Larry Harmon dumped from Clown Hall of Fame
Yow
from Associated Press:
For years, promoter and entertainer Larry Harmon claimed to have both
created the character and said he was the original.
Now the International Clown Hall of Fame in downtown Milwaukee is formally
endorsing a different version: Capitol Records executive Alan Livingston
created Bozo for recordings in 1946, and the late Vance "Pinto" Colvig was
the first person to play the clown.
On Friday, the hall is posthumously inducting Colvig as the first Bozo.
That reverses the hall's "Lifetime of Laughter Award" given to Harmon in
1990 as Bozo's creator. The hall has since taken Harmon's plaque off its
honor wall.
Kathryn O'Dell, the hall's executive director, said the hall was duped to
believe Harmon created Bozo and didn't find out the truth until ABCnews.com
columnist and entertainment producer Buck Wolf reported Harmon was wrongly
laying claim to the character.
"It was something that was hinted at and hinted at and we started to do
research and sure enough the information we were getting from outside
sources was true," O'Dell said.
While Harmon popularized the character since the 1950s, Livingston and
Colvig were first to develop it, she said.
Colvig's voice was used in the first recordings and he wrote some of Bozo's
first songs, made the first live appearances and was the first Bozo on
television.
Capitol Records Inc. sold all the rights to Bozo the Capitol Clown, except
the masters for the previous records, in the mid 1950s to Harmon, who a few
years earlier had answered a Capitol casting call to be a Bozo.
Harmon ended up training more than 200 Bozos over the years and turning Bozo
into a character for 156 cartoons that he sold in the United States and
around the world.
Harmon, 79, said from his home in Los Angeles that he's saddened to have the
hall remove his plaque and he denied misrepresenting Bozo's history.
"Isn't it a shame the credit that was given to me for the work I have done
they arbitrarily take it down, like I didn't do anything for the last 52
years," he said.
He said he has always acknowledged that Livingston created Bozo The Capitol
Clown. But he said he created Bozo's personality and image today as Bozo The
World's Most Famous Clown.
"What I created for the world was me and my image, what I sound like, what I
look like, what I walk like, what the costume looked like, with my animation
studio," he said.
Bozo The Capitol Clown had red mop hair and spoke with a drawl. Harmon's
Bozo had bright orange-red yak hair and spoke faster and made up an entirely
new vocabulary, like "wowie-kazowie." The laugh was also different.
from abc.com:
In light of claims from officials at the International Clown Hall of Fame
that Harmon misled the museum when he was honored for creating TV’s Bozo,
the Wolf Files investigated the matter.
An extensive review of publications and materials from Harmon’s office
and numerous press interviews indicates that Harmon has frequently stuck a
Bozo-sized, big, red, floppy shoe in his mouth — describing himself over the
years as Bozo’s creator and the man who created Bozo for TV.
Both assertions are highly questionable. When the Wolf Files approached
Bill Lange, founder of the Clown Hall of Fame, about Harmon and the Bozo
legacy, he said: “I now regret that we gave him that award. Personally, I
think Larry Harmon is a jerk and other clowns deserve some credit for Bozo.”
Recently, the Hall of Fame changed Harmon’s credit on its Web site from
Bozo’s “creator” to his “franchiser” — and no one has argued that Harmon is,
indeed, a world-class marketer.
But questions remain: Has one man tried to rewrite clown history and
take all the credit for a pop culture institution that touches millions of
children? What about the origins of that beautiful orange-wing hairdo and
those “wowie-kazowie” custard pie fights? And if Larry Harmon isn’t the
original Bozo, who is?
Harmon’s Bozo often said he had one lesson to teach children, above
all: “It’s nice to be important, but it’s more important to be nice.” Now,
it would seem, Harmon might want to listen to his own internal Bozo.
Clowning With History
Harmon, a 73-year-old show business entrepreneur and performer, denies he
ever tried to rewrite clown history. He declined to be interviewed. But in a
written statement, he says there have been thousands of articles about him
and some are simply wrong. In the statement, he says he has always
acknowledged that Bozo was created by another man.
“In some of those articles, I have been misquoted and blatantly
misrepresented,” the statement says. “I cannot be responsible for misquotes
or incorrect information printed by the media and routinely recycled over
and over a long period of time.”
But to believe Harmon, we must also believe The Associated Press, The
New York Times, Los Angeles Times, and at least six other major newspapers
misquoted or misunderstood him, often times repeatedly.
