The documentary film Olympia--英国Paper代写范文精选

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51due英国论文代写网精选Paper代写范文：“The documentary film Olympia” 这篇论文讲述了纪录片奥林匹亚,是有才女电影导演之称的莱妮·里芬斯塔尔于1940年拍摄的,记录世界上一个里程碑的夏季奥运会的柏林奥运会比赛，可以被描述为一位英雄史诗般的工作由其雄伟的电影场景和宏大的气氛。然而,通过接受希特勒的大力支持,这部电影仍然是有争议的国家身份以及种族极端主义。

The documentary film, Olympia, was directed by talent female movie director Leni Riefenstahl in 1940, which marks a milestone in firstly recording world’s summer Olympic Game—the Berlin Olympics Game. The masterpiece could be described as a hero epic work by its majestic film scenes and grandiose atmosphere. However, by accepting great support from Hilter, the film remains controversial in respect of its national identity praise as well as the racial radicalism. To finish this movie, German female director Leni Riefenstahl used a great mass of manpower and resources to achieve the best video quality, which could be described as unprecedented in film production input. Through the lens, the film demonstrates the beauty of the sports, the intensive atmosphere of competition and the pinnacle of idealism. However, the film also implied the praises of the motion beauty of the young male body and, controversially, the promotion of Nazi spirit. Some people regard the film as the peak of a Nazi aestheticism which has impressed by historical memory. Putting aside the Nazi spirit implied in the film, the movie is still a significant work of classical aesthetics that delivers the myth and beauty of sports and human body by utilizing the technique including montage and long scene cut. The film lasts about 4 hours with a fantastic opening while slowly plot moving.  http://www.51due.net/writing/research-paper/sample794.html

The Mothlight is a shot movie directed by Stan Brakhage in 1963. The film has only four minutes to describe the life a moth and the world from the perspective of it. The film is characterized by its particular film techniques, which adopts super-rapid scenes cut throughout the film, revealing an amazing shining, bright environment backgroud with rhythmic momentum in the natural world. By focusing on the microscope view to record the life of a moth, all the details of nature could be discovered through exaggerated display of the moth’s growth, movement as well as the leaves, roots, plants, fruits, sunshine, wind and so on. The utilization of the color in this film is also remarkable—by perfectly integrated light and shadow, all the color seems to be deepened under the camera. 

Kustom Kar Kommandos is a short movie directed by Kenneth Anger in 1965. The short movie lasts only 3 minutes that describes a man buffing a hot rod. The color of film was occupied by the pink background. Accompanied by the music of Dream Lover, the man’s movement of buffing implies the sex and eroticism in fount of the camera. The movie adopts abstract theme with a particular angle of view to reveal the deep stream of consciousness of humans’ sex fantasy. Car, pink color, song of dream lover, only three of these things could form a man’s desire of sex, demonstrating Kenneth Anger’s understanding of eroticism. 

All of the three films, Olympia, Mothlight and Kustom Kar Kommandos, adopt different subjects, different film techniques and different themes to indicatae the beauty of human being, nature and humanity. No matter the power of sports, the fantasy of nature or the desire of sex, they all show the magic of life and world.

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