On Wednesday, July 29, 2020 at 2:12:03 PM UTC-7, Will Dockery wrote:
> On Wednesday, July 29, 2020 at 12:33:11 PM UTC-4, Michael Pendragon wrote:
> > On Wednesday, July 29, 2020 at 11:02:47 AM UTC-4,
jdcha...@gmail.com wrote:
> > > On Friday, July 24, 2020 at 7:50:04 PM UTC-4, Zod wrote:
> >
> > > >
https://en.wikipedia.org/wiki/Mexico_City_Blues
> > > >
> > > > "I want to be considered a jazz poet, blowing a long blues in an afternoon jam session on Sunday. I take 242 choruses; my ideas vary and sometimes roll from chorus to chorus or from halfway through a chorus to halfway into the next." -Jack Kerouac
> > > >
> > > > >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
> >
> > > I would imagine that jazz poetry is quite similar and interrelated to beatnik poetry...
> >
> > I have my own guesses as well.
> >
> > However, my question was regarding Will's juxtaposition of the quotes by Kerouac and about Sandburg (above).
> >
> > I don't see any connection between them, other than that they both use the word "jazz."
>
> There's a connection between Carl Sandburg and Jack Kerouac (the Beat poets), and you're not going to like it.
>
> As John William Corrington writes:
>
>
http://www.ashevillepoetryreview.com/2004/issue-14/carl-sandburg-chicago-poems
>
> ------------------------------------------------
>
> "John William Corrington argues that Bukowski has done for the American vernacular, 'what William Carlos Williams claimed to have done'. While his use of American working class idiom and his focus on non-traditional subject matter makes him a natural heir to poets intent upon stripping away literary pretense — poets such as Williams, and later Ginsburg and the Beats — Bukowski owes a debt of thanks, instead, to another poet: the often critically overlooked Carl Sandburg. Like Bukowski, Sandburg’s poetry is raw, his subject matter is the common man and his colloquial narrative style makes Sandburg one of the most uniquely American poets of the Modernist period..."
>
> "Of the poet Charles Bukowski, John William Corrington suggests that he
>
> …has replaced the formal, frequently stilted diction of the Pound-Eliot-Auden days with a language devoid of the affectations, devices, and mannerisms that have taken over academic verse and packed the university and commercial quarterlies with imitations of Pound and others. Without theorizing, without plans or school or manifestos. Bukowski has begun the long awaited return to a poetic language free of literary pretense and supple enough to adapt itself to whatever matter he chooses to handle..."
> -Scott C. Holstad
>
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>
> ;)
Quite true...