What a great discussion on using the 3x3 cipher! I too noticed I am
much better at writing it than reading it. I've done some thinking
about the taking notes/reading them back issues using my training as a
linguist and experience as language teacher and learner.
1) Reading and writing (and speaking and listening for that matter) are
distinct skills. Practice in writing does not necessarily translate
into skill in reading (and vice versa). Probably the writer's mother
who took notes in Tengwar (and many of us did in the 1970s) didn't have
the opportunity of reading many English texts transcribed in that
script and didn't develop that particular facility. There are many
learners of Chinese (including myself!), on the other hand, who
primarily practice reading but not writing, and can recognize
many more characters than they can write.
It actually shouldn't be too hard to learn to read in Elian script.
What's needed is a lot of opportunites to read texts. Preferably this
would begin simply and grow progressively more complex. Writing out Hop
On Pop or Dr. Seuss titles in the script would be ideal beginning
reading practice.
2) We do not really read word by word. To loosely paraphrase Frank
Smith, a specialist in pyscholinguistics and reading, What's in your
head is more important than what's on the page. As soon as you see a
three letter word starting with t in front of a noun, you know it's
going to be "the". In the same way that kids learn both phonics and
sight words, the 100 or so most frequently used words of English that
make up nearly 50% of what's on any given page need to be memorized and
not sounded out. The same goes for prefixes and suffixes. Flash cards
and lots of sentence writing and immediate rereading of what you've
written helps.
3) notice certain frequent combinations of letters P is frequent but so
is PL and PR. A skillful reader doesn't soound them out each time. S/he
recognizes the shape of the letter combo at one glance. Learn to read
the vowels perfectly and easily will also help. I wonder if other
people notice how easy it is to learn the letter "o" which appears
frequently and wraps nicely around other letters.
4) As far as adding dots, crosses, etc, these are all normal
possibilities in the development of any script used for writing. The
page by CC Elian describing the author's evolution of the script is
insightful. Elian gave up using common "walls" for letters. Seems like
an elegant idea in theory; tough to read/write in practice. Think Elian
started with numbers inside the letters instead of dots. I tried the
crosses and didn't like the aesthetic effect on the flowing letter
forms. I particularly like the ability to lengthen any leg of series
two and three letters. Lengthening a leg of series three letters is in
some sense redundant. As soon as you see the dot, you know it's series
three BUT it gives you artistic freedom in writing. The whole
horizontal vs. vertical writing method is a nonlinguistic issue.
Chinese works just as well written either way/so does Elian. However,
your friends at meetings will be more surprised as you write your way
down the page. There's also something to be said for staying withing
the "tradition".
5. Memorizing the letter forms is tough. I'm still writing out the grid
on each page i write on. I think it's learning the fretboard on a
guitar in some ways. The "
ADaGe JuMP SaVvY " that Peter R suggested helps. I also use AI JR SZ to
remember which group something belongs to, but I'm sure somebody here
will come up with a good way to learn the letter forms. Learning forms
that all share the same position seems to help like "NEW-all central
forms". Anyway, my s.o was convinced this was just usual Bob
wackiness when I started to write in this script a couple of days ago.
Now I'm telling her about the nineteen messages and other people who
are obsessing over it. I'm not alone I told her. Thanks 43folder folks!