This song is one of my favorites but I'm not going to tell you what I
think it means.
Obviously, if someone has to explain to you line by line "what it's about"
then you'll never be able to appreciate it.
Al
EC gives an explanation in the notes of the Ryko "Blood & Chocolate." Of
course, he could be telling us some lies, as he promised in the promo for
the VH1 show. . . .
--
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ric...@infi.net
"There's enough bad vibes in this room to run a hoodoo factory."
-- Jimmy James
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I think the song leaves too much to the imagination. I don't think anyone
can come up with a reasonable explanation of it. I think it means something
to EC but he failed to convey that to the listener.
Why the secrecy on what you think the meaning is? Are you too embarrassed
to say? Or is it beneath you?
>EC gives an explanation in the notes of the Ryko "Blood & Chocolate." Of
>course, he could be telling us some lies, as he promised in the promo for
>the VH1 show. . . .
Yes, I read the explanation. But without that, would anybody be able to
tell what the song is about?
> Wow. Don't you have any imagination?
> I think this is one of those songs that, as Elvis says, is like a room.
> You can go in, walk around, and come out with your own meaning.
>
> This song is one of my favorites but I'm not going to tell you what I
> think it means.
>
> Obviously, if someone has to explain to you line by line "what it's about"
> then you'll never be able to appreciate it.
>
> Al
Thatcher??
Ole E has a distaste for the T woman...
Let 'em dangle
I'll stomp the dirt down.......
Read the liner notes......And use your little cerebrum........
)that little atom in you(
I will return........I will not burn.....
K. E. Starnes
ks...@carbonware.com
http://www.carbonware.com
"Where in the waste is the wisdom?"
James Joyce
>Can someone please explain to me what is so great about this song? Just
>quoting lyrics and saying it haunts you is not enough.
Well, that's a judgement call, now isn't it. If someone is haunted by it,
and that makes it great, let it be. Haven't you ever enjoyed a movie or book
because of a single line or image? It is possible...
>Hell, I don't even know what the song is about. Who is the Battered Old
>Bird? What does it mean that pieces of him are scattered in the attic?
Could be an allusion to the fact that much of his humanity or personality has
become a part of his past? I'm not sure, but it's a very emotionally sung line.
Grabs the attention, no?
What
>does dancing on a bonfire and swallowing sleeping pills like dreams mean?
Holy, be a bit more literal, could you. You ask for concrete meaning while slamming
the poetic quality of the song. You must realize that as much can be learned from
what is not said, as by what is...
The lines could mean a number of things, and the man himself would leave it up
to your interpretation. Could mean a man who has gone primal, or mad, or just
enjoyed his own thing...
>Just how many characters are in this song?
How many do you need?
>What is the overall feeling I'm supposed to be getting from this song? It
>honestly has had no effect on me.
Again, this is fine. If you don't like or aren't moved by the song, wonderful.
Move on, find something else. Don't feel like you've been left out. And remember
that others do find the song meaningful, they have different experiences, lives.
Maybe it stirs some memories or events from someone's past, about insensitive
people, or misguided youth. Who am I to tell you or anyone what is emotional, or
even good, for that matter.
>Also, what is so great about the tune itself and the (lack of) musical
>accompaniment?
Again, much can be learned by what is not there, as by what is. Listen to some
quadrupally overdubbed version of the latest Oasis song, and tell me there isn't
something to be said to sparcity. I enjoy the lack of accompniment. Gives the song
a more intimate feel. The same goes for the extra tracks on My Aim....
>Prove to me it's greatness and you will silence my criticism.
I don't care to do either, just providing some food for thought.
Dave
More than that I think the song is about dealing with problems by avoiding
them and using all the wrong outlets for pain. I think it also is about
how one generation passes its burdens on to the next. Isn't it
inevitable? "He'd better have a dream that goes beyond four walls."
But then again, that's just some of the things I think about when I hear
the song. I might hear something different the next time I listen.
The simple melody and sparse instrumentation in the song ensure that EC's
strong vocal predominates. The two bridges, the first and second floors,
I think are especially captivating . The last two lines of the final
verse bring madness and confusion to a climax. And then the way Elvis
screams the final chorus. Gee, I can't believe people hate this song so
much!
To be honest, I have know definite idea of what EC intended with this
song. But that's the beauty of his songwriting isn't it? Rarely can you
be sure of what he is thinking. He draws an intriguing sketch though and
allows us fill in the details. I think it would be fruitless to try to
analyze it line by line. You don't want to undo the fabric of the song
to stare at the threads.
Often what is great about some of his lyrics is not necessarily the exact
meaning they carry but rather the way the words sound next to each other.
I'll admit, some of EC's older lyrics suffer because it seems he was being
vague for the sake of being vague. But I don't think that's the case with
this song. To me, it has always been fascinating.
Anyway, that's just me.
Al (the battered old bird)
There's one on the Juliet Letters, although its not among the best of
that album. Come to think of it, Jackson's, Monk and Rowe is
also partially about family break up.
With regard to battered old bird, I think it is about the opposite. A
family that stays together but shouldn't. (Favourite Line: "And next door
to them is a man so mild til he cut of the head of a visitor's child..")
In that song, what IS the phrase that follows "he's a battered old bird"?
I always sing "and he's living up at whoa whoa whoa whoa".
Martin
>God I love this one.
>Lyrically, there is a dark oppressive madness that is baseline in the
>song.
>All the tenants of this building have disturbing problems. I think the
>song works fine as a distorted depiction of troubled characters all living
>in this building (perhaps this was a place where the singer once lived).
