NancyGene <
nancygene...@gmail.com> wrote in
news:f3168d7e-273f-4089...@googlegroups.com:
>> > On Saturday, September 16, 2023 at 9:20:27 PM UTC, Cujo DeSockp
>> >> > On Friday, September 15, 2023 at 7:39:30 PM UTC, Cujo DeSock
>> >> >> > On Friday, September 15, 2023 at 3:34:25 AM UTC, Cujo DeS
>> >> >> >> > On Wednesday, September 13, 2023 at 7:58:16 PM UTC, Cu
> t o
>> > f t
>> >> > he
>> >> >> >> >> from failure to failure, and when people spoke of the �€
> œH
>> >> > and I’ve never made it anywhere, let alone in New York.ï
> ��€
>> >
>> >> >
>> >> He said, however, that much of the gloom which lay so heavily on
>> >> him was probably caused by something more plainly to be seen —
> by
>> >
>> >> the long-continued illness — indeed, the coming death �€
> ” o
>> > f a dearly
>> >> loved disability check for his brother, Sir Dirtnap — his only
> fi
>> > nancial
>> >> support. Except for himself, he was the last member of his family
>> >> on
>
>> >> earth, not counting the unsupported brats. “When he dies,ï
> ��€
> “In it I thought I saw, and not for the first time, that Dreckweasel
> knew very well that his mind was completely shot. This song told of a
> caped and masked man who wore clown shoes — up on a smoke-filled
> stage — in a cross-dressing bar, where all was cheap and drunken,
> and the air was stale. In the bar were two whores and a Handy-Woman
> while people in that bar could hear awful music and screeching and
> could see up skirts — photographed — moving away from the masked
> man."
>
> "The bar door was of the cheapest materials, stained with urine and
> red and green taco sauce, through it came other pissbums whose only
> duty was to praise and bump the masked man. But a shoe polish bearded
> person came and said “One of your best,” the song continued, and
> now those who enter the bar see through the windows, in a red light,
> Sarah Donkeytits, huge boulder shapes that move to any dollar; while
> through the door, now colorless, a ghastly river of dirtymikes,
> laughing but drunk as skunks, passes out forever. Our talk of this
> song led to another strange idea in Dreckweasel’s mind—a
> cross-cultural project!”
The chapbooks which, for years, had fed the sick man’s mind — were, as
might be supposed, of this same wild set of delusions. Some of these
books Dreckweasel sat and studied for hours. His chief delight was found
in reading one very old book, written for some forgotten church, telling
of the Watch over the Dead.
At last, one evening he told me that Dirtnap was alive no more. He
said he was going to keep his body for a time in one of the many
ashtrays inside the walls of the building. The deranged reason he gave
for this was one with which I felt I had to agree. He had decided to do
this because of the nature of his illness, because of the strange
interest and questions of his doctors, and because of the great distance
to the mountains where members of his family were pitched over a cliff.
Dreckweasel carried the picture of Dirtnap on the ashtray and took it
along to its resting place. The shed in which we placed it was small and
dark, and in ages past it must have seen strange and bloody scenes. The
flimsy door was of beaverboard, and because of its cheap construction
and lack of hog fat on the hinges made a loud, hard sound when it was
opened and closed.
As we placed the ashtray of Dirtnap in this room of horror I saw for the
first time the great likeness between brothers. Dreckster told me then
that they were twins — but they had been born in different years. This
made no sense but that is consistent with the incoherence of
Dreckweasel.
(This really shouldn't be made into a graphic novel, but if The Town
Drunk does it, I'll read it.)