http://www.americansongwriter.com/2009/08/npr-shines-a-light-on-david-mead/
NPR is showing a little love to our own David Mead today (the singer-
songwriter, who writes the Under the Radar column in our magazine, has
started his own American Songwriter blog here).
NPR named “Last Train Home,” the new single from Mead’s latest album,
Almost and Always, their “Song of the Day.” We’ll agree to that, any
day.
Check out his website here.
Who is David Mead? This press bio tells the story:
Almost and Always is David Mead’s fifth full-length release. His most
intimate work to date, the album examines life after marriage and the
promise of things to come. Mead collaborated with producer Brad Jones
(Sheryl Crow, Steve Earle, Jill Sobule, Butterfly Boucher, Over The
Rhine, Josh Rouse, White Light Motorcade) and new songwriting partner
Bill DeMain (Swan Dive) to create a quiet, soulful collection that
sets 21st century pop songs in classic arrangements that recall Harry
Nilsson, Paul Anka and Harry Belafonte. As always, Mead’s honeyed
voice is front and center, gently accented with classical guitar,
woodwinds and string quartet.
When asked about the three year lapse since the release of his last
album, the critically acclaimed Tangerine, Mead is characteristically
frank. “I had to take some time away from touring. I had basically
been in a rental car by myself for eight months of every year since
2000 and I was just fried. And perpetually broke. It wasn’t fun
anymore.” After spending 2007 living in Brooklyn, Mead separated from
his wife and returned to his native Nashville in early 2008, initially
landing in a room in his father’s basement for a few months. “The
change was a little paralyzing. I had left pretty much every- thing
but my books and a few lamps in Brooklyn, and there I was, back in
Nashville, well into my 30’s, doing manual labor and wondering what
was supposed to happen next.”
Through the transition, Mead had been continuing to write with DeMain.
The pair had amassed an impressive catalogue of songs that were
initially intended for a female singer. “We had all these gorgeous
songs that didn’t have a home… we wanted to find a young Bette Midler
to sing them. Or Bette herself.” But Mead had been singing the vocals
on their demo recordings of the songs, and a friend who heard them
thought otherwise. “So I asked Bill if I could hijack some of our
Bette Midler torch songs for my album, and he graciously allowed it.
It was interesting going back into them that way. It was almost like
doing a covers album… at first it seemed less personal, but then I
realized that it was just less self-conscious and therefore a lot more
personal.”
Almost and Always Track list:
1. Rainy Weather Friend
2. Little Boats
3. Blackberry Winters
4. Mojave Phone Booth
5. Twenty Girls Ago
6. From My Window Sill
7. Sicily
8. Gramercy Vaudeville
9. Last Train Home
10. Almost and Always
11. Love Don’t Leave Me Now
12. Sleeping In Saturday
13. Home