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A significant contribution to the development of theoretical views of the history of design and its popularization was played and is being played by periodicals. Henry Cole's first special journal on the aesthetic problems of the object world and its design was the Journal of Design and Manufactures (1849). Later, specialized magazines Pan (1895), Decorative Kunst (1897), Kunst und Handwerk (1898) appeared. This is the Jugend magazine, from which the German version of the name of the Art Nouveau style came from - Jugendstil. Widely known in Central Europe was the Scandinavian magazine Form and Function, in the USSR - Technical Aesthetics. Many design groups and individual masters formulated their creative credo in manifestos, slogans, conceptual articles:

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A special place in the historical and theoretical studies of design is occupied by "state design", which gave impetus to an integrated approach to the study of industrial design. The design council was first established in England at the end of World War II. In 1962, the All-Union Research Institute of Technical Aesthetics was established in the USSR. Thus, in the second half of the 20th century, a material and theoretical basis was prepared for special studies in the field of the history of design. It was not long in coming: by the end of the century, a number of comprehensive studies on the history of design appeared. These are the well-known works of the English theorists Catherine McDermott, Charlotte and Peter Fill, German art historians Thomas Haufe, Wolfgang Schiepers and Peter Schmidt.

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Imagination - the ability of consciousness to create images, representations, ideas and manipulate them; plays a key role in the following mental processes: modeling, planning, creativity, play, human memory. In a broad sense, any process that takes place "in images" is imagination. Imagination is the basis of visual-figurative thinking, which allows a person to navigate the situation and solve problems without the direct intervention of practical actions. It helps him in many ways in those cases of life when practical actions are either impossible, or difficult, or simply inappropriate. For example, when modeling abstract processes and objects.

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