As I’ve oft mentioned, listening to Podcasts is to me what hot wax treatment is to others. Wait, no… I can refine that. It’s like having each hair pulled out individually, one every ten seconds. Usually, not far into any podcast my hand will involuntarily jerk towards the mouse so I can fast-forward past something that makes me want to yell a rude “epithet of alacrity” at the podcaster. You can probably imagine that this creates a somewhat diminished experience for me.
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So it shouldn’t surprise you that I did not leap to view the latest Chuck vs. the Podcast. However, I do remain curious, despite my podaphobia.
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Has anyone else watched this? Did Fedak say anything of note? I’m not expecting a detailed blow by blow, just some general idea if it’s worth enduring for someone with my condition. ;) Because if it’s just the same evasive song and dance we’ve heard previously, I think I’ll skip.
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Thanks in advance.
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That is funny. :)
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It might also amuse you to know that I considered feeding the podcast audio to Dragon Naturally Speaking (voice recognition software), but upon reading more about transcription on their site it was a bust (DNS only does well when decoding a single speaker’s voice; their solution is for you to record everything said during an interview in your own voice, which kind of defeats the purpose).
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Sigh.
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After my diatribe on podcasts, many of you will be flummoxed to hear me advocate watching the Paley Media Center panels that are being live-streamed this month. You can hunt for them on the web or if you’re a Twitter user just follow the Paley Center for notifications. I watched the Community and Once Upon A Time panels, and they were both excellent with only infrequent moments of wince-inducement. Here’s a link to the upcoming schedule:
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No, I can’t explain how I can tolerate these and still shake uncontrollably at the prospect of listening to a podcast.
LOL !! Did they really say that ? Then from my vantage point they
certainly had their fun, especially with deconstructing Sarah Walker.
Silly me, Â here I thought it was about telling your story with
honesty, consistency, integrity and in an enjoyable way that connected
with the majority of your audience.
On Mar 4, 9:43Â pm, "Jimmy.j.vs.chuck" <jimmy.j.vs.ch...@gmail.com>
wrote:
> I listened to a part of it and it just happened to be about 5.13. Â Fedak said that a closure epilogue and flashing forward was fine for other shows but not for Chuck. Â Also, the ending we were given was way cooler than an epilogue. Â Mmmm, ok.
>
> That doesn't surprise me and I expected this type of ending since Schwartz and Fedak did say at a con that it is more fun to write what the majority of viewers don't want.
>
> Sent from my iPad
>
> On Mar 4, 2012, at 20:05, Bill Sweatland <b...@groupscs.com> wrote:
>
>
>
>
>
>
>
> > This is actually funny.  I was waiting for someone else to listen for exactly the same reason.  My expectations are minimal.  I will be disappointed if certain questions weren’t asked.  I received somewhat of a personal commitment that they would be.  But even if asked, if Fedak doesn’t want to answer, it’s asking to much for this group to press him.
>
> > What I fear is that it's simply a reinforcement on how brilliant and visionary the finale was.
>
> > From: Ardent Aardvark <aardvark7...@embarqmail.com>
> > To: chuck...@googlegroups.com
> > Sent: Sunday, March 4, 2012 7:58 PM
> > Subject: [Chuck vs. the GoogleGroup] "Chuck vs. the Podcast" Fedak edition
>
> > As I’ve oft mentioned, listening to Podcasts is to me what hot wax treatment is to others. Wait, no… I can refine that. It’s like having each hair pulled out individually, one every ten seconds. Usually, not far into any podcast my hand will involuntarily jerk towards the mouse so I can fast-forward past something that makes me want to yell a rude “epithet of alacrity” at the podcaster. You can probably imagine that this creates a somewhat diminished experience for me.
>
> > So it shouldn’t surprise you that I did not leap to view the latest Chuck vs. the Podcast. However, I do remain curious, despite my podaphobia.
>
> > Has anyone else watched this? Did Fedak say anything of note? I’m not expecting a detailed blow by blow, just some general idea if it’s worth enduring for someone with my condition. ;)  Because if it’s just the same evasive song and dance we’ve heard previously, I think I’ll skip.
>
> > Thanks in advance.
>
> > --
> > You received this message because you are subscribed to the Google Groups "Chuck vs. the GoogleGroup" group.
> > To post to this group, send email to Chuck...@googlegroups.com.
> > To unsubscribe from this group, send email to Chuckversus...@googlegroups.com.
> > For more options, visit this group athttp://groups.google.com/group/Chuckversus?hl=en.
I didn’t listen to the podcast. I most likely never will. But I did read the comments. Clearly it was a discussion dominated by how lovely the Emperor’s new clothes were and how wonderful a job the tailor did.
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I really didn’t expect anything different. Fedak wasn’t going to admit any miscalculation and the interviewers weren’t going to press him, even a little bit. So I consider the whole thing a waste of time.
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I console myself with the fact that Fedak’s career as a show runner is long over. Schwartz will move on, but Fedak has had his chance.  By any business rationale, the show under his leadership was a total disaster. Yes, they got some buzz, some good press. But business executives are judged on bottom line. And by all accounts WB lost their ass. They reportedly gave away the show to NBC below cost for the last couple of seasons hoping to make it up in syndication. Unfortunately for them, the ratings sunk so low that they couldn’t even sell a syndication deal.
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I don’t see any studio executive being eager to have Chris Fedak do for him what he did for WB any time soon.
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So, IMO, talk of a movie is rather silly. Who would fund the minimum of $50,000,000 or so for a feature movie for a show that was rated so low they couldn’t even syndicate it?
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The only hope to continue the story, IMO, is Zac’s idea of experimenting with some new PPV distribution channel. I could see someone investing the money to create some content around a novel new web based distribution approach. But even that’s a long shot.
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I’m not even sure that I’m rooting for it. Frankly, if Chris Fedak is going to be the creator of any new content, I’d just as soon it fade away. I don’t trust him. Not only that, he is simply horrible at what he does, even as a writer. His episodes are fairly consistently at the bottom of my list. 3D? First Class? Pink Slip?
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Would I pay $5.99 to see another episode of that? Probably not.Â
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From: chuck...@googlegroups.com [mailto:chuck...@googlegroups.com] On Behalf Of anon4utu anon4utu
Sent: Saturday, March 17, 2012
9:47 PM
To: chuck...@googlegroups.com
I have to agree with all of this, except your absolutist view on Fedak’s prospects. Sure, another stint as a show runner seems unlikely, but it’s not inconceivable that with someone like Schwartz “co-signing the loan”, Fedak could end up an EP on another show. You can spin any single failure as a win, and it’s made easier by NBC’s flailing during Chuck’s run. Chuck ran five seasons while many other shows were “one and done”.
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Since Fedak’s sensibilities tend more towards juvenile humor and facile relationships, I think he’d have a lot more luck doing cartoons for the under-twelve set. They’re really more suited to his approach to story—kids are way more forgiving of constant retconns in the interests of making something happen in the moment. And they love Gravitrons.
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I didn’t bother with the podcast either, and I’m sure I never will.
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For me, Chuck, the show, is done. The only way I’d want it back is without Fedak, and I can’t think of any way that would happen. I doubt Fedak will have much success in his other endeavors, so if someone else revives the IP and attracts funding for a movie or web series I’m sure he’d be ready to leap onboard. And I don’t have faith that the new production team would see his inclusion as the lethal toxin that it is.
Yeah, I guess the kids are also more impressed with blowing stuff up.
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I’m not sure how impressive a five year run is when the studio had to sell it at a loss. I’m not even sure how deep Schwartz’s pockets are. None of his shows are pulling impressive numbers.
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