http://tinyurl.com/Batman-Beatles
"...There’s no other band in rock history that’s such a recurrent
theme for conversation as the Beatles. Besides the musical
contribution to mankind – which is beyond any doubt – the band has
generated a series of controversies that helped build the myth and
transform the four musician from Liverpool into an entity.
Also, there’s no other media that works so hard on the collective mind
of humankind as comics. The narrative possibilities of a comic book
are infinite, not restricted to the overinflated logistics of a motion
picture and to the absence of images of a radio production or a book.
Considering both facts, we understand why the “Dead…Till Proven Alive”
story, originally published on Batman 222 (June 22nd, 1970), is so
remembered and cherished by both comics and The Beatles aficionados.
We can list many wondrous stories that involve Beatles’ lore: since
“we’re bigger than God”, including smoking pot on Buckingham Palace,
spiritual trips to India, playing on the roof of Abbey Road Studios,
many stories have become part of rock n roll history itself. But
perhaps the most intriguing and mythological story is the theory that
say that Paul McCartney died in a car crash and was replaced by a look-
alike.
As for Batman, he’s one of the biggest comic book icons of all time, a
pop symbol, as big and universal as the Fab Four, with over 60 years
in comics and present in many other mediums, always with tremendous
success.
Using the famous “Paul is dead” myth as a plot Frank Robbins (Batman
writer at the time) created the story on issue 222.
Obviously, names and situations are (slightly) altered to avoid legal
and other issues; instead of “The Beatles”, the band is called “Oliver
Twists”, a nod to the book by Charles Dickens. The band has four
members (you don’t say!), a pastiche of the true Beatles, wearing army
coats – Sgt. Peppers style – and everything else. The duo of main
songwriters for the Oliver Twists have interesting names: Glennan e
Saul (Cartwright).
The cover for the comic book is highly suggestive: it is a adaptation
of the Sgt. Pepper’s album back cover, with the same clues to Paul’s
death:
1. Saul (or Paul) has his back to the camera, indicating he’s the
impostor;
2. Saul appears to be in a higher position than the others, which
would mean he was “ascending”.
The mistake on the comic book cover resides in the fact that
“Glennan” (or Lennon, have it your way), joined by the other Twists
which rise fro the grave, is barefoot. It’s not too much to remind
that the inspiration for the barefoot detail comes from the cover for
the Abbey Road album, and in that Paul is barefoot, not Lennon. Maybe
it was a mistake, or maybe an indication of the story’s twist (wink,
wink).
Not even the message hidden in a track played backwards has escaped
from the comic book version: the Twists main hit “Summer Knights”,
when played backwards, in a certain rotation, shows Glennan singing
“it was really fun, Saul – too bad it’s over!”, a clear reference to
the “turn me on, dead man” supposedly heard on Revolution #9, from the
White Album.
Besides mentioning a “pink submarine”, Saul’s accident is credited to
the fact that he didn’t want to go with the other Twists to India, to
“uncover the mysteries of the Orient”. As those versed in Beatlemania
may notice, this is a nod to the time the Beatles spent with the
Maharishi in Rishikesh..."
--
"She Sleeps Tight", vocals by Will Dockery & Sandy Madaris, guitars by
Brian Mallard. Paintings by George Sulzbach
http://www.youtube.com/watch?v=9uGY157cpiU
Wouldn't they all need to be befoot except Saul?
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= DUG.
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