let me just experiment away on this
stuff. Then, after a few hours of mixing, he would pop into the control
room and tweeze the mix to his liking. On "Bobby Brown", I knew it was
one of his biggest sellers, and I wanted to squeeze out every last bit of
detail so that even the hard-core fan might hear something new. Love that
floor tom. Let me say here also, how wonderfully recorded most of these
tracks were. I believe it is Kerry McNabb who deserves a lot of credit
for getting great sounds on tape.

2. Disco Boy (4:23)
(reconstructed & remixed)

From: sp...@darkwing.uoregon.edu
Shortened from the original 5:11. Second verse has backups replacing main
vocal, I think. Guitar brought forward in places. I'm not intimately
familiar enough with the Zoot Allures version of this song to pick out all
the differences. It sounds better to me, though.

From: boil...@aol.com
"Disco Boy": Definitely Wackerman drum overdub - I like how it turns the
beat around after "comb your hair again". Lots of new little guitar and
keyboard and vocal bits previously unheard. Doesn't have the
lurching-in-the-mix-riding-the-fader guitar approach that Frank took to
his production in the mid-70's. "Stroke it" is a new find. Wackermania
on the fade. Sounds a billion times better than the "Zoot Allures" CD -
wish FZ had had time to remix the whole thing.

From: calvin (not schenkel)
What is the deal with Disco Boy that it is so slow. Are the pitches
lower, too? Man, that one is tough to listen to for me, though I REALLY
like the remixes on basically every other song, especially Bobby Brown.

From: Patrick Neve <sp...@darkwing.uoregon.edu>
After A/B'ing the two, I don't detect any pitch or speed variations. It's
always been kind of a slow one to me.
The main differences I hear are:

1. The Chad overdub that Keneally pointed out
2. Sounds like a bass overdub, too. (and if so, who played it?)
3. No drum machine intro
4. None of those huge bass synth sweeps
5. It's much shorter.. is there a verse missing or something?

From: RichMilNix <richm...@aol.com>
Somewhere, about an hour ago, I read that someone was wondering why Disco
Boy was significantly shorter. I just thought I'd point out that about 30
seconds of "Doody, you never go doody," from around 2:30 to 3:00, were
mercifully excised. Also, the "Here Comes The Sun" outro stands out a bit
less and fades 30 seconds quicker (appropriate sionce the song's no longer
an album closer).

From: Spencer Chrislu <spe...@zappa.com>
The "Never Go Doody" bits were edited out by FZ . FZ also insisted that
the "Stroke It" line be pushed.

3. Goblin Girl (4:19)
(VSO'd to slower speed)

From: sp...@darkwing.uoregon.edu
Original was 4:07.
This starts off with a bad edit. YAWI version was segued, and this
sounds like it was taken from those reels. Perhaps there was no source
tape. In any event, it's an abrupt start. Overall low end is enhanced,
but mainly from being slowed down. Last note fades to a long reverb. (
"scales all over their bodeee-ee-e")

From: boil...@aol.com
"Goblin Girl": I like the drumless intro. Wackerman strikes again. God,
this mix is SO much clearer than the original - I'd love to hear the outro
to "Doreen" with this perspective and see if I can actually tell what's
happening in the guitar solo. Sounds a trillion times better than the
domestic "You Are What You Is" CD - wish FZ had had time to remix the
whole thing. Still, is the pun which is the basis of this song offensive
enough for this collection? Who's going to get offended - real goblins?
Also I still can't understand what the vocalists are saying in the
"Doreen"-takeoff outro during "My (something) is burning with love and it
wants you tonight"...must be a phallic reference but I can't fill in the
blank.

From: Spencer Chrislu <spe...@zappa.com
All of this stuff was done in spurts and stops. When this project
started, it started as a proposal for Disney (believe it or not), then
mutated into proposed animated project with Klasky/Csupo (neither of which
ever got off the ground). You have to remember that we never worked on
one thing in any sort of a linear fashion. This song especially, was
supposed to be a nice sort of a break from CPIII and other Synclavier
stuff we were doing. It was pretty simple to mix until the end. I
couldn't believe how many background vocal tracks were stacked on the
tape.

