Sweden

[PhotoStudio]

Люди, привет,

вчера Павел задавал вопрос по поводу пользы для студии от контактов
(приезда шведских экспертов). Вот области, в которых конкретно на
"Искусстве" специализируются. Это первый контакт:

University College of Art, Craft & Design


Photography as fine art
History-of-Art
History of Photography (still)
Media studies (psychology & sociology of images)
Photolaboratory & processing work
Social & cultural studies
Photographic theory, optics & chemistry
Art theory
Philosophy
Psychology


Второй контакт -- Школа фотографии университета в Гетборге, пока -
через вторые руки (через Konsthogskolan Valand)

Hogskolan for fotografi & film

http://www.hff.gu.se/eng/index.htm

THE SCHOOL OF PHOTOGRAPHY AND FILM - AIMS The School (HFF) is a
state-financed department of Art within the Fine Arts faculty of
Goteborg University - the largest Fine Arts faculty in Scandinavia. It
is a spearhead for photography and film. The general policy for the
work of the School favours free, individual creativity...

....

DEGREE COURSE IN PHOTOGRAPHY
The course is three years in duration, leading to a Degree of Bachelor in Photography. The training combines practice with theory, and involves the cooperation of guest lectures and tutors, Swedish and overseas photographers, critics and artists. Representation
photography is the main theme of the whole period of education.

During the first year students are given a theoretical and technical basis in photography. During the second and third years the training is more free in character. The second year includes an extensive group project, as well as an external project in which students have the chance to test their knowledge and skills outside the School.
The third year is largely devoted to major individual projects.

Twenty students each year are accepted for the degree course in photography.

Artistic Director for the Course: Lasse Lindkvist, Associate Professor.

Final date for applications: 1 march, 2004.


PROGRAMS AND INFO

Degree Course
in Photography

Degree Course
in Film Directing

Masters Degree
in Photography


Aims of the school

Entrance requirements
and selection

Further information



to top DEGREE COURSE IN FILM DIRECTING
This is a three year course leading to a Degree of Bachelor in Film Directing. The main emphasis on the course is on the art of film and narrative, and the chief task is seen as being to train professional, independent film directors and film makers who can express themselves in a film language of their own, in feature films as well as documentary.

Making films is a collaborative process in which cooperation is of the highest priority. Students are given every chance to develop their own independent, critical powers, and also to find their own personal, questioning stance in relation to research and development in the arts of filmic narrative. The training makes no distinction between feature and documentary films, but rather places the emphasis on visual narration.

During the first year teaching concentrates on the basic methodologies of film and moving pictures, as well as filmic representation and imaging in both feature and documentary films. In the second year the training is of a more free-ranging kind, with advanced experience of film narration through both a documentary and a feature film project. Studies in the third year are conducted in increasingly individualised ways and directed towards working life and production. As part of their advanced studies students complete a project of their own choice.

During the whole period of education practical work is varied with theoretical subjects, such as studies in film history, film analysis and dramatics, as well as policy matters concerning film, culture and the media.
The course in film directing works closely together with courses in acting within the School of Theatre as well as having close relations with courses in composition in the School of Music and Musicology.

Artistic Director for the Course: Goran du Rees, Professor.

Final date for applications: 15 January, 2005.

RS' DEGREE IN PHOTOGRAPHY
The course allows students to develop their own language of expression in photography, to acquire advanced theoretical knowledge and practical skills in the areas of contemporary photography and related media, as well as building up active responses to the aesthetic and philosophical theories of the 20th century.

The first year is devoted to studies in 20th century aesthetic theory, philosophy and art criticism. At the same time students work om minor projects of their own and take part in teaching conducted by guest lectures. During the second year students work on their own major projects and complete a thesis-type essay. In both the years of the course there is training in teaching methods, in the form of both tutorial and lecturing techniques.

Each year seven students are accepted for the Master's course.

Artistic Director for the Course: Annika Karlsson Rixon.
Final date for applications: 2 May, 2004


THE SCHOOL OF PHOTOGRAPHY AND FILM - AIMS
The School (HFF) is a state-financed department of Art within the Fine Arts faculty of Goteborg University - the largest Fine Arts faculty in Scandinavia. It is a spearhead for photography and film. The general policy for the work of the School favours free, individual creativity.

The aim of the School is to raise the quality and increase the breadth and diversity of photography and film in Sweden.

This means that the development of photographic and filmic means of expression is to be given priority. Wide variation is encouraged so that the work is able to comprise advanced artistic experiment as well as everyday projects in contact with the prevailing reality of the media. Teaching is conducted in an investigative and critical spirit, against the background of photographic and film traditions, with an openness to all the new possibilities offerred by technological development and new theories. The School sees it as its task to acknowledge and deepen the artistic aspirations of its students. The students are to acquire knowledge and skills that will make them an asset to cultural lige and the labor market. The School seeks to stimulate the unexpected and the unconventional, and by doing so to influence public thinking and discussion, to broaden cultural views and attitudes towards photography and film.



ENTRANCE REQUIREMENTS AND SELECTION
Applicants for all degree courses at the School of Photography and Film must be qualified for university entrance.
Applicans for the Master's degree must have completed a university degree in photography or hold an equivalent qualification.
The most important grounds for selection are artistic and technical skills in photography/film. Selection is based on samples of work submitted and interviews.

Language of instruction is Swedish.

INTERNATIONAL EXCHANGES

The School is open for international exchanges.