>
i agree strogly with what you say about this song. one question,
though: who is the "battered old bird" in the chorus? in each verse he
refers to different people in the building, the song is almost like a
disjointed short story. but he keeps getting back to the battered old
bird:
He's a Battered Old Bird
And he's living up there
There's a place where time stands still
If you keep taking those little pink pills
i always assumed (i guess without thinking about it too much) that the
battered old bird was god. the place where time stands still would be
death, if you keep taking those little pink pills meaning death from
drug overdose.
butthen again the place where time stands still could mean a stuporous
state of intoxication, and the b.o.b. could be the person who's taking
pink pill's lover. i dunno.
i don't think b.o.b. is a refernece to msthatcher since it
specifically states that "he's living up there," although bird could
be construed as a slang term for a woman. (in england? i live in
oregon, what do i know?)
i'd like to know, though.
michael
+++++++
lyrics from:
http://east.isx.com/~schnitzi/ec/lyrics/bc.html#battered_old_bird
Battered Old Bird
The landlady's husband came up to town today
Since he left them both ten years ago to serve the ministry
The dark down road of his approach in constant rain was drenched
The tenant's boy said "How d'ya do" then swore in French
Did you teach this little child these curses on my soul
You should both be shut down in the coal-hole
That's the way to treat a child who cries out in the night
And a woman who teaches wrong from right
Chorus: He's a Battered Old Bird
And he's living up there
There's a place where time stands still
If you keep taking those little pink pills
"Hush your mouth you hypocrite"
His humour cut her deep
The tight lipped leer of judgement
That had seen her love desert her just like sleep
"Filthy words on children's lips are better, my dear spouse
Then if I were to speak my mind about this house"
Chorus
On the first floor there are two old maids
Each one wishing that the other was afraid
And next door to them is a man so mild
'Til he chopped off the head of a visitor's child
He danced upon the bonfire
Swallowed sleeping pills like dreams
With a bottle of sweet sherry that everything redeems
Chorus
And on the second floor is the Macintosh Man
He's in his overcoats more than out of them
And the typewriter's rattling all through the night
He's burgundy for breakfast tight
He says "One day I'll throw away all of my cares
And it is always Christmas in a cupboard at the top of the stairs"
Chorus
"Well here's a boy if ever there was
Who's going to do big things
That's what they all say and that's how the trouble begins
I've seen them rise and fall
Been through their big deals and smalls
He'd better have a dream that goes beyond four walls"
You think he should be sent outside playing with the traffic
When pieces of him are already scattered in the attic
Inglewood being a part of town (like the pretty things of Knightsbridge
and other times elvis uses town names).
I could be wrong.
The landlady's husband returns from years of government service and this
is what he sees:
an accostic child
crazy old maids
a mild mannered man who one day will "go postal"
etc
etc.
he'd (meaning the husband, or the listener of the song) better have some
dream to take him away from this sort of place, or he'll (or you'll) be
trapped like the houses occupants, and scattered like dusty remains
haunting the attic.
Do you wanna start with Battered Old Bird? (incidentally one of my EC
faves of all time.)
00g00
>In article <4r4bm1$7...@newsbf02.news.aol.com>,
> almc...@aol.com (AlMcGreg) wrote:
>>Wow. Don't you have any imagination?
>>I think this is one of those songs that, as Elvis says, is like a room.
>>You can go in, walk around, and come out with your own meaning.
>>
>>This song is one of my favorites but I'm not going to tell you what I
>>think it means.
>>
>>Obviously, if someone has to explain to you line by line "what it's about"
>>then you'll never be able to appreciate it.
>
>I think the song leaves too much to the imagination. I don't think anyone
>can come up with a reasonable explanation of it. I think it means something
>to EC but he failed to convey that to the listener.
>Why the secrecy on what you think the meaning is? Are you too embarrassed
>to say? Or is it beneath you?
read any interview with elvis and you'll see that like alot of great
writers.....(tom Waits and Robbie Roberston in particular..)
Elvis embraces the different interpretations......or meanings people
get out of his songs.....
i know damn well...there are dozens of E.C songs that have great
meaning to me.........but that meaning in the end has little semblance
to the picture in elvis's mind....
hell just look at some of elvis's interpretations of dylan songs and
you'll see why he feels that way......
i never read the liner notes or lyrics till years after an album is in
my mind............that way my picture can never go away.....
there should be some sort of law against reading the liner
notes....least...till the vinyl is hard anyways.......
being an artist (visual) i know and love the accidents that happen not
only on paper but in the mind......thats where true art lies......not
carved in stone on the evening news........its songs that are big and
open enough to lead 7 different people to seven different sort of
mental images of what a song is about that are great.......and stand
the tests of time......
For what its worth...i must be missing most of the headers on my
server bout the meaning of Battered........so forgive me if i'm
repeating something......
>
>Sir, you know far too much about this song. You've got inside information
>on this one. I have a sneaking suspicion that you are actually Elvis. (Of
>course Elvis wouldn't sign on as E COSTELLO would he?)
>
>If you are indeed elvis, then I'm going to email you with some questions
>about some lyrics, fair enough?
>
oh c'mon! don't start a stupid thread about whether or not robert is
elvis!
he just figured that out from listening to the damn song, like you and
me. robert isn't elvis, he's a reporter from cincinatti.
i think that this post is insightful, but i think that the person who
needs to have a dream that goes beyond four walls is the child, not
the landlady's husband. you'd think a chiold should be sent out to
play in traffic, not an adult.
m
michael p mccullough ++++ Klamath Falls OR # 1.541.884.3278
mic...@magick.net mich...@cdsnet.net
all moanday, tearsday, wailsday, thumpsday, frightday, shatterday (joyce/FW)
http://www.magick.net/~michael/ http://www.magick.net/~michael/music.html
Ken Dudley