JFF Theater アフリカ向け特別配信について
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MSHOKOLA
Oct 25, 2025, 12:09:56 AMOct 25
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Visual Anthropology Forumの皆様
平素大変お世話になっております。
ガーナのアートを研究している、東京都立大学の森と申します。
国際交流基金のJFF Theater（Japanese Film Festival）アフリカ向け特別配信についてご案内します。
2024年度は東南アジア各国やオーストラリア等10カ国で日本映画祭を開催したようです。
私自身昨年のガーナ長期調査中に、若年層へのNetflix等の日本コンテンツの影響の大きさを目の当たりにしましたので、基金の今年の事業展開を大変興味深く見守っています。
ーーーーー
国際交流基金（JF）では現在、アフリカ全域に日本映画を無料配信しています。
現在、『AKIRA』『映画 えんとつ町のプペル』『侍タイムトリッパー』の 3 作品を配信中で、ラインナップ
は 3 か月ごとに更新されます。配信は、日本の映像コンテンツを海外向けに提供する公式プラットフ
ォーム JFF Theater（ジェイ エフ エフ シアター）にて行われています。
それぞれ、アラビア語、英語、フランス語、ポルトガル語の字幕付きでお楽しみいただけます。
配信は 2024 年 8 月にオープンした、海外へ日本の映像コンテンツを届けるオンライン配信プラッ
トフォーム「JFF Theater」を通じて行います。全世界（日本を含む一部の国と地域を除く）を対
象とした配信作品とあわせると、アフリカ全域においては期間中常に 10 本前後の日本に関連する
映像コンテンツを無料でお楽しみいただけます。
配信期間：2026 年 2 月 3 日 11 時（日本時間）まで
その後は新しいラインナップに変わります。
配信地域：アフリカ全域（54 か国）
視聴料：無料（ユーザー登録が必要）
ぜひご登録・ご視聴いただくとともに、アフリカ地域にいらっしゃるお知り合いの方にもお知らせください。
ーーーーー
何卒よろしくお願い申し上げます。
東京都立大学
人文科学研究科社会人類学教室
博士後期課程
森昭子
satoru ITO
Oct 30, 2025, 10:07:45 PMOct 30
to Visual_An...@googlegroups.com
皆さま
UCLAの知人からいただいた案内を共有いたします。
伊藤悟
--------------------------------------------
Dear all,
We invite you to our upcoming book talk with Jane M. Ferguson (The
Australian National University) - "The Burmese Way to Socialist Realism:
Comparing Burmese Remakes of Hollywood Movies from the Parliamentary
Democracy and Socialist Periods" on Monday, November 10, 2025 from
12:30pm to 2pm in 10383 Bunche Hall (10th floor) at UCLA or on Zoom.
REGISTER HERE FOR THE TALK
https://forms.international.ucla.edu/sites/forms/ApplicationForm.aspx?J_ZYMAdLJG5LdONsSuxIjWGvPCfxP0VjHCH9Ofh7OkU=
Learning about, borrowing from, and copying established work to make a
new product is a fundamental part of the creative industries. Motion
pictures explicitly based on previous releases are called remakes. In an
industry which sometimes privileges auteurship and creativity, yet has a
business model that depends on mass appeal and established conventions,
the production of the remake, and its possibilities for contestation
present fruitful fodder in the exploration of the motion picture as
art/spectacle/commodity. Burmese cinematic remakes of popular stories,
novels as well as international films have been integral to the industry
since its earliest years. Following a theoretical overview of the
remake, its contestations, as well as its centrality to the motion
picture business model, this talk will consider the meaning of the
remake in Burma in the parliamentary democracy years (1948-1962). Then,
turning to the socialist era (1962-1988) it will explore the remake as a
cultural bellwether for Burmese engagement with global cinema.
Jane M. Ferguson is Associate Professor of Anthropology and Southeast
Asian History at the Australian National University. She is the author
of Silver Screens and Golden Dreams: A Social History of Burmese Cinema
(University of Hawaii Press, 2025).
Following the talk, our speaker will give a graduate student workshop -
"Researching Statelessness: Ethnography of the Borderlands" from
2-3:30pm in 10383 Bunche Hall. Students are expected to read a chapter
from Repossessing Shanland: Myanmar, Thailand, and a Nation-State
Deferred. The author will facilitate discussion on ethnographic
approaches to studying ethnic boundaries and quasistatehood in Southeast
Asia and beyond.
UCLAの知人からいただいた案内を共有いたします。
伊藤悟
--------------------------------------------
Dear all,
We invite you to our upcoming book talk with Jane M. Ferguson (The
Australian National University) - "The Burmese Way to Socialist Realism:
Comparing Burmese Remakes of Hollywood Movies from the Parliamentary
Democracy and Socialist Periods" on Monday, November 10, 2025 from
12:30pm to 2pm in 10383 Bunche Hall (10th floor) at UCLA or on Zoom.
REGISTER HERE FOR THE TALK
https://forms.international.ucla.edu/sites/forms/ApplicationForm.aspx?J_ZYMAdLJG5LdONsSuxIjWGvPCfxP0VjHCH9Ofh7OkU=
Learning about, borrowing from, and copying established work to make a
new product is a fundamental part of the creative industries. Motion
pictures explicitly based on previous releases are called remakes. In an
industry which sometimes privileges auteurship and creativity, yet has a
business model that depends on mass appeal and established conventions,
the production of the remake, and its possibilities for contestation
present fruitful fodder in the exploration of the motion picture as
art/spectacle/commodity. Burmese cinematic remakes of popular stories,
novels as well as international films have been integral to the industry
since its earliest years. Following a theoretical overview of the
remake, its contestations, as well as its centrality to the motion
picture business model, this talk will consider the meaning of the
remake in Burma in the parliamentary democracy years (1948-1962). Then,
turning to the socialist era (1962-1988) it will explore the remake as a
cultural bellwether for Burmese engagement with global cinema.
Jane M. Ferguson is Associate Professor of Anthropology and Southeast
Asian History at the Australian National University. She is the author
of Silver Screens and Golden Dreams: A Social History of Burmese Cinema
(University of Hawaii Press, 2025).
Following the talk, our speaker will give a graduate student workshop -
"Researching Statelessness: Ethnography of the Borderlands" from
2-3:30pm in 10383 Bunche Hall. Students are expected to read a chapter
from Repossessing Shanland: Myanmar, Thailand, and a Nation-State
Deferred. The author will facilitate discussion on ethnographic
approaches to studying ethnic boundaries and quasistatehood in Southeast
Asia and beyond.
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