For further information contact Sonja Gybrant, Sonja....@hff.gu.se.

As we will move during the spring semester 2004, we will not be able to accept any exchanges that semester.


to top For further information please contact the School of Photography and Film:

Tel: 031/773 18 28, Monday-Thursday between 9 and 12 a.m.
Fax: 031/773 18 37.

Visiting Address: Konstepidemins Vag 2A.
Postal Address: Box 540, 405 30 Goteborg
E-mail:: H...@hff.gu.se Http:// www.hff.gu.se

The director of the school is Bo-Erik Gyberg.


...

HFF dominerar INSTABILT!

INSTABILT - nya riktningar inom svenskt fotografi
cur.Peder Alton och Helene Bostrom
11 September - 9 Januari 2005

HFF dominerar utstallningen INSTABILT.
Forutom att flera nya/gamla elever sasom, Nina Bacos, Helena
Blomqvist, Estella Burga, Trinidad Carillo, Katarina Elven, JH Engstrom,
August Eriksson, Maria Hedlund, Carina Lindh, Petter Magnusson,
Hendrik Zeitler, Pernilla Zetterman och Sofia Enghede ar
representerade, kommer aven resultatet av ett projekt i ledning av adj.
professor Annica Karlsson Rixon och teorilarare Fredrik Svensk,
presenteras.
Medverkande studenter ar Ann Eringstam, Gorm Heen, Annika Holmer,
Ellen Holtskog, Cecilia Liedholm, Jonathan Jarl/Olle Andersson och
Niclas Lofgren.

Svensk fotografi har forandrats dramatiskt under de senaste tio aren.
Parallellt med de stora samhalleliga forandringarna dar
internationalisering och globala floden satt modernistiska system ur
spel, hittar fotografin nya sammanhang, miljoer och tematik. "Instabilt"
vittnar om en ny dynamik inom konsten dar fotografin spelar en vital
roll, bade som katalysator och som uttolkare.

"Instabilt" kommer att provocera. Den visar ett rikt, vagat fotografi och
beskriver ett Sverige i rasande forvandling. Det idylliska svenska
landskapet har fatt konkurrens av turistindustrin, den nya ekonomin,
internationell samverkan och teknologisk snabbhet. Det ar en
utstallning vars mal ar att skapa en dialog kring fotografi, fotografiska
tillampningar och vad bilden speglar, dissekerar och debatterar.
Besokaren kommer att bli konfronterad med utmanande
genretolkningar som t.ex. portrattbilder dar objektet knappt ar synligt.

Flera av utstallningens fotografer ar valkanda ocksa for en
internationell publik, Miriam Backstrom, Lars Tunbjork, JH Engstrom,
Maria Miesenberger och Annica Karlsson Rixon. De flesta har dock
debuterat under de senaste aren som t ex Dejan Antonijevic, Helena
Blomqvist, Jenny Kallman och Pernilla Zetterman.

Fredagen den 10 September 2004, kl. 17.00-19.00
Invigningstal cirka kl. 17.30

Kulturhuset, Galleri 3, vaning 3
Sergels torg, Stockholm

Las mer!
http://www.kulturhuset.stockholm.se/

[PhotoStudio]

Галерея Canon с симптоматичным для наших штудий названием:
Canon Explorers of Light

Портрет:
http://www.photoworkshop.com/canon/explorers/greg_gorman/gorman.html

Ч/б портрет + SL color
http://www.photoworkshop.com/canon/explorers/joyce_tenneson/tenneson.html

Свет в буквальном смысле:
http://www.photoworkshop.com/canon/explorers/parish_kohanim/kohanim.html

Красиво:
http://www.photoworkshop.com/canon/explorers/john_paul_caponigro/caponigro.html

Манипулятор
http://www.photoworkshop.com/canon/explorers/paul_aresu/aresu.html

Манипулятор
http://www.photoworkshop.com/canon/explorers/ryszard_horowitz/horowitz.html

The Canon Explorers of Light

Sam Abell
Paul Aresu
Harry Benson
Clay Blackmore
Barbara Bordnick
Paul Bowen
Jim Brandenburg
John Paul Caponigro
Clint Clemens
Bruce Davidson
Anthony Edgeworth
Robert Farber
Dick Frank
Greg Gorman
Michael Grecco
Lauren Greenfield
Dirck Halstead
Gregory Heisler
Ryszard Horowitz
Walter Iooss
Carol Kaplan
Lewis Kemper
David Hume Kennerly
Douglas Kirkland
Parish Kohanim
Steve Krongard
Brian Lanker
George Lepp
Harvey Lloyd
Gerd Ludwig
Mary Ellen Mark
Susan Meiselas
Eric Meola
Sheila Metzner
Duane Michals
Peter Read Miller
Arthur Morris
James Nachtwey
William Neill
Arnold Newman
Chris Rainier
Denis Reggie
Seth Resnick
Roger Ressmeyer
Jack Reznicki
Rick Sammon
Jeff Schewe
Gil Smith
Melvin Sokolsky
David Stoecklein
Eddie Tapp
Michel Tcherevkoff
Joyce Tenneson
David Turnley
Nick Vedros
Stephen Wilkes
Art Wolfe
James Wood
Monte Zucker

Shared Exhibits:

∙ Meola, Gorman, Sammon and Neills
∙ Clemens, Smith, Kemper and Tenneson
∙ Horowitz, Kohanim and Caponigro
∙ Aresu, Bowen and Stoecklein