Dear Hardeman, Phil, and Gordon,
It's good to be exchanging thoughts again. Thanks to Hardeman for the latest response which contains a number of helpful if quite demanding links. I like the idea of exploring Queequeg as a forerunner of the confidence man, both for their similarities and their instructive contrasts, and I also take the perceptive point about the relevance of 'The Two Temples' to this discussion. I need to think carefully about some of these hints and tips rather than sound off about them, but this phase of Melville's writing and life is fascinating in that there does indeed seem to be a line of consistency, persistence, and defiance even as the turmoil in his society and his personal life exerts such contrary pressures on him. The other comment I would make is that while many people seem to read Melville for his modernity, it also seems true that his writing is a complex response to a very wide range of distinguished forebears: in this sense, I am interested in Hardeman's reference to 'Don Quixote', though I do not know it well myself. I have though just been reading Godwin's 'Caleb Williams', and found that another interesting study of confidence and narratorial ambiguity.
Good night all,
Ffrangcon Lewis