4. In France (3:30)
(remixed)

From: sp...@darkwing.uoregon.edu
Original was 3:32
This doesn't sound too different to me. Reverb is more present and is
smoother, more lifelike. (Lexicon?) Sounds more life-like than Them Or
Us mix, which sounds a bit flat by comparison. Mid-range boost? More
stereo separation?

From: boil...@aol.com
"In France": Clearly a remix - I think some folks were questioning whether
this song had been touched. More effects used - you can definitely hear
the delay on the "honk honk" during the chori. Johnny Guitar Watson's
git-tar is more prominent in spots, especially the outro - don't believe I
ever heard those licks before. I like the last note!

From: Spencer Chrislu <spe...@zappa.com
Another fun one. FZ claimed that all the JGW vocals and ad-libs were done
in one take.

5. He's So Gay (2:45)

From: sp...@darkwing.uoregon.edu
Same version as Thing Fish, as far as I can tell.

From: boil...@aol.com
"He's So Gay": Jeez, I have to A/B this with the "Thing Fish" version.
Hold on... Actually I A/B/C/D'd it, with the 1986 Ryko, the 1990 UK Zappa
Records digital remix, and the 1995 Ryko. The '90 and the '95 are the
version with the JGW vocal overlay. This appears to be the same mix as
the '86 Ryko, but clearly re-EQ'd, and mastered about 173 times hotter,
which inspires much closer inspection of the backing vocals. I've never
enjoyed this song nearly so much as I do on HIOS, and considering that the
currently available mix of this song on "Thing-Fish" is a completely
different experience due to the JGW narration, Ryko could be making more
noise about the fact that this original mix is once again available. Also,
I cracked open my 1995 Ryko "TF" for the first time just now, and the
second disc was loose.

From: Spencer Chrislu <spe...@zappa.com
I believe FZ took this directly from the "Thing Fish" digital master and
then did the new EQ and mastering in the Sonic Solutions.

6. Sex (3:44)

From: sp...@darkwing.uoregon.edu
Same version as Man From Utopia, as far as I can tell. This segues nicely
into Tittie's 'n Beer, a much more successful segue than on Man From
Utopia.

From: boil...@aol.com
"SEX": I haven't heard the remixed "Man From Utopia" CD all that much so
it's still kind of a kick to hear this mix, with the extra verses and all.
Still, I wish Frank had found some other use for the main guitar motif of
this tune - it could've kicked serious ass as a "Mammy Anthem"-type
instrumental show-opener kind of thing.

From: Spencer Chrislu <spe...@zappa.com
This is the same remix from the MFU re-release.

7. Titties 'n Beer (4:37)
(different edit)

From: sp...@darkwing.uoregon.edu
Much shorter than the 7:36 on Zappa In New York. Minus some lyrics and
added a few. The follwing lyrics don't appear at all;
"See if you can guess what they are"
"I would think...uh...let's see, maybe Stravinsky..."
"I'll give you two clues. Let go of your pickle"
"What?"
"Let go of your pickle!"
"I'm not holding my pickle"
"Well, who's holding your pickle then?"
"I don't know...she's out in the audience...
Hey Dale, would you like to come up here and hold
my pickle to satisfy this weird man out on the stage?"
"I'm only interested in two things, and that's titties and beer
you know what I mean?
"What?"

But, this appears right after the fart noise made after he went right over
the cliff;
FZ: "Whooa, tinsel-time."

From: boil...@aol.com
"Titties 'n Beer": Referring back to the thread about Eddie's violin
playing on this album; someone posited that they thought he was strumming
its strings during the middle rap on this tune, but it sounds to me like
the "mute" stop on a Hohner Clavinet (Kerry Minnear used to work this
effect pretty hard in Gentle Giant). Not the most subtle of edits during
the rap, is it? But hey, it took me twenty years to find the edit point
in "Strawberry Fields".

