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When Shane inherits a gentleman's club from his estranged uncle, he leaves his Midwestern home for Los Angeles. Run by a booze hound and employing a dozen out of control strippers, Shane must do everything he can to save the club from bankruptcy and maybe make history in the process.
Dave Foley Tera Patrick Andy Dick Asa Akira Mike Hatton Bree Olson Har Mar Superstar Annemarie Pazmino Kristen DeLuca Mindy Robinson Matt Offerman Shaun Parker Christopher Zane Gordon Sam Tripoli Ken Hudson Campbell Mira Carr Missy Martinez
Just when you think hackneyed comedies have scraped the bottom of the barrel clean, something with Andy Dick in it finds a whole new layer of gunk. Its like one of those new video games that try so hard to be retro but then just use the retro stuff as an excuse to gloss over shitty parts. This is an "homage" to the 80s sex comedy because a lot of filmmakers seem to think you don't need a script or new jokes when you call something an homage.
It's fitting the film is set in 1985, because Live Nude Girls is a throwback to those T&A B-movies that made their mark in the Decade of Decadence. If Cinemax launched today, this is the kind of film it would play in heavy Saturday late-night rotation. My DVD Verdict review: www.dvdverdict.com/reviews/livenudegirls2014.php
This movie was as good as a movie called Live Nude Girls could be. 15 year old Bob would have recorded it on VHS and burned out his copy. 43 year old Bob played it solely as background filler while he dusted his kitchen.
Opposing the strike, the management of the Lusty Lady argued that taking off your clothes in a peep show is not real labor so much as an enjoyable part-time job. The women putting in 10-hour shifts didn't see it that way--but their customers did. "What's your job?" one of the clients asks one of the girls. "I'm a stripper," she says. "I mean," he says, "how do you earn a living?" There is the curious notion that strippers and prostitutes do what they do because they enjoy it. This is a fiction that is good for business. I am sure that some strippers and hookers do sometimes enjoy what they do, but not that they do it over and over, all day long, week after week, for a living. By way of illustration, it is possible to take pleasure in making a ham sandwich, but you might not want to work behind the counter at Mr. Submarine, especially when the customers always leave with the sandwiches.
When you think of strippers, you think of a stage, but the strippers at the Lusty Lady work in a small mirrored room. The clients enter little booths surrounding the room, and put a quarter in a slot; a panel slides up and they can see the girls for 15 seconds. Another quarter, another 15 seconds. It's enough to bring back the silver dollar. The veteran girls make $20 an hour, and there are always two to four on duty, which makes you realize that the hardest job at the Lusty Lady belongs to the guy who collects the quarters.
"Live Nude Girls Unite!," playing this week at Facets Multimedia, is a documentary made by Julia Query, a stripper at the club, and Vicky Funari. It is an advertisement for the possibilities of the consumer digital video camera. It's not slick, it has some lapses, it sometimes looks like a home movie, but it's never boring. It follows some 80 strippers as they hire a lawyer, demand a contract, and threaten to strike. Query, Funari and two other filmmakers simply took the camera along with them and shot whatever happened.
Miss Query is not your average stripper--but then no stripper ever is. She dropped out of graduate school, has worked as a dominatrix, and has a mother who is a famous public health advocate. The mother pilots a van around Manhattan handing out free condoms to hookers, and tells Barbara Walters in a "20/20" segment that her group facilitates 500,000 safe sex acts a year. "Peppermint?" Walters asks, holding up one of the condoms.
When Julia turns up as a speaker and stand-up comic at the same conference where her mother is delivering a paper, the result is one of the more unusual mother-daughter arguments in movie history. Julia was reared to "do the right thing," and expects her mother to be proud of her as a union organizer, but the mother somehow cannot get around the stripping. This although Query tries to stir indignation about the club's discrimination against strippers who are not white (or, for that matter, white but not blond).
Julia is a disarmingly honest narrator. When she decided to earn money by stripping, she says, she was terrified by the thought of going on the stage because "I can't dance." The mirrored room at the Lusty Lady, which reminded her of an aquarium, seemed less of a challenge, especially since it has silver poles in it. The other girls use these for posing, but we gather Julia may need to grab one to keep from falling down. Still, she's a spirited Union Maid, and she and her sister organizers make labor history. She's the kind of woman Studs Terkel was born to interview.
Olivia d'Abo lying topless in bed as Lora Zane, also topless, begins to kiss Olivia's nice breasts and then rub her nipples while lesbian kissing her, all while Laila Robins stands in black lingerie and watches. Hi-res DVD capture from Live Nude Girls.
Lora Zane, Laila Robins, Kim Cattrall, Dana Delaney and Cynthia Stevenson all seen sitting nude around a table in a garden, Lora givieng us a nice look at her naked from the side as well as the other girls showing us their breasts briefly. Hi-res DVD capture from Live Nude Girls.
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It would be impossible to write a review of this film without discussing the title. How many viewers will see Julianna Lavin's feature debut because it's called Live Nude Girls? And how many will avoid it for the same reason? There's little doubt that the title was chosen for its provocative value, because, although the movie deals with live girls, they're mostly clothed. While there are bared breasts and discreetly-photographed limbs and torsos, most of the nakedness in this picture is of the emotional, not the physical, variety.
In essence, Live Nude Girls features five women in their early-thirties hanging out and talking. It's ninety minutes of simple, pleasant conversation. Nothing earthshattering occurs, and no one attempts to answer, or even raise, any meaningful, philosophical questions. One-by-one, these characters open up to one another about relationships, love, and sex, while those of us in the audience are transformed into flies on the wall.
In movies, slumber parties have been used as settings for everything from teen sex comedies to soft porn. Here, writer/director Julianna Lavin resorts to this overused plot device one more time. As a way to get the five women together for a night, it works as well as any other contrivance, and provides a reasonable means by which the conversation can flow as freely as the wine. The occasion for the slumber party is the approaching wedding of one of the women, Jamie (Kim Cattrall), a B-movie star who is making her third attempt at marriage. Four of her friends -- Georgiana (Lora Zane), Rachel (Laila Robins), Jill (Dana Delaney), and Marcy (Cynthia Stevenson) -- have decided to hold a girls-only get-together on the night of the groom-to-be's bachelor party. Hanging around on the periphery of this group is Chris (Olivia D'Abo), Georgiana's lesbian lover.
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