Moreover, Harmon offered no explanation for a 1996 licensing brochure
copyrighted by his production company and titled “50 Years of Clowning
Around With Bozo.” It begins:
“Bozo. You can’t even say it without smiling. Bozo the Clown, created
by Larry Harmon half a century ago, has gone from children’s recording star
to international TV star, joining the American vocabulary along the way.”
[Italics added.]
The Father of Bozo Speaks
To Bozo’s true creator, Alan W. Livingston of Beverly Hills, Calif., Harmon’
s claims have been hurtful, though somewhat amusing.
“I hired this guy years ago. He was an out-of-work actor at the time
and now he is taking credit for my work,” Livingston says. “It is such a
joke.”
In 1946, Capitol Records asked Livingston to write and produce a
children’s record. He delivered “Bozo at the Circus,” the first read-along
recording. “Kids, whenever I clap my hands, you turn the page,” Bozo would
say. It sold more than a million copies, and a clown legend began.
Livingston worked with an artist to develop Bozo’s basic look. The
clown’s name, now a household word, was born during a late-night
brainstorming session. Circus folk had long used “bozo” to refer to tramp
clowns. But Capitol somehow copyrighted the whole enchilada and hired actors
such as Harmon for promotional purposes.
Harmon’s Bozology
While Harmon regularly accepts the title of Bozo’s creator, he got specific
in 1990, according to an Aug. 29 edition of the Chicago Tribune, in which he
was reported as saying he based the clown’s name on a famed Gypsy humorist
named “Bozolowski.”
“What stuck with me was those four letters,” he told the paper. “It was
a name everyone can pronounce. I tried it in all the languages. It came out
the same.”
He then went into detail about how he designed the hair and other
characteristics: “I knew I wanted sort of a cotton-like fabric that I curled
up and brought out to the sides,” he was quoted as saying. “Red is one of my
favorite colors. Red, white and blue I love. That’s America.”
Harmon has also claimed he created Bozo for TV. Indeed, beginning in
1959, he did raise a clown army of some 200 Bozos, putting a Bozo on local
TV in almost every major city and in countries such as Thailand, Greece and
Brazil.
Yet research shows that Bozo first appeared in 1949 on KTTV, channel 11
in Los Angeles. Pinto Colvig, who served as Bozo on Livingston’s records,
brought the character to life. Harmon was not involved.
Colvig lived the quintessential clown’s life. As a teenager, he ran off
and joined a circus, eventually working for Ringling Bros. He also served as
the voices of Goofy and Grumpy in Walt Disney cartoons and helped songwriter
Frank Churchill write “Who’s Afraid of the Big Bad Wolf.”
“Those were great days in TV,” recalls Lee Carrau, floor manager on the
first Bozo TV show. “It was a live show, two cameras in a small studio, with
animals and screaming kids. We never knew what would happen, monkeys jumping
around everywhere. Every week was absolute pandemonium.”
Carrau, 76, remembers Colvig well. “He used to go to the bar after the
show in Bozo costume for laughs,” he says. “He was a fun, fun guy.” Asked
about Harmon, Carrau said, “Never heard of the gent, and I knew everyone on
the show.”
Clown for Sale
Capitol closed its TV operations in the early 1950s. Harmon and some
partners subsequently bought the rights to Bozo, except for the audio
recordings. From there, Harmon went market-to-market selling the Bozo
concept of a live clown show for kids in the dawn of the TV age. “Larry
deserves credit for licensing Bozo,” Livingston says. “He’s made it last for
a long time.”
Livingston went on to sign Frank Sinatra and the Beatles to Capitol
Records. He didn’t waste too much time correcting Harmon, he says, because
Bozo is not tops on his resume. But it’s still a source of pride. The Clown
Hall of Fame now honors Livingston, too. But he’d really like to see
recognition for his old friend Colvig, who died of lung cancer in 1967.
“Pinto did a great job,” Livingston says. “He got Bozo’s voice down
perfectly and he really knew how to make kids laugh.”
Which Bozo Is Your Bozo?
The Bozo you saw on TV depends on where you grew up. Through Harmon’s
licensing, many men portrayed the clown.
The most famous Bozos: Willard Scott in Washington (yes, the NBC Today
show weatherman), Frank Avruch in Boston (whose show has been syndicated in
markets with no local Bozo), and Bob Bell in Chicago (who started the
longest-running children’s TV show still on the air, now starring Joey D’
Auria).
Altogether, Bozo shows have logged more than 50,000 hours of recording
time, a Guinness record.