From: Spencer Chrislu <spe...@zappa.com
I still don't know why FZ didn't make a more suave edit on this one. But
if you want the original edit, you can get it on "Lather"

8. We're Turning Again (4:56)
(remixed)

From: sp...@darkwing.uoregon.edu
Rack toms brought out (as well as drum fills), Ike's backups brought up,
certain keyboard punchs brought out. Different parts of the song are
emphasized differently. Bass slaps brought out. Basically dynamic
sections of the music are emphasized by mixing them forward. Steve Vai
guitar parts sound much better. Ike Willis sings last verse instead of
FZ. I greatly prefer this mix to the original, even if it's not my
favorite song. This sounds like a highly active mix, with automated
faders a-flying.

From: boil...@aol.com
"We're Turning Again": The "Doont dah doodem doodem" intrusion from
Thing-Fish in the intro is pretty damn funny. A lot less arid sounding
than the original mix, but nothing especially revelatory here. Nice
unfettered Thunesism after "Donovan fans". Interesting effect on Vai's
Hendrix quotes but it also robs his guitar of its balls, and obliterates
it entirely on the "Bold As Love" quote. Steve won't be thrilled. More
previously unheard Thing-Fish vocalizing: fun. Total obliteration of Vai
on the ascending line after "she can't take it no more": unfair. Kind of
fun to hear the last line sort of die away there.

From: Spencer Chrislu <spe...@zappa.com
I've never heard the original. FZ made the call on the Vai guitar effect
and using Ike on the last verses.

9. Dumb All Over (5:43)
(previously unreleased live version)

From: sp...@darkwing.uoregon.edu
Nice! Anybody know when and where this is from? Interesting how crowd
noise is mixed in throughout song, much unlike Stage series mixes. In
fact, it almost sounds like it's looped. This cut rocks. Helluva solo,
but not the YAWYI solo. (we still need that version).

From: boil...@aol.com
"Dumb All Over": It's a tribute to how sparkling everything else on this
album sounds that this one instantly registers as fairly murky. I was at
the same '84 San Diego show which Biffy has been waxing rhapsodic over
lately, and it was indeed a hell of a good time, and equally indeed it was
more fun to witness that band live than it is to listen to on CD. Cool
guitar solo, but I wish Frank had mixed himself a little hotter (not often
a problem!) and provided a little "SUNPYG"-type post-mortem in-the-studio
effects magicness. I like the fact that this exists - it is, in fact, the
only previously unreleased piece on the album, despite what the liner
notes say about "Tinsel Town Rebellion".

From: Spencer Chrislu <spe...@zappa.com
This one was included at my request. Originally, FZ had intended to use
the album version, but during the mix of that one, I told him that I liked
the '84 version from the Pier Shows (Humor in Music video) better,
especially the solo (FZ called it his Bo Diddley solo). We had been
remixing all of the Pier shows for the video and I'm glad he used it,
despite it's inferior sound.

10. Catholic Girls (3:51)

From: sp...@darkwing.uoregon.edu
Same mix, but edited down from 4:24. Central Scrutinizer bit clipped
from the end.

From: boil...@aol.com
"Catholic Girls": Still sounds wonderful. Nice to have a
"Scrutinizer"-less outro.

11. Dinah-Moe Humm (7:14)

From: sp...@darkwing.uoregon.edu
original version was 6:01. Extra 1:13.
The extra lyrics are the following, starting right after the line;
"MMM...sound like y' chokin' on somethin'"


Y'know, I'm gonna find me a horse
Just about this big
An' ride him all along the borderline
(yess-s-s)
(Do it, Frenchie)
Hm, y'like horses?
(it's coming... oh...)
(oh, oh, oh, oh)

It then resumes with;
"Did you say you want some more?
Well, here's some more..."

From: boil...@aol.com
"Dinah-Moe Humm": What a trip after all these years to hear a new mix of
this performance. I'm getting off on this. Pardon me if I don't type for
a while...
Duke!! Boy, that was fun. I like very much the fact that this exists.
Tom Fowler = God.

