Our
seminar seeks to understand the multivalent ways in which militarism,
war and state violence have informed cultural and social processes.
While militarism may seem evident in cultural artifacts like war films,
recruitment materials, memorials, or in the popularity of
military-themed video games, we also want to examine how the wars of the
past century have militarized the ways in which we produce, consume,
and understand contemporary culture and social order. How might we, for
instance, think of war not only as having material consequences but also
as constituting "the secret motor of institutions, laws, and order”
(Foucault, "Society Must Be Defended"). In what ways is the basis of
social order and “perpetual peace” constituted by war and violence? How
is the experience of peace and war distributed unevenly? How is peace
experienced as violence by some and not by others? How have national
and/or imperial consolidation relied upon war and violence? We look to
explore these questions from a broad range of topics and media: relation
to other forms of state violences (policing, surveillance, e.g.);
cinematic productions of war memories; militarization of visual culture
(film, photography, museum exhibits, advertisement, e.g.);
militarization of race, gender, sexuality in contemporary culture;
militarism in particular literary genres (detective fiction, e.g.);
violence and affect in imperial/post-colonial settings. We hope that our
conversations will illuminate the ways in which war as an enterprise
invites comparisons across borders, and welcome papers that offer
cross/inter-disciplinary approaches. Send inquiries to either Ji-Young
Um (
j...@williams.edu) or Andrea Opitz (
aop...@stonehill.edu)