At times, Harmon portrayed Bozo, though he never starred on a show for
a sustained period. Among his performing highlights: training at zero
gravity with Apollo astronauts and providing Bozo’s voice in cartoons.
The cartoons reportedly once bore a credit line for Livingston as Bozo’
s creator. That has been deleted over the years. A recent videocassette of
the cartoons pictures Harmon in greasepaint with the caption describing him
as, “The Original Bozo.”
Harmon has maintained that he trained his Bozos and their writers. But
some people involved in the shows and their families feel he overstated his
involvement.
In a 1984 magazine article in the Chicago Tribune, Harmon admitted that
Bell was self-taught. “He was a natural Bozo,” Harmon said. “Bob was able to
jump into my soul … He was able to reach into my mind and my emotions,
because Bozo was me … And Bob has my love for the children, my sensitivity,
my understanding.”
The article quotes Bell as recalling a cooler relationship with Harmon:
“I haven’t seen him for years. He never calls. He never comes around. Even
when he’s at the station, contracting for his cartoons, he never stops in
and says hello. Never.”
The Hard Way to Greasepaint Fame
Bell’s daughter, Joan Roy, says that Harmon failed to offer his
congratulations when Bell was inducted into the Clown Hall of Fame in 1996
and Harmon made it difficult for Bell to attend the ceremony in his Bozo
greasepaint. “My father was 74 and frail,” Roy says. “It was outrageous.”
In artwork from the ceremony, Bell appears as the only honored clown
out of makeup, a sure disappointment to fans.
It was only after Bell’s successor, D’Auria, appeared as Bozo at
another Clown Hall of Fame event that Harmon began to press for his own
award, recalls Lange, the Clown Hall of Fame founder.
“It is a shame that Harmon tried to take credit for creating Bozo,”
says Kathryn O’Dell, the Hall of Fame’s executive director. “He might have
won the award anyway because of the job he did marketing Bozo. But he really
bamboozled us.”
Gravesdale
Harmon doesn't actually own the rights to Laural & Hardy beyonnd his own
pathetic cartoons.
lookAli...@webtv.net
Hello L&H Followers:
Get out your Websters Dictionary and look for the word; "PERPETUITY"
When Larry Harmon purchased the copy rights & trademarks of the likeness
of Laurel & Hardy from Stan Laurel and Lucell Hardy Price, The purchase
is for "Perpetuity".
Laurel and Hardily yours "SPARKIE"
popp...@verizon.net
>Get out your Websters Dictionary and look for the word; "PERPETUITY"
Perpetuity: For an indefinite period of time; forever.
Frank J. Lhota
Bailey Circus.
lookAli...@webtv.net
Can you give any details about RBB&B and a BOZO look-alike ?
In my 20 + years of Clowning, This is a new story.
If thier was any copy right infringement with RBB&B, Kenneth Field and
Co. would have been after Larry Harmon years ago.
Laurel and Hardily yours
Dennis Moriarty
aka/dba: "SPARKIE" & "LOOK-A-LIKE'S".
Frank J. Lhota
Bailey clown named Bozo in a circus museum.
This circus museum was located in San Antonio, TX. If anyone here are in the
vicinity, please check it out to see if they still have this still, and see
what information they can provide on this clown.
I'm trying to see if I can find more information on any possible Barnum and
Bailey connection. Quite possibly, Capital bought the rights to the RBB&B
clown's likeness, which in turn was purchased by Larry Harmon. At any rate,
the fact that Bozo was not a Larry Harmon creation is established beyond any
doubt.
Take Aim
"Yow" <zo...@earthlink.net> wrote in message
news:cbxtc.2209$Yd3...@newsread3.news.atl.earthlink.net...
the
> years as Bozo's creator and the man who created Bozo for TV.
> Both assertions are highly questionable. When the Wolf Files
approached
> Bill Lange, founder of the Clown Hall of Fame, about Harmon and the Bozo
> legacy, he said: "I now regret that we gave him that award. Personally, I
> think Larry Harmon is a jerk and other clowns deserve some credit for
Bozo."
> Recently, the Hall of Fame changed Harmon's credit on its Web site
from
> because Bozo was me . And Bob has my love for the children, my
lookAli...@webtv.net
If so, It is reported closed as of several years ago.
"SPARKIE"
Frank J. Lhota
news:27254-40B...@storefull-3331.bay.webtv.net...
> Frank are you talking about the late HERTZBERG CLOWN / CIRCUS MUSEUM ?
>
> If so, It is reported closed as of several years ago.
