Battle Of The Year 2013 Movie
Azucena Jewels
Battle of the Year is based upon Lee's award-winning 2007 documentary Planet B-Boy, about the b-boying competition of the same name. The feature film includes cinematography by Vasco Nunes, Lee's director of photography on the original documentary.[4]
Dante Graham enlists Jason Blake to coach the United States' b-boy team to compete in the Battle of the Year, as the US has not won in 15 years. Blake puts together a team of the best b-boys across America la Dream Team.
After overcoming their differences and learning to work as a team, the Dream Team makes it to the semi-finals, beats the reigning champion French team and finds themselves against the favorites, the Koreans. Ultimately, they lose by one point. Blake resolves to resume training as soon as possible to win next year.
Film company Screen Gems first began planning for a feature film adaptation of Lee's documentary Planet B-Boy in 2009 after discovering that while interest in breakdancing had declined in the United States, it still enjoyed popularity in other countries.[5] Chris Brown and Josh Holloway were announced as being attached to the project in October 2011.[6] Filming began in late 2011 in Los Angeles, with more filming taking place in Montpellier, France.[4]
The first trailer for Battle of the Year was released in July 2013, with Adam Chitwood, Associate Editor of Collider stating that "if B-boy competitions are your thing I assume you'll have some interest in Battle of the Year."[7] Screen Crush commented that the 3D aspect "could be a lot of fun with a film like this" but questioned whether the film would stand out against "an A-list title".[8]
The film was universally panned by film critics. On the review aggregator website Rotten Tomatoes, 6% of 54 critics' reviews are positive, with an average rating of 3.5/10. The website's consensus reads: "With a hopelessly hokey plot and unintentionally hilarious dialogue, Battle of the Year is flimsy even by the standards of the dance movie genre."[9]
Battle of the Year, commonly referred to as BOTY, is an annual international breakdancing competition that began in 1990. It has been regarded as the premier b-boying competition in the world[1] and has been referred to as the "World Cup of B-Boying".[2] Regional qualifying tournaments, also known as preliminaries, are held worldwide culminating in the BOTY International, the world finals event which is currently held at Sud de France Arena in Montpellier, France.
For the first twenty-three editions, Battle of the Year was a crew competition; in 2013, a one-on-one competition was added. Since 2014, the one-on-one portion of Battle of the Year is one of ten tournaments that are a part of the World BBoy Series.
The competition spawned the 2007 documentary Planet B-Boy as well as a 2013 eponymously named feature film Battle of the Year, both directed by Benson Lee. It has also gained attention for positive promotion of hip-hop culture and social unity.[3]
In 2006, 2 semifinal battles were implemented, with the winner of each battle advancing to the finals. The losers of the semifinal battles do not battle each other; therefore, there is no longer a fourth-place award.
Like in 2012, Battle of the Year 2013 included an additional semifinals placer to add additional battles to the tournament. Six crews qualified after the showcase stage of the competition consisting of the two highest scoring crews automatically qualified for the semifinals and four crews competing for the two remaining places against them.
Battle of the Year 2012 included an additional semifinals placer to add additional battles to the tournament. In 2012 six crews qualified after the showcase stage of the competition consisting of the two highest scoring crews automatically qualified for the semifinals and four crews competing for the two remaining places against them.[4]
For the first time in the Competition's history, a 1 on 1 Tournament was held for b-boys who weren't competing as a part of a crew. The first 1 on 1 Battle of the Year final saw Lilou of Algeria defeat Morris representing the U.S..
The format comprises firstly a showcase round in which all crews perform a routine of no more than six minutes in length demonstrating their ability in the different styles of breakdance. Judges rank all competing crews by evaluating certain criteria based on the shows.
Following the showcase round, the top four crews are selected to take part in a crew-vs-crew battle playoff. In the semifinals, the top-ranked crew battles the 4th-ranked crew and the 2nd-ranked crew battles the 3rd-ranked crew. The winner of each semifinal then battle each other for the championship.