From: Spencer Chrislu <spe...@zappa.com
We mixed this one as an experiment early on in my career here at UMRK. It
just sat on the shelf for years until FZ decided to put it on this disc.
You should hear it in it's 6-channel surround incarnation (maybe a special
DVD release someday).

From: Patrick Neve <sp...@darkwing.uoregon.edu>
Oh Jeezus, don't tantlize us like that unless you're serious! We've
already hashed out the sociological ramifications of The Yellow Shark
available to the public in ADAT form, with 6 of the channels representing
the 6-way mix, and then the other two being the finished stereo master.
Whattya think of them apples?
(and, how many of the albums are mixed for 6 channels, anyways?)

From: Spencer Chrislu <spe...@zappa.com>
There are no complete albums done in 6-channel. Only selected songs and
tidbits.


12. Tinseltown Rebellion (4:24)
(previously unreleased live version)

From: sp...@darkwing.uoregon.edu
Similar to "Does Humor" version. Same kind of crowd noise mixed in as in
Dumb All Over. Anybody know the date or places of this?
"Oh no, it's the 80's again"
Sounds like a sliightly previous performance to the "Does Humor" version,
(assuming it's from a single performance, which it's likely not to be),
due to the fewer "liberties" taken with the arrangement.

From: boil...@aol.com
"Tinsel Town Rebellion": This is unquestionably the same version which
appears on the "DHBIM?" video; it's kind of a drag that the liner notes
trumpet it as previously unreleased. (Which is as good a time as any to
mention what a drag it is that Ryko and the ZFT couldn't get it together
to provide more detailed liner notes on this release. It is evident that
things are not well between them - the fact that Ryko actually reveals
that "no source notes or background information" was delivered with the
master demonstrates that the alliance between the two entities is tenuous
at best.)

From: Olaf Engel <sei...@uni-wuppertal.de>
Tinseltown Renerllion on HIOS was performed on 26th August 1984, at The
Pier, New York. It was formerly released on the video "Does Humor belong
in music." The 60 min. video is all from that show.

From: IkeWillis (not THE Ike Willis)
I hear a very offensive glitch at :55 seconds of tinsel town.It sounds
like a skip but the time doesn't jump.I 've tried the disc in a few other
players and the glitch is still there.Just wondering if anyone else has
noticed this?I'm hopeing that it's a defective disc and not a glitch on
the master.

From: Jon Naurin <nau...@mbox300.swipnet.se
It's on my disc too, and there's some little weird click at 4.04 too

From: Patrick Neve <sp...@darkwing.uoregon.edu>
Yup, both of these glitches are on my disc as well.

From: Spencer Chrislu <spe...@zappa.com
MK got it right. This is from those same remixes of DHBIM? that were
intended for the video. The glitch is definitely there.

13. Valley Girl (4:50)

From: sp...@darkwing.uoregon.edu
Same version as SATLTSADW.

From: boil...@aol.com
"Valley Girl": Wouldn't have minded a guitar-enhancing remix on this one.
I'm being really picky because it's fun to be.

From: Spencer Chrislu <spe...@zappa.com
I was waiting for FZ to dig into this one, but he never wanted to. I'm
always disappointed at how compressed this one sounds.

14. Jewish Princess (3:15)

From: sp...@darkwing.uoregon.edu
Same version as SY. Apparently four seconds shorter.

From: boil...@aol.com
"Jewish Princess": Maybe this wasn't remixed, but this is listenable,
which the disastrous domestic "SY" CD isn't. Thank God, again, for the EMI
import version.

From: Spencer Chrislu <spe...@zappa.com
An FZ remastering from the original mix.

15. Yo Cats (3:32)
(remixed)

From: sp...@darkwing.uoregon.edu
I'll say! NICE vibes at the beginning give it a real lounge atmostphere.
Ike's voice has a ping-pong delay on it, possibly with a detune. It's
kind of a mutant reverb. It's removed when "music has died". Synclavier
sounds come forward that were inaudible before, such as a horn sound that
doubles the melody in the mid-part. Strings are mixed down.