Yes, that was the museum I was referring to. I'm sorry to hear that it
closed. Presumably the artifacts are on exhibit elsewhere, for they had a
lot of rare and fascinating circus memorabilia.
Of course, that makes it all the more difficult to trackv down the story
about Bozo. Maybe the right place to check would be Clowns International,
who keep a collection of registered Clown make-up in Hackney, London UK. See
the following link for the amazing story of how clown make-up is registered:
http://www.straightdope.com/mailbag/mclown.html
Johnny Cat
Way Out West Tent in the late 80's, Lois Laurel was a regular attender
to the meetings. At a meeting someone mentioned "Larry Harmon", and
this normally nice, sweet lady turned downright fire-breathing MEAN!
She mentioned that his face wasn't even registered. Definite sore
spot, and correctly so.
gca...@aol.com
Oh, but wait..:)
Larry harmon created Bozo.
(Larry Harmon created L:&H)
Mel Blanc created Bugs and Porky's voice.
ALl wrong,of course.
Bozo, cretaed by Pinto Colvig and A.W.Livingston.
L&H, created by themsevles.
Porky Pig was voiced by Joe Dougherty till Mel Blancv replaced him in
1936
Bugs,by Ben hardaway in the debut,at leats a few lines,voice
immediately taken over by Blanc
9NOTE: The above is debatable)
Steverino
but he did ignore the precedents, even if he never denied them, in
interviews. It sure looks like he was happy to take credit he didn't
deserve. Maybe he was misquoted or misunderstood, maybe he even had
heard of some "Bozolowski," but some of his statements, to put it
delicately, seem like more than exaggerations. Clearly Capitol had a
"Bozo." It wouldn't be surprising if a circus clown at RBB&B or
elsewhere had used the name. "Bozo" was common slang going back at
least to the 1920s. It was what one called a clod, or a goof, or a
bore. You'd have to guess it originated with the idea of rum-dum
drunks: boozers, guys who got blotto, as it was said back then. I'm
almost certain the derogatory "bozo" shows up in intertitle dialogue in
L&H silent shorts as well as in some of their sound films' dialogue.
Epithetical lines like "shaddup you big bozo" are very characteristic
of 1930s comedy dialogue. Calling somebody a "bozo" was in effect
calling him a clown, and it was very common slang, so "Bozo" would have
been as obvious a choice for a clown's name, as something like "Goofy,"
or in our era, an obvious clown's name like "Doofus." Never mind if
there ever was a "Bozolowski" or not. There were "bozos" in every bar,
club, office, and classroom. Really the surprise would be if there had
not been a clown named Bozo before Harmon's 1950's exploitation. The
slang "bozo" was already dated by then. It's got a prohibition-era ring
to it.
I wonder how far Harmon's "perpetual rights" to L&H's "likenesses" or
whatever else he's supposed to own regarding them really go. How far
he'd like his rights to go is probably something different. In their
lifetimes L&H were dismayed at the limited rights they had to keep
their likenesses out of advertisements. This might be one reason Stan
sold the rights he did to Harmon. At least he and Lucille Hardy got a
buck, while these kinds of rights generally, are in many circumstances
iffy. I suppose L&H or their estates would have sued and certainly won
if somebody tried to run a whole L&H cartoon series, and sell related
merchandise, without paying them anything. Hal Roach at one time
claimed he owned the rights to L&H's images but of course he got
nowhere with that and dropped the claim. I know Harmon sued an L&H
wristwatch manufacturer (I had one of the watches) about thirty years
ago. As I recall he at least forced a halt to production although I'm
not sure about that. I doubt Harmon gets anything for things like Anco
wiper blades ads, or an ad I saw years ago for dandruff shampoo, which
utilized a non-Harmon caricature of Stan scratching his head. That's
the kind of thing L&H themselves would have liked to stop in their
lifetimes but they were frustrated by the legal difficulty involved.
Harmon probably wouldn't get very far suing L&H impersonators although
that might depend on the circumstances.
As I understand it, a certain amount of use of celebrity images falls
under what's called "fair use," the same concept that keeps companies
from suing, if their logos happen to be in the background of a film
location shoot, or keeps authors from suing, if brief quotes from their
works are incorporated, as in a book review, or a quoted line in an
essay. Ray Bradbury threatened to sue Michael Moore because "Farenheit
9/11" was an obvious rip-off on "Farenheit 451" but as you might expect
he couldn't get far with this. Warner Brothers threatened to sue when
the Marx Brothers planned to make "A Night in Casablanca." Groucho
wrote Warners a devastatingly satirical letter in response to their
contention that they could own the place name of Casablanca and Warners
did shut up after that. Stuff like this crops up now and then. Another
recent instance was Fox News suing Al Franken over his use of the
phrase "fair and balanced" in a book title. Fox lost. It seems like
"fair use" gets abused sometimes but it's a pain to fight it in court
even when you might well win. The concept of the right to create parody
can play into this issue as well.
