Jon Vinyl Album Download ((FULL))
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Music is a universal language. Not only does it help us relive special memories, it also instantly puts everyone in a good mood. Whether you want to add to your collection or just love listening to your favorite tunes, vinyl records are just what you need. At Target, find a wide range of vinyl records to choose from. Buying a vinyl record is truly an experience. You can spend hours at a record shop looking for all your favorite artists and genres. Browse through a collection of vinyl in a variety of colors and formats. Find a range of vinyl records of famous artists like Pink Floyd, Rolling Stones, Nirvana, David Bowie and Frank Sinatra, as well as new vinyl releases like Billie Eilish and Taylor Swift. Vinyl records are known for their clear sound quality as compared to MP3s or CDs. Whether you like listening to hip-hop, jazz, rap, pop or punk, you are sure to find exclusive editions of vinyl all under one roof. Looking for the ideal gift for a fellow audiophile? Find vintage albums or pre-order new albums that they are sure to love. Explore a large collection of vinyl records to find the right pick for you.
The Victrola Online Record Store takes your vinyl shopping experience to the next level. From jazz to hip hop, classic rock to country, our online record store has a vinyl record for anyone's favorite music genre. From record players to albums, jukeboxes to boomboxes, radios to Bluetooth speakers, we have something for you. Welcome to the Victrola family.
A phonograph record (also known as a gramophone record, especially in British English), a vinyl record (for later varieties only), or simply a record or vinyl is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. For about half a century, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s, polyvinyl chloride (PVC) became common, the "vinyl records" of the late 20th century.
Manufacture of disc records began in the late 19th century, at first competing with earlier cylinder records. Price, ease of use and storage made the disc record dominant by the 1910s. The standard format of disc records became known to later generations as "78s" after their playback speed in revolutions per minute, although that speed only became standardized in the late 1920s. In the late 1940s new formats pressed in vinyl, the 45 rpm single and 33 rpm long playing "LP", were introduced, gradually overtaking the formerly standard "78s" over the next decade. The late 1950s saw the introduction of stereophonic sound on commercial discs.
During the Second World War, the United States Armed Forces produced thousands of 12-inch vinyl 78 rpm V-Discs for use by the troops overseas.[36] After the war, the use of vinyl became more practical as new record players with lightweight crystal pickups and precision-ground styli made of sapphire or an exotic osmium alloy proliferated. In late 1945, RCA Victor began offering "De Luxe" transparent red vinylite pressings of some Red Seal classical 78s, at a de luxe price. Later, Decca Records introduced vinyl Deccalite 78s, while other record companies used various vinyl formulations trademarked as Metrolite, Merco Plastic, and Sav-o-flex, but these were mainly used to produce "unbreakable" children's records and special thin vinyl DJ pressings for shipment to radio stations.[37]
"Record albums" were originally booklets containing collections of multiple disc records of related material, the name being related to photograph albums or scrap albums. [48] German record company Odeon pioneered the album in 1909 when it released the Nutcracker Suite by Tchaikovsky on four double-sided discs in a specially designed package.[45] It was not until the LP era that an entire album of material could be included on a single record.