From: boil...@aol.com
"Yo Cats": Entirely new Synclavier orchestration, fun to hear. Drum part
sounds new too, y'think? Odd choice for last tune on the album. There
was time to follow it up with something REALLY offensive - a disco remix
of "Stick It Out" would've made a nice 10-minute closer.

From: Spencer Chrislu <spe...@zappa.com
Remixed at the last minute when some other tune (can't remember which one)
got the ax. This one was a lot of fun for me especially in light of the
fact that I was still doing Hollywood sessions and working for FZ at the
same time. I had more than my share of "Yo Cats".

Bossk (R)

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Mar 7, 1998, 3:00:00 AM3/7/98
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Patrick Neve skrev i meddelandet ...

> Vladimir? A HIOS N&C?

Do you think this would fit in a new-and-improved vinyl vs CDs thing
(currently in the works)? It will not just list vinyl vs CD versions but
attempt to list all the versions of a release and the differences
therebetween. In the case of recent releases like Have I Offended Someone,
there is only one version, but it could be interesting to list how the songs
on compilations differ from the originals.

--- johan <wik...@mbox301.swipnet.se>

Bossk (R)

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Mar 7, 1998, 3:00:00 AM3/7/98
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Patrick Neve skrev i meddelandet ...

> 7. Titties 'n Beer (4:37)


> (different edit)
>
> From: sp...@darkwing.uoregon.edu
> Much shorter than the 7:36 on Zappa In New York. Minus some

> lyrics and added a few. The follwing lyrics don't appear at all:

[snip]

> But, this appears right after the fart noise made after
> he went right over the cliff:
>
> FZ: "Whooa, tinsel-time."

Hey, tinsel-time appears on my Zappa in New York CD, too! Now, for the first
time, I get to use that phrase: "What gives?"

All that aside, I must point out that this thing that you posted is
incredibly interesting and was tremendous fun to read. I am so happy that
you compiled it, because I love this kind of stuff. It's great, it's great,
it's great.

--- johan <wik...@mbox301.swipnet.se>

Prez Zappa

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Mar 7, 1998, 3:00:00 AM3/7/98
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>HELP! Considering purchasing HIOS. Have all the songs on other cds, are the
>alternate versions worth the purchase?

I just find a place that'll let me listen to it for free then decide for
myself. It seems everyone's taste is different you know.

Cliff


Awe come on, "Go ahead and smell your harmonica."

Them or Us
In France

Prez Zappa

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Mar 7, 1998, 3:00:00 AM3/7/98
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>I bought mine as a cut-out for $9.00.

We ain't talkin' "Block Buster" for sure!!!

overcooked

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Mar 7, 1998, 3:00:00 AM3/7/98
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On 6 Mar 1998 19:09:08 GMT, jy...@aol.com (JYOB) wrote:

>HELP! Considering purchasing HIOS. Have all the songs on other cds, are the
>alternate versions worth the purchase?

>AND--- Why "Yo Cats" instead of "Rudy sez he wants to buy youse a drink" as the
>anti - union song??

If you are obsessive then "yes", but since you feel compelled to ask
then you are probably not obsessive enough.

Be sure to check Patrick N's post about this one.

I like it more each time I listen to it.

- - ------ - - - - 0vercooked

JYOB

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Mar 7, 1998, 3:00:00 AM3/7/98
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I bought As Am An instead. Suprised that the sound quality was good for a
bootleg; but then how many versions of sharleena & The torture never stops does
one need?

Hanzo

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Mar 7, 1998, 3:00:00 AM3/7/98
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In article <19980307173...@ladder02.news.aol.com>
jy...@aol.com (JYOB) writes:

I don't actually need any of them, but I want them all.

hanzo

Dan The Kitti Man

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Mar 7, 1998, 3:00:00 AM3/7/98
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In article <19980307173...@ladder02.news.aol.com>, jy...@aol.com
gleefully giggled...