Harmon certainly has no claims on the L&H movies themselves or how
they're released. That's nice.
Steve
Larc
wrote:
| I wonder how far Harmon's "perpetual rights" to L&H's "likenesses" or
| whatever else he's supposed to own regarding them really go. How far
| he'd like his rights to go is probably something different. In their
| lifetimes L&H were dismayed at the limited rights they had to keep
| their likenesses out of advertisements. This might be one reason Stan
| sold the rights he did to Harmon. At least he and Lucille Hardy got a
| buck, while these kinds of rights generally, are in many circumstances
| iffy.
IMHO, selling the L&H likenesses to Larry Harmon was tantamount to
selling the Mona Lisa to a paint-by-numbers guru. I never met Harmon,
but I know several people who know him. When they speak of him, the
term "horse's a**" invariably comes up.
Larc
งงง - Change planet to earth to reply by email - งงง
Ivan G. Shreve, Jr.
news:1110726728.7...@z14g2000cwz.googlegroups.com...
> It sounds like Harmon deserves credit for adapting and exploiting Bozo
> but he did ignore the precedents, even if he never denied them, in
> interviews. It sure looks like he was happy to take credit he didn't
> deserve. Maybe he was misquoted or misunderstood, maybe he even had
> heard of some "Bozolowski," but some of his statements, to put it
> delicately, seem like more than exaggerations. Clearly Capitol had a
> "Bozo." It wouldn't be surprising if a circus clown at RBB&B or
> elsewhere had used the name. "Bozo" was common slang going back at
> least to the 1920s. It was what one called a clod, or a goof, or a
> bore. You'd have to guess it originated with the idea of rum-dum
> drunks: boozers, guys who got blotto, as it was said back then. I'm
> almost certain the derogatory "bozo" shows up in intertitle dialogue in
> L&H silent shorts as well as in some of their sound films' dialogue.
> Epithetical lines like "shaddup you big bozo" are very characteristic
> of 1930s comedy dialogue. Calling somebody a "bozo" was in effect
> calling him a clown, and it was very common slang, so "Bozo" would have
> been as obvious a choice for a clown's name, as something like "Goofy,"
> or in our era, an obvious clown's name like "Doofus." Never mind if
> there ever was a "Bozolowski" or not. There were "bozos" in every bar,
> club, office, and classroom. Really the surprise would be if there had
> not been a clown named Bozo before Harmon's 1950's exploitation. The
> slang "bozo" was already dated by then. It's got a prohibition-era ring
> to it.
Personally, I think we're all bozos on this bus...
Ivan
--
Classic movies, television and old-time radio at Thrilling Days of
Yesteryear! http://blogs.salon.com/0003139
Elmer Pintar
Harmon's Laurel and Hardy"...leading me to think that Larry Harmon
actually had something to do with the team ala Hal Roach.
Elmer Pintar
steverino
Bozo-I'd had the Capitol records, and it was so obvious to me that Bozo
pre-dated Harmon's involvement.
bert&alf
ephemera. Makes it a lot easier to distinguish the quality stuff from
his crap (if you can't tell just by looking at it).
rof...@gmail.com
> Harmon's Laurel and Hardy"...leading me to think that Larry Harmon
> actually had something to do with the team ala Hal Roach.
That never bothered me. I always figured it meant that Harmon had
created that particular cartoon version of Laurel & Hardy the way Walt
Disney "created" his version of Cinderella. What has bothered me is
Harmon's claim to own all forms of Laurel & Hardy likenesses.
I would love to see a copy of the contract on which he bases that
claim. I'll bet it only covers the cartoon versions or at least that
that's all Stan and Hardy's widow thought they were licensing. Then
Harmon began claiming he owned Laurel & Hardy and there was no one to
challenge him.
Today, when anyone does anything with Stan and Babe's images, Harmon
threatens to sue and he does make a credible claim. He has decades of
claiming to own them with no one challenging him. It's easier for
someone to pay him off than to go to court and make him prove his
claim. It would cost a lot of money to beat him and the person
challenging him wouldn't get much out of it.