In 1968, when the hit movie Thoroughly Modern Millie was inspiring revivals of Jazz Age music, Reprise planned to release a series of 78-rpm singles from their artists on their label at the time, called the Reprise Speed Series. Only one disc actually saw release, Randy Newman's "I Think It's Going to Rain Today", a track from his self-titled debut album (with "The Beehive State" on the flipside).[49] Reprise did not proceed further with the series due to a lack of sales for the single, and a lack of general interest in the concept.[50]
In the 1990s Rhino Records issued a series of boxed sets of 78-rpm reissues of early rock and roll hits, intended for owners of vintage jukeboxes. The records were made of vinyl, however, and some of the earlier vintage 78-rpm jukeboxes and record players (the ones that were pre-war) were designed with heavy tone arms to play the hard slate-impregnated shellac records of their time. These vinyl Rhino 78s were softer and would be destroyed by old juke boxes and old record players, but play very well on newer 78-capable turntables with modern lightweight tone arms and jewel needles.[52]
Unwilling to accept and license Columbia's system, in February 1949, RCA Victor released the first 45 rpm single, 7 inches in diameter with a large center hole. The 45 rpm player included a changing mechanism that allowed multiple disks to be stacked, much as a conventional changer handled 78s. Also like 78s, the short playing time of a single 45 rpm side meant that long works, such as symphonies and operas, had to be released on multiple 45s instead of a single LP, but RCA Victor claimed that the new high-speed changer rendered side breaks so brief as to be inconsequential. Early 45 rpm records were made from either vinyl or polystyrene.[59] They had a playing time of eight minutes.[60]
The older 78 rpm format continued to be mass-produced alongside the newer formats using new materials in decreasing numbers until the summer of 1958 in the U.S., and in a few countries, such as the Philippines and India (both countries issued recordings by the Beatles on 78s), into the late 1960s. For example, Columbia Records' last reissue of Frank Sinatra songs on 78 rpm records was an album called Young at Heart, issued in November 1954.[64]
The commercial rivalry between RCA Victor and Columbia Records led to RCA Victor's introduction of what it had intended to be a competing vinyl format, the 7-inch (175 mm) 45 rpm disc, with a much larger center hole. For a two-year period from 1948 to 1950, record companies and consumers faced uncertainty over which of these formats would ultimately prevail in what was known as the "War of the Speeds" (see also Format war). In 1949 Capitol and Decca adopted the new LP format and RCA Victor gave in and issued its first LP in January 1950. The 45 rpm size was gaining in popularity, too, and Columbia issued its first 45s in February 1951. By 1954, 200 million 45s had been sold.[67]
In 1957 the first commercial stereo two-channel records were issued first by Audio Fidelity followed by a translucent blue vinyl on Bel Canto Records, the first of which was a multi-colored-vinyl sampler featuring A Stereo Tour of Los Angeles narrated by Jack Wagner on one side, and a collection of tracks from various Bel Canto albums on the back.[73]
A similar scheme aiming at the high-end audiophile market, and achieving a noise reduction of about 20 to 25 dB(A), was the Telefunken/Nakamichi High-Com II noise reduction system being adapted to vinyl in 1979. A decoder was commercially available[74] but only one demo record[75] is known to have been produced in this format.
Yet another noise reduction system for vinyl records was the UC compander system developed by Zentrum Wissenschaft und Technik (ZWT) of Kombinat Rundfunk und Fernsehen [de] (RFT).[77] The system deliberately reduced disk noise by 10 to 12 dB(A) only[78] to remain virtually free of recognizable acoustical artifacts even when records were played back without an UC expander. In fact, the system was undocumentedly introduced into the market by several East-German record labels since 1983.[79][78][80] Over 500 UC-encoded titles were produced[79] without an expander becoming available to the public. The only[80] UC expander was built into a turntable manufactured by Phonotechnik Pirna/Zittau.[81]
The sound quality and durability of vinyl records is highly dependent on the quality of the vinyl. During the early 1970s, as a cost-cutting move, much of the industry began reducing the thickness and quality of vinyl used in mass-market manufacturing. The technique was marketed by RCA Records as the Dynaflex (125 g) process, but at the time was considered inferior by most record collectors.[92]
Although vinyl records are strong and do not break easily, they scratch due to its soft material sometimes resulting in ruining the record. Vinyl readily acquires a static charge, attracting dust that is difficult to remove completely. Dust and scratches cause audio clicks and pops. In extreme cases, they can cause the needle to skip over a series of grooves, or worse yet, cause the needle to skip backwards, creating a "locked groove" that repeats over and over. This is the origin of the phrase "like a broken record" or "like a scratched record", which is often used to describe a person or thing that continually repeats itself.[96]
There is controversy about the relative quality of CD sound and LP sound when the latter is heard under the very best conditions (see Comparison of analog and digital recording). It is notable, however, that one technical advantage with vinyl compared to the optical CD is that if correctly handled and stored, the vinyl record will be playable for decades and possibly centuries,[98] which is longer than some versions of the optical CD.[99] For vinyl records to be playable for years to come, they need to be handled with care and stored properly. Guidelines for proper vinyl storage include not stacking records on top of each other, avoiding heat or direct sunlight and placing them in a temperature-controlled area that will help prevent vinyl records from warping and scratching. Collectors store their records in a variety of boxes, cubes, shelves and racks.[100]
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