Judges evaluate the showcase round on two main elements, artistry and technicality, each of which includes several criteria. The artistry element includes theme, music, synchronicity, and choreography, among others. The technicality element includes toprock, uprock, footwork, and power moves, among others.[5]
The champion of the world finals is always invited directly to the following year's world finals to defend their title. All other crews qualify via preliminary tournaments, although historically there have been a few instances of directly-invited crews (usually when there is no preliminary in that crew's region).
Qualification is moving towards a two-step system consisting of individual country preliminaries followed by regional preliminaries. Historically, each country had an individual preliminary and sent one crew to the world finals; however, countries have become more and more regionalized over the years. For example, starting in 2007, there is a new BOTY Asia regional preliminary that will send the top 3 finishers to the world finals; in 2006 and years prior, Asia region countries such as South Korea, Japan, China, and Taiwan had their own preliminaries and sent one crew each to the world finals.
Prior to 2006, the current championship playoff system was not used. Instead, there were only two battles: two crews would compete for first place, while two other crews would compete for third place. While a "Best Show" award was still granted based on showcase performance, the judges would also rank the crews as to who they thought should participate in the championship battle. This resulted in frequently-occurring situations where the crew that received the "Best Show" award was not even able to compete for the championship, as they were picked for the third place battle instead of the championship battle. Examples include three "Best Show" winners in the final five years under the old format: Break the Funk (2004), Fire Works (2003), and Visual Shock (2001).[8] The change to the playoff system also brought the world finals format into line with some of the qualifier formats, such as the BOTY Korea Preliminary, which has been using the four-crew playoff system for years.
Starting in 2004, a strict 6-minute time limit per crew on the showcase was enforced for the world finals, with scoring penalties assessed for going over time. This was enacted so that the world finals event would finish in a shorter time period. The 6-minute limit was quickly adopted at preliminaries.[9]
In 1990, when the event was known as the International Breakdance Cup,[10] there were only shows and no battles. From 1991-1996, there were battles resulting in a crowned champion, but no "Best Show" award was given.
Several documentaries have been produced based on the competition, including the 2007 feature-length documentary Planet B-Boy. The film premiered at the 2007 TriBeCa Film Festival[11] and was released on DVD on November 11, 2008.
A movie based on this competition, called Battle of the Year, was released on September 20, 2013. The film was directed by Benson Lee, who produced Planet B-Boy, and featured famous artist Chris Brown in the primary role.[12]
On occasion with the annual competition, a CD/LP titled "The Official Battle Of The Year Motion Soundtrack" is released since 1998.[13] It features some of the leading B-Boy Funk artists such as Mr. Confuse, Cosmic EFI, DJ Nas'D, Esone, Def Cut, Cutmaster GB, and DJ Phantom. The cover artwork is drawn by Graffiti artist Mode 2.[14]
On November 2, 1983, President Ronald Reagan signed the King Holiday Bill into law, designating the third Monday in January a federal holiday in observance of civil rights leader Dr. Martin Luther King, Jr. The legislation to recognize Martin Luther King Jr. Day was first introduced just four days after his assassination on April 4, 1968. Still, it would take 15 years of persistence by civil rights activists for the holiday to be approved by the federal government and an additional 17 years for it to be recognized in all 50 states. Today, it is the only federal holiday designated as a national day of service to encourage all Americans to volunteer and improve their communities.
Despite the national fervor inspired by King's death, the bill to create a holiday in his honor languished for years with limited congressional support. However, Democratic Michigan Congressman, John Conyers, who first proposed the bill on April 8, 1968, was not deterred. He continued to reintroduce the legislation every year with the support of the Congressional Black Caucus, which Conyers helped found.
I would have preferred a non-holiday in King's honor but since they seem bent on making it a national holiday, I believe the symbolism of that day is important enough that I will sign that legislation when it reaches my desk.
When Spanish explorer Alonso lvarez de Pineda first explored and mapped the Texas coast in 1519, two worlds - European and indigenous American - became destined to collide. Instead of the fabled ocean passage between Spanish Mexico and the "island of Florida," lvarez de Pineda discovered land. For decades to come, European colonialists would attempt to explore its beautiful hills and plains, discover gold, control its life-giving springs and rivers, and conquer its many native peoples. During this time, the San Antonio area would become an important crossroads for European and indigenous American power.
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