> I bought As Am An instead. Suprised that the sound quality was good for a
> bootleg; but then how many versions of sharleena & The torture never stops does
> one need?
>

you need three sharleenas with flo & eddie, two from the 1984 tour, and
nine tortures (with at least one from BTHW tour).

according to the latest figures.

--
/\_/\ Dan The Kitti man - http://members.tripod.com/~DanKittiMoo
( . . )
=;= "Take a trip on a rocket ship, baby, the sea is the sky"-ta

Miguel Amorim

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Mar 7, 1998, 3:00:00 AM3/7/98
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On 7 Mar 1998 20:37:52 GMT, hhf*nospam*@xs4all.nl (Hanzo) wrote:

>jy...@aol.com (JYOB) writes:
>
>> I bought As Am An instead. Suprised that the sound quality was good for a
>> bootleg; but then how many versions of sharleena & The torture never stops does
>> one need?
>

>I don't actually need any of them, but I want them all.
>
>hanzo

The FBI has been looking into yer activities, BTW.


+---------------------------------------------------------------------
|..Miguel Amorim
|..Internet: mf...@total.net - or - mf...@geocities.com
|..http://www.geocities.com/BourbonStreet/delta/3065
|..http://members.trip od.com/~mfcam
|..Navigator.Eudora.Forte & Secret Agent.ws_ftp.NetTerm.mIRC.Trumpet
+----------------------------------------------------------------------

David Wilcher

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Mar 7, 1998, 3:00:00 AM3/7/98
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In article <19980307173...@ladder02.news.aol.com>,
jy...@aol.com (JYOB) poot forth:

>I bought As Am An instead. Suprised that the sound quality was good for a
>bootleg; but then how many versions of sharleena & The torture never stops does
>one need?

Well, how manys ya got?

--
David Wilcher
Tape List @ www.angelfire.com/oh/davesfztapelist/
wil...@ibm.net

The whole Universe is a large joke.
Everything in the Universe are just subdivisions of this joke.
So why take anything too serious? -FZ

JYOB

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Mar 8, 1998, 3:00:00 AM3/8/98
to

So what else is new? They've finally realized, though, that I'm on THEIR
side!!!

JYOB

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Mar 8, 1998, 3:00:00 AM3/8/98
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Almost as many as I do of China Cat Sunflower by the DEAD.

Edward Yuhas, Jr.

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Mar 9, 1998, 3:00:00 AM3/9/98
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Hello all...
I've been lurking for some time now. I'm just wondering if anyone knows
where I can find YCDTOSA Volumes 1 & 2 in the double-wide CD cases to
fulfill
my collection in the purple case? Any help will be greatly appreciated.

Ed


MDec500157

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Mar 9, 1998, 3:00:00 AM3/9/98
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>Subject: YCDTOSA
>From: "Edward Yuhas, Jr." <mit...@planet.net>
>Date: Sun, Mar 8, 1998 20:39 EST
>Message-id: <01bd4afa$9b2c67e0$92fba1cd@hcszqgrk>

You can buy those double Cd cases, and take yours apart and pop the inserts in
place....presto!

Mike

Dan The Kitti Man

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Mar 9, 1998, 3:00:00 AM3/9/98
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In article <19980308155...@ladder03.news.aol.com>, jy...@aol.com
gleefully giggled...

> Almost as many as I do of China Cat Sunflower by the DEAD.
>

i had to go back and read a previous post to find out what that was an
answer to. not PARTICULARLY difficult. but it gets kind of annoying to
see all these posts with answers but no references to the original posts
they are in response to.

other than that, it is a VERY GOOD analogy.

