[Madaari Movie In Hindi 3gp Free Download
Virginie Fayad
The film ends on predictable lines leaving the viewer a little perplexed about the message; it comes at the end, over the end credits, not in a scene but in the accompanying song containing lyrics of Faiz Ahmed Faiz's iconic poem, "Bol ke lab azaad hain tere".
The title is symbolic as there are two "madaaris" of the film: first, Irrfan Khan, who in the role of main protagonist acts as the main "madaari". He uses the mass media, especially television, to expose the actual sufferings and helplessness of a common man against an insensitive State.
The film touches on many core issues concerning common citizenry, such as all pervasive corruption, poor governance, institutional inefficiencies, weak accountability, and allegorically portrays the Indian State as the baaz ready to pounce on a hapless citizen.
Irrfan typifies an aggrieved individual seeking answers and accountability from the authorities which are mandated to act in public interest, but suffer from the prevalent practice of acting in private interest.
Though Jan Lok Pal movement is not directly mentioned, the dialogues are littered with words like "aam aadmi", "acchhey din", and the film has montage containing real-life shots of candle-light vigils, protestors facing water canons, jumping police barricades and so on leaving little doubt about the source of inspiration .
The film is bang on target when it uses the element of live a TV debate in the concluding scenes, mirroring the obsession of urban classes, and, in a way, affirming the stereotype of the Argumentative Indian.
People are now saturated with debates of party spokespersons and experts with pre-determined positions and want some quality debates on core issues of governance. Hence, this element touches the right chord with the audience.
The ever increasing and all encompassing embrace of social media is another element used in the film, and mirrors life in urban agglomerations where individuals and families are connected increasingly by internet and networks than by ties of kinship.
The film can give an impression of being of nihilistic, negational and vigilante justice orientation due to direct demolition of what the State stands for, but eventually comes around to surrendering to rule of law.
Summing up, the film uses the allegory of State being a madaari and creating an illusion for the masses, and then, a common man doing the same, again creating an illusion of an individual successfully taking on the might of the State through extra-constitutional means.
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