Over the course of his career, Robbins recorded more than 500 songs and 60 albums, and won two Grammy Awards, was elected to the Country Music Hall of Fame and Nashville Songwriters Hall of Fame, and was named the 1960s Artist of the Decade by the Academy of Country Music. His songs "El Paso" and "Big Iron" were ranked by the Western Writers of America among the Top 100 Western songs of all time. Robbins was a commercial success in both the country and pop genres, and his songs were covered by many other famous artists, including Johnny Cash, the Grateful Dead and Elvis Presley. Johnny Cash noted, "there's no greater country singer than Marty Robbins."[6] His music continues to have an influence in pop culture today, featuring prominently in several films, television shows and video games.
Among the warmer memories of his childhood, Robbins recalled having listened to stories of the American West told by his maternal grandfather, 'Texas Bob' Heckle, who was a traveling salesman, raconteur and local medicine man.[9] Robbins later recalled: "He had two little books of poetry he would sell. I used to sing him church songs and he would tell me stories. A lot of the songs I've written were brought about because of stories he told me. Like 'Big Iron' I wrote because he was a Texas Ranger. At least he told me he was."[7]
At 17, Robbins left home to serve in the United States Navy as an LCT coxswain during World War II. He was stationed in the Solomon Islands in the Pacific Ocean. To pass the time during the war, he learned to play the guitar, started writing songs,[11] and came to love Hawaiian music.
Robbins was a symbol of the Nashville establishment that younger country fans abandoned in the Seventies for the bleached-denim "outlaw school" of Waylon Jennings and Willie Nelson. Robbins belonged to the Jim Reeves era and wore his embroidered cowboy suits proudly. Best known for the western ballad, El Paso, his career also touched the rock 'n' roll side of country in songs like White Sport Coat And A Pink Carnation, and he kept a touch of the dude about him to the end.
Robbins has been honored by many bands, including the Grateful Dead who covered "El Paso" and Bob Weir & Kingfish who covered "Big Iron". The Who's 2006 album Endless Wire includes the song "God Speaks of Marty Robbins". The song's composer, Pete Townshend, explained that the song is about God deciding to create the universe just so he can hear some music, "and most of all, one of his best creations, Marty Robbins."[24] The Beasts of Bourbon released a song called "The Day Marty Robbins Died" on their 1984 debut album The Axeman's Jazz. Both Frankie Laine and Elvis Presley, among others, recorded versions of Robbins' song "You Gave Me a Mountain", with Laine's recording reaching the pop and adult contemporary charts in 1969. Though Elvis never recorded any of Robbins' songs in the studio, he was a big fan and recorded "You Gave Me a Mountain" live in concert several times; it appeared on 15 Presley albums. Johnny Cash recorded a version of "Big Iron" as part of his American Recordings series, which is included in the Cash Unearthed box set. Cash also recorded other songs by Robbins, including "I Couldn't Keep From Crying", "Kate" and "Song Of The Patriot". He held Robbins in high esteem, having him guest several times on his network TV show. "Big Iron" was also covered by Mike Ness on his album Under the Influences, on which he paid homage to country music artists. The song, originally released on Robbins' 1959 album Gunfighter Ballads and Trail Songs, gained renewed popularity following its use in the 2010 video game Fallout: New Vegas.
Robbins' political views remained firmly right-wing during his lifetime. During the 1960s as the opposition to the Vietnam War strengthened, Robbins' political views saw a radical turn towards the right.[27] He supported Barry Goldwater in his 1964 United States presidential election campaign as a southern director for "Stars for Barry". Two of his songs, "Ain't I Right" and "My Own Native Land" written in the 1960s later became popular songs during the conservative resurgence in the 1980s.[28] The lyrics of "Ain't I Right" describe anti-war protesters as fifth columnists and communists,[29] but some have interpreted this to include a segregationist message as well.[30] After Columbia Records refused to publish his more politically charged songs, Robbins' band member Bobby Sykes recorded the songs for Sims Records under the name Johnny Freedom.[31]
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