Am I nuts, or was this really Curly in disguise?
Just curious, and thanks for any feedback.
JB
dcb
>Yes it was Curly. It's the only time all 3 brothers appear in a short
>together. I believe it was "Hold That Lion" though the scene was reused
>at least one other time.
This was after Curly's stroke, I believe. Funny, but for a stooge fan it's
really sort of touching to see that scene. How hampered by that initial
stroke was Curly? I know he lost some function, but how much?
Kris
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Box 23151
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http://www.menace.com
> How hampered by that initial
>stroke was Curly? I know he lost some function, but how much?
Hal or Jim, or one of the others could probably give you a more detailed
answer, but I can tell very easily which shorts were made after his first
stroke in 1945. He is slower in voice and movement, he looks a little thinner,
his eyes have an almost glazed look at times, and there is much more emphasis
on Moe and Larry. Instead of starting the short with Curly as main camera
target, many times he will show up a bit after the other two, and have more of
a background role, as opposed to usually being the center of attention as he
was for his first 75 or so shorts.
Despite the stroke, there are some good shorts, Micro-Phonies, for example,
from this period, as well as some that are almost hard for me to watch.
Despite all of the above, there are several true Stooge fans who swear they
can't see a difference pre-stroke and after, so don't feel left out if you
don't either.
>This was after Curly's stroke, I believe. Funny, but for a stooge fan it's
>really sort of touching to see that scene. How hampered by that initial
>stroke was Curly? I know he lost some function, but how much?
>Kris
Apparently not so much that he wasn't able to father a child by his
last wife.
Hal E
Jerry the Bush
John Boyle wrote in message <357C3C4A...@erols.com>...
Yes, that was Curly in "Hold that Lion"...the only Stooge short with all three
Horwitz bros. in it. Just a cameo shot. I think it was in 1947.
Zu...@aol.com
"You got a brain like Napolean!"
"Napolean's dead!"
"I know it....!"
check out my band's page at:
http://members.aol.com/Zubit/madhatters.html
Wow, I can't believe some can't notice the difference. He's just so lifeless
and out of it in those later shorts. But one thing about this has always
confused me: where exactly is the dividing line between Curly's pre- and post-
stroke shorts? I notice a slowing down of his timing as early as some 1944
shorts. Compare, for instance, Curly's chef routine in "Busy Buddies" (I think
that's the one) with his very similar routine in 1937's "Playing the Ponies."
The later version just can't compare in terms of energy and timing. Then
there's the feature "Rockin' in the Rockies" from 1945 in which Curly acts very
much like his old self. I know that Curly was hypertensive, had a drinking
problem and may have suffered a few silent strokes around this time, but I've
never been clear as to which film marks the beginnings of his health problems.
If the films themselves are any indication, it was probably a gradual thing,
but I don't know...
>>Despite the stroke, there are some good shorts, Micro-Phonies, for example,
from this period, as well as some that are almost hard for me to watch.<<
"Micro-Phonies" and "Three Little Pirates" ("Maha?" "Aha?") probably contain
Curly's two best performances from his later work. I've always felt that this
is because he was in heavy disguise in both, playing a character within a
character, and we don't expect him to act like Curly, woo-wooing,
n'yuk-n'yuking and spinning on the floor and all...
John L
>>From: "Kris from Menace Publishing & Manufacture"
>> How hampered by that initial
>>stroke was Curly? I know he lost some function, but how much?
> Hal or Jim, or one of the others could probably give you a more detailed
>answer, but I can tell very easily which shorts were made after his first
>stroke in 1945. He is slower in voice and movement, he looks a little thinner,
>his eyes have an almost glazed look at times, and there is much more emphasis
>on Moe and Larry. Instead of starting the short with Curly as main camera
>target, many times he will show up a bit after the other two, and have more of
>a background role, as opposed to usually being the center of attention as he
>was for his first 75 or so shorts.
> Despite the stroke, there are some good shorts, Micro-Phonies, for example,
>from this period, as well as some that are almost hard for me to watch.
> Despite all of the above, there are several true Stooge fans who swear they
>can't see a difference pre-stroke and after, so don't feel left out if you
>don't either.
In most of the books about the Columbia/Stooge shorts, Edward Bernds
is quoted as saying that after the stroke, Curly had "up" and "down"
periods that varied dramatically. According to Bernds, he was "up" for
MICRO PHONIES and THREE LITTLE PIRATES, but way "down" for A BIRD IN
THE HEAD snd MONKEY BUSINESSMEN--and it show.
A relative of one of the Stooges visited the set during RHYTHM AND
WEEP and noted that Moe was literally feeding Curly his lines during
filming, and that bits of business normally handled by Curly were
being redirected to Moe and Larry.
For me, THREE LOAN WOLVES is nearly impossible to watch. While it's
fun to see Larry in a larger role than usual, it is painful to see
Curly struggle through the smallest line or physical action. And in
both BEER BARREL POLECATS and GI WANNA HOME, he obviously flubs a
couple of line cues.
Much as I love Curly--and I do, I dearly do--I wish that he had packed
it in after MICRO PHONIES and spared himself the embarrassment and
humiliation.
--Hal E
Youre right both times, chucklehead!
Nyuk!
JB