How do images communicate in contemporary performance? How
do we evaluate visual evidence, particularly when that evidence is often
fragmentary or partial? How do we investigate attempts to evade representation?
How does the iconography of theatre imagery affect the discipline? How does the
dominance of the tablet/screen world intersect with performance? How does
visualisation and/or digitisation affect the visual experience of performance?
This special issue is an opportunity to further explore the use of images in
contemporary theatre practice and in historiographic analysis, which
performance is nowadays challenged by other forms of visual literacy like
cinema, art or pop culture. The topic was already investigated by David Roman
in a special issue about Theatre and Visual Culture in 2001. Since then, the
prevalence of digitisation has further broadened the visual spectrum
underpinning performance. This special number (6000-9000 words) will be edited
by Theatre Journal editor Joanne Tompinks next year and it must focus on
concentrates on how visual images communicate in contemporary performance.
For more information contact: Bob Kowkabany dori...@aol.com