Eric Dunn

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Mar 9, 1998, 3:00:00 AM3/9/98
to

FZDolfan wrote:
>
> Gettin' down just for the funk of it on 9 Mar 1998 01:39:57 GMT,

> Edward Yuhas, Jr. chimed in and said:
>
> >I've been lurking for some time now. I'm just wondering if anyone knows
> >where I can find YCDTOSA Volumes 1 & 2 in the double-wide CD cases to
> >fulfill
> >my collection in the purple case? Any help will be greatly appreciated.
>
> Try http://www.musicforasong.com
>
And if you don't see them listed on the web site just send them an email
asking for a listing of all the FZ they have available, much more than
sometimes shows on the site.

> ***********************************

--
Eric Dunn
http://home.earthlink.net/~esdunn/

Svante Pettersson

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Mar 10, 1998, 3:00:00 AM3/10/98
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"Edward Yuhas, Jr." <mit...@planet.net> skrev/schrieb/wrote in
Nachricht/news/whatever:

>I've been lurking for some time now. I'm just wondering if anyone knows
>where I can find YCDTOSA Volumes 1 & 2 in the double-wide CD cases to
>fulfill my collection in the purple case? Any help will be greatly appreciated.

Sorry, that is impossible. You have to give away your purple box to
someone with all the double-packs. Like me! ;^)

--
Svante Pettersson, <svante at deep-purple dot com>
BWMFH, <http://www.deep-purple.com/>
<http://deep-purple.family-tree.org/>
"Toto, Steve Morse is not in Kansas anymore."

Dan The Kitti Man

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Mar 10, 1998, 3:00:00 AM3/10/98
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when i was back there in seminary school there was a person who put forth
the proposition that you could still do that on stage

still do that on stage

still do that on stage


YOU CANNOT DO THAT ON STAGE ANYMORE!!!

Biffyshrew

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Mar 11, 1998, 3:00:00 AM3/11/98
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Dan The Kitti Man wrote:

>when i was back there in seminary school there was a person who put
>forth the proposition that you could still do that on stage
>
>still do that on stage
>
>still do that on stage
>
>
>
>
>
>
>YOU CANNOT DO THAT ON STAGE ANYMORE!!!

Ooh! Dan the Lizard King!

Your pal,
Biffy the Elephant Shrew @}-`--}----
THE BRANDNEWBUG CONCERTOS info at http://members.aol.com/biffyshrew/biffy.html
"Somebody come up and giggle at you, that's a violation of your civil
rights..."

Hanzo

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Mar 12, 1998, 3:00:00 AM3/12/98
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In article <19980311023...@ladder03.news.aol.com>
biffy...@aol.com (Biffyshrew) writes:

> Dan The Kitti Man wrote:
>
> >when i was back there in seminary school there was a person who put
> >forth the proposition that you could still do that on stage
> >
> >still do that on stage
> >
> >still do that on stage
> >
> >
> >
> >
> >
> >
> >YOU CANNOT DO THAT ON STAGE ANYMORE!!!
>
> Ooh! Dan the Lizard King!
>

He can do anything


hanzo

A.B. Sea

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Apr 4, 1998, 3:00:00 AM4/4/98
to

On or aboutg Sat, 07 Mar 1998 16:21:17 -0500, wil...@ibm.net (David
Wilcher) had the temerity to contend:

>In article <19980307173...@ladder02.news.aol.com>,
>jy...@aol.com (JYOB) poot forth:
>>I bought As Am An instead. Suprised that the sound quality was good for a
>>bootleg; but then how many versions of sharleena & The torture never stops does
>>one need?
>
>Well, how manys ya got?
>
>--

And what do they worf?


----------------------------------------
Mista Kurtz, he dead...

A.B. Sea

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Apr 4, 1998, 3:00:00 AM4/4/98
to

On or aboutg Sat, 07 Mar 1998 16:21:17 -0500, wil...@ibm.net (David
Wilcher) had the temerity to contend:

>In article <19980307173...@ladder02.news.aol.com>,
>jy...@aol.com (JYOB) poot forth:
>>I bought As Am An instead. Suprised that the sound quality was good for a
>>bootleg; but then how many versions of sharleena & The torture never stops does
>>one need?
>
>Well, how manys ya got?
>

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