The winner of this round is Debbie Embler, whose brass playing technique (which exists, but I know it as cuivré) went into an early lead, and ended with a natural score of 5. Efrem Mallach was runner-up with 3 + 2 = 5*.
Four players guessed that the ‘real’ definition in this round was #6, the Breton fairies reputed to delight in beguiling young girls.
I took the definition from Century (1889–91) for its style, and because the OED (in Burchfield’s 1972 supplement) cited Century as its source. I could find no support for the word elsewhere. The OED does have a citation from 1924, but that gives little indication of sense, and is capitalized, indicating that the author considered it a proper noun.
Couril is a real word: it is one of a dozen synonyms or near-synonyms in Breton for korrigan, which is variously glossed as ‘elf’, ‘fairy’, ‘gnome’, ‘one of the little people’, etc. But, though real, it is a Breton word: I don’t believe that it was ever used in English. Its presence in Century does not imply otherwise, because the scope of that work was deliberately and successfully encyclopedic. Its presence in Burchfield’s supplement does imply otherwise; and I take leave to doubt that, for lack of convincing evidence.
Hugo’s vote message made me realize that Century’s definition can be read in two senses: do the fairies delight in the beguilement of young girls; or, do they, like mortals, delight in young girls who are beguiling? And would you go along with my notion that the girls in the second group aren’t quite so young as the ones in the first group?
Now, ambiguity in a dictionary definition is close to unpardonable. But I looked further, and it seems that the adjectival sense of beguiling (second group) is a largely 20th-century usage.
Google Ngram Viewer tells me that the adjective beguiling began to overtake its parent verb beguile in frequency in the 1970s. It is of course necessary to distinguish adjectives from present participles (beguiling their time) and verbal nouns (enchantments and beguilings), which even sophisticated part-of-speech taggers cannot do with 100% accuracy. Still, the Ngram timeline is illuminating.
So Century’s editors might have considered my second interpretation contrived, wrong, or not so much wrong as silly. It’s sobering to think that, after only three generations, we cannot always confidently say exactly how a definition would have been interpreted when it was written.
The winner of this round is Debbie Embler, whose brass playing technique (which exists, but I know it as cuivré) went into an early lead, and ended with a natural score of 6. Efrem Mallach was runner-up with 3 + 2 = 5*.