On the last page, he shows a frame of Zapruder's film next to Nix's of the
same moment What we are shown here is that there are four people watching
the assassination. A couple and their son as well as an unidentified man.
Then he shows that the Nix film has 5 people there.. the mans wife is
missing and the unidentified man now has a companion. There also appears
to be two people standing behind them that isn't seen on Zapruder at all.
I decided to check out the tape I made of the recent Discovery Channels
show on the assassination footage. It appears to match up with what Jack
is saying. Mr. White says "Nix is wrong or Zapruder is wrong: they can't
both be right."
I was wondering what you guys think of the possibility that they are
altered? I personally don't see why they would take out people that
didn't do anything but watch the motorcade. But it does appear that there
are discrepencies. What would be the explaination for them? I am
interested in your thoughts.
Andrew
"Frostbiteman" <frostb...@aol.com> wrote in message
news:20030303181012...@mb-ck.aol.com...
Martin
The two people standing "behind" the couple with the little boy, (the
Franzen's) ARE seen in the Zapruder film. They are at the extreme top of the
un enhanced frames. Of this couple, the girl dressed in a white top and black
pants, is reacting to the shooting, the girl standing in place and "jogging" so
to speak.
The Franzen's all can be sen in the Nix film. You can see Mr. Franzen's
legs, the little boy, Mrs. Franzen, and then the guy who some thought to be
holding a sign that read "JFK SOB" all are right where they show up in the Z
film.
No one is "missing" from the films. All are there in both Nix and Zapruder
films.
Jack White is in total error.
Steve
"Gerry Simone (Home)" <cioc...@idirect.com> wrote in message news:<v68l5ge...@corp.supernews.com>...
But where is the woman that is with the man in the Nix film in Zapruder?
In Zapruder the guy is standing alone. I'm just not seeing it.
Andrew
JW GOT INTO Z FILM TROUBLE LONG AGO WHEN he tried sooo hard to
make his BM illustrations fly.. Naturally the 1st thing he did
was to check out BM's position behind fence @ GK.. When they
immediately discovered the "X" could not even be seen at even
a 19" elevation Jack's creative juices began to flow..
NOW IF MM was standing in the street.. That would of course
make it possible to see the limo from BM's position..Albeit at
a nose-bleed height.. Still w me?
THEREFORE since MM's feet were not clearly visible JW took a
daring but laughable shot:"The Z film had been altered" said Jack..
As further evidence he offered this persuasive line:
"Prove me wrong."
And now we know why JW is generally accepted on both sides of the
aisle as a baffoon.
Ed Cage______________________________________________4.1921
drumr...@aol.com (Drumrolls2) wrote in message news:<20030304150432...@mb-cp.aol.com>...
She is right there. Nix's angle makes it look like they are standing
VERY close together. As you can see in the Z film they were not that far
apart. The man is a little in front of Mrs. Franzen. Also, she must have
moved to her left after she disappeared from Zapruder's camera. You can
see the man moving, and her as well in the Nix film, and by this time they
are both out of Zapruders view.
Steve
If you are talking about Brehm and the Babushka woman, their relative
positions differ in the two films due to the angles from which they were
shot.
Martin
Martin
Martin
Martin
Ed___________________________________________5.1157
Martin Shackelford <msh...@concentric.net> wrote in message news:<3E66F493...@concentric.net>...
>Jack has made a variety of
>such claims. His arguments
>are usually based on
>comparing two images
>taken at different times
>and pointing out
>differences--of course,
>differences would be
>expected, but he generally
>fails to mention that the
>images were not taken
>at the same time.
White rationalizes it by saying he merely sees things and asks why.
Doesn't care where the chips fall, I guess.
Very little follow-up of notices of correction from White.
Jerry
Zapruder took his original to Kodak to be developed. Then he took the
developed film to Jamieson Lab to have copies made. They made three
copies. Two copies were given to the Secret Service (who gave one to the
FBI, from which copies were made), and the original and one copy were
retained by Zapruder. On Saturday, he showed the film to the Secret
Service and to the media, which bid on it. LIFE bought it and took the
original and the copy to their Chicago lab, where frame enlargements were
made. In New York, copies of the film were made. One copy may have been
given to Zapruder, as he was able to show it to Dan Rather on Monday.
Other copies have been rumored, but there is no documentation for them,
and lab records show only three made from the original film.
Martin
Martin
Martin
>___________________________________________________
>Martin, NOT try'n to be kute here -- I can go in
>next room and check but it would take 15 mins..
>BUT didn't US Gov get 2, Time/LIFE 2, and Mr Z keep
>one? 2+2+1=5?
>
>Ed___________________________________________5.1157
>
No Ed. The history of the film is known by many but clearly not by
you.
Ricky
"Ballistic Findings in the JFK Autopsy Photos".
An early draft with some errors is posted at:
http://karws.gso.uri.edu/JFK/Issues_and_evidence/Frontal_shot(s)/Tobias_frontal_shots/Tobias--Ballistics_Findings.html
Problems try:
http://karws.gso.uri.edu/JFK/JFK.html
Then go to: Issues and evidence
Then go to: Frontal shot(s)
or
go to: Notices and recent additions to the site
Then find above title posted April 11, 2001.
BTW: I also discovered NO DA Jim Garrison was able to subpoena
and "borrow" the original from which he REPORTEDLY made "other"
copies.. Had you heard that?
Ed Cage ____________________________________________ 8.2110
Martin Shackelford <msh...@concentric.net> wrote in message news:<3E681722...@concentric.net>...
When the Z film was taken to New Orleans for the Clay Shaw trial, the
rumor is that Garrison took it out of his office safe and allowed Mark
Lane or another critic to make copies or have copies made. This put early
bootlegs in circulation, each copy of lower quality than those before it,
and soon washed-out Super8mm copies were in circulation. Meanwhile,
through his N.Y. photo lab job, Robert Groden had acquired a cast-off 35mm
copy made when LIFE had the lab make some 35mm copies. Bootlegs
originating in the 1970s with this copy were of somewhat better quality.
Today this is all academic, because anyone can acquire a great copy of the
film on video or DVD, but those bootleg were a gold mine for researchers
in the 